There were some pretty nifty Kickstarts that launched yesterday or the day before, and since new ones keep cropping up I figured it’s time to do a roundup. Let’s get started.

• Alexis Sugden does comics that are widely varied; I first noticed her name at The Nib as the illustrator of a story about gastric reduction surgery. After I looked up her name, I recognized a previous story at The Nib about gender and body image, It’s All For The Breast. What I hadn’t twigged on was that was a greatly condensed version of a story that she’s been telling weekly since 2016.

  And now she’s going to put it all into a single print volume, which requires the absolute lowest Kickstarter goal I’ve ever seen: CA$950, or US$736. Remarkably (because this is a hell of interesting project, and the book is more than 100 pages, for the low, low price of CA$15 (unsketched) or CA$20 (sketched)¹), it’s not quite hit goal in the first 50 or so hours, but it’s about to.

  This looks like one of the most interesting autobio comics you’re going to read this year, so take a look at the sample pages at the project page — just the page with Bowie forcing Young Alexis to reconsider notions of gender is worth the price of admission by itself.

• The annual Retrofit Comics Kicker has arrived, and with it the opportunity to support twelve new graphic novels. There’s something there for everybody, from 64 page books to more than 200 pages; some are B&W, some full color, some limited; pracerange from US$8 to $25, with plenty of tiers that include these 12 books, plus extensive collections from the Retrofit backlist.
• David “Damn You,” Willis has set up the campaign for the seventh (!) Dumbing Of Age collection, which is essentially the most foolproof thing you can ever back on Kickstarter. He announces the Kicker and the stretch goals, his fans back the Kicker and stretch goals, he produces the books and stretch goals, people get the books and stretch goals. You can set your watch (or at least your calendar) by it.
• Not a Kickstarter but Heidi Mac at The Beat — she always seems to get this story first, year after year — reports that the Center for Cartoon Studies and Slate have announced the winners of this year’s Cartoonist Studio Prize. For reference, the nominees were announced about a month ago, and the winners are Keren Katz for print comics, and Michael DeForge for webcomics.

  In addition to the honor of recognition, Katz and DeForge each get a cool thousand bucks American cash money, which is the only thing better than a six hundo.

Spam of the day:

Unfortunately, I hadn’t experience of technological background, that’s when I thought of my close friend Sasha Petrichenko who is currently working as a software developer and engineer for NASA space exploration.

Just because your dude works for NASA doesn’t mean he knows squat about investing strategies. Trust me, I know people at NASA, and you don’t have to be a brain surgeon to be a rocket scientist.

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¹ US$11.62 or US$15.50, respectively, at Kickstarter’s exchange rate.

We are going to talk about some cool things today, but could anything be cooler than watching Bill Freakin’ Watterson return to the Sunday comics page, even just for one day? We’ve seen him draw in the slightly recent past with the poster for STRIPPED, but to see Calvin again, to see Watterson dinosaurs again, to see something even better than the legendary Tyrannosaurus Rexes in F-14s¹ ², and to see him playing with Opus the gosh-danged penguin.

With a Trump joke.

Look, if it turns out that Breathed just got Watterson to okay the use of Calvin, but that he didn’t draw the lil’ guy again, don’t tell me. Breathed’s done C&H references for a couple of April Foolses now, but the earlier ones didn’t have that spark, that hint of Wattersonian goodness. We all need to find joy where we can.

• Speaking of finding joy, please enjoy Pénélope Bagieu on the effect of a participation trophy that she didn’t know was a participation trophy, leading to a lifetime of assuming she could do stuff. Which means, naturally, that she can.

  The Teddy Bear Effect is a pure delight. Go read it in anticipation of meeting Ms Bagieu at MoCCA this weekend and telling her how hard she rocks³.

• On any other day, this photo would be up top, but you know how it goes. Just a few books that have shown up here at the Fleenplex — Lucy Bellwood’s 100 Demon Dialogues is a delight through and through, and I’ll have to work up proper reviews for the tenth (!) book in The Olympians by George O’Connor (I say this every time, but this one’s my new favorite) and the first graphic novel from Vera Brosgol since Anya’s Ghost (thanks to :01 Books for the latter two books).

  Suffice it to say that I’ll be carting Brosgol’s and Bellwood’s books (I, uh, got five copies of 100DD so I could give ’em away to people that need them) out to Juneau and Comics Camp later this month, so I can get them signed. I’ll be coming home with more copies of Be Prepared as well, as I’ve got nieces who will love it and they can’t have my copy, it’s mine.

  But what’s the large book taking up all the space? Oh, nothing, just the first college text ever to talk about the entire history of illustration from cave paintings to Cintiqs. Years ago, the lead editor went looking for somebody to write 500 words on webcomics and Scott McCloud sent her my way.

  It was remarkably hard to get down that far, not lose sight of what a big topic was being addressed, and still sound like me (special thanks to KB Spangler, who smacked me upside the head about the latter point; that’s why she’s an excellent editor and you should hire her). But there it is, years later. My essay got split up and folded into a series of digital illustration topics, and my name might have gotten left off the contributor’s list, but it’s totally in the errata and will be in the next edition!

  Look, like I said above, we need to find joy, etc, and I personally look forward to a job interview in the unspecified future and some tech recruiter asks about the line on my CV that says I contributed to History Of Illustration. This is completely a thing and I’m taking joy from it.

Spam of the day:

Is Your Husband Getting Calls Day and Night?

No?

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¹ Leading to an excitable kid to exclaim This is so cool and a jaded tiger to mutter This is so stupid.

² None of which, as far as I know, were T-Rex, in that they didn’t appear to be shouting Frig! Frig! I don’t know how to fly! Friiiiiiiig!

³ Correct answer: So hard.

Re: The Kricfalusi report.

Katie Rice and Robin Byrd did a lot of good (having first endured an unforgivable ordeal), and I’m godsdamned pissed that the world hates women to the degree that it was only logical that Rice retreated from Twitter before the article hit.

ANYway, if you want to know what I think, Spike and Sara McHenry have either neatly paralleled my thoughts, or led me to new thoughts that I wouldn’t have had because I’m not a woman and have never had to put up with this shit.

The world has trained me to expect that my (white, male, straight, cis, wealthy) opinion on anything is of value — which is pretty much the source of much of these problems. I’m shutting up to listen now; if you’re a dude, I’d advise you to do the same. And if any part of you wants to give voice (or pixels) to any variation of But he’s still a genius, kindly take that mess elsewhere.

Spam of the day:

Allegra Debt Relief

I thought Allegra was for seasonal allergies. Did you scramble your sender accounts accidentally, spammers?

It’s the happiest day of the year for a numbers nerd like me who is fond of being proved right. Start, if you will by taking a look at something we talked about last year, and in years before that. Those posts refer to the annual numbers that Brian Hibbs (hero LCS owner) compiles for Heidi Mac at The Beat on what graphic novels sell according to Bookscan’s numbers. Data, baby!

Obligatory reminder: Bookscan doesn’t reach into comic shops, libraries, or book fairs. That’ll be important later, as we remind ourselves of something else:

Raina Telgemeier remains the most important person in comics.

In calendar year 2017, when she did not have a new book, she sold (and this doesn’t count libraries, or comics shops, or school book fairs) at least US$11.6 million dollars worth of graphic novels, at least 487,000 copies of her original graphic novels, at least one million books when you include her Baby Sitters Club efforts.

Want to see something more impressive? I’m going to look at Sisters, because I kept numbers for 2014, and 2016 from those earlier posts. In 2014, when Sisters was new, she sold 176,197 copies (in four months, because it wasn’t released until the end of August). In 2016, when it was two years old, she sold 166,124 copies. In 2017, three years old, she sold 147,889 copies. That’s scarcely any taper off! Comics shop owners will tell you the drop from issue #1 of a series to issue #2 is minimum 40%. Over three years later, she’s selling fully 84% as much as when it was new!

Let’s look at the other numbers for her original work, 2014, 2016, 2017:

• Smile: 150K, 188K, 160K
• Drama: 94K, 213K, 178K
• Ghosts: (not released), 213K (four months only), 180K

I like that bump in Drama; new book means new readers who are discovering her older work. And should I mention that Smile was released in 2010? These books are never going to go out of print. Never.

This is why she broke the New York Times Best Seller List so hard that they stopped reporting on graphic novels rather than just rename it for her. This is why every neckbeard that whines about “diversity” ruining comics doesn’t know shit. Comics purchases are dominated by younger readers, all-ages topics, bound books. The first floppy comic book that shows up on the list for 2017 is Saga (which is great, mind you), and it sold … 45K. It’s in 29th place on the list¹.

It’s basically a rounding error in Raina’s sales because guess where Saga isn’t selling? The Scholastic book fairs held in elementary schools across the country. Guess where book fair coordinators are ordering Raina’s books by the case. And guess what’s not included in the Bookscan numbers.

This is why she owns six of the top twenty slots by dollar total. It’s why she owns eight of the top twenty slots by copies sold. It’s why the entire top twenty list is dominated by women, and why other top twenty books are Raina-alike stories (which is to say, following the same growing up travails stories that she pioneered in the GN space).

And this is why I whould like to humbly remind Raina that when she bestrides the worlds of comics publishing, YA publishing, and whatever the hell else she feels like bestriding, that some of us were behind her from the very beginning and would serve well in her new, benevolent regime.

All hail.

Spam of the day:

You probably don’t remember me, but I know you and have something to show you.

Somebody I don’t remember wants to give me secret information worth US$250,000! Is it because I’ve got an inside track on the new regime? I bet that’s why.

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¹ And this is great: the anti-diversity CHUDs are very fond of claiming that Marvel’s sales are down because too many of their books feature characters that aren’t straight, white, manly mens, and first Marvel title on the list is Ta-Nehisi Coates’s Black Panther, the first three volumes of which add up to a total of 55K copies sold. It’s a triple shot of schadenfreude — superheroes don’t sell, the best seller is as far from what the CHUDs want as you can get, and the numbers are from before the movie released and will only be higher next year.

If you’ve not yet read How The Best Hunter In The Village Met Her Death, get on that. It’s been occupying a large amount of my mental bandwidth with its Ostertagian goodness since yesterday¹, so I’m not sure how much I’d be able to talk about today. The fact that KC Green and Anthony Clark met goal on BACK Book 2 and thus need not destroy all you know and love might have been in my ability today, but maybe not.

So it’s a good thing that Fleen Senior French Correspondent Pierre Lebeaupin has (as is his wont) sent along a dispatch from the further shores in my hour of need, without prompting. He’s a marvel.

There have been a few interesting developments in our ongoing coverage of creator activities in festivals. If you just tuned in, just know that comics creators never charge readers for sketches in French-language comics festivals or other meetups, and there is a growing movement that creators sketching be recognized as the main attraction of a comics festival, and as a result that creators be paid to provide this animation.

Now, it is important to realize that the current arrangement would be unfair to creators regardless of the context, but it is true that the recent challenges to this state of affairs indirectly come from the overproduction crisis affecting the industry, which results in the degradation of revenues comics creators do have (advances, royalties, etc.), threatening their livelihood. Add to that changes in taxation that, while affecting any kind of income for everyone, exacerbate their difficult situation, and, well, you have a recipe for unrest.

And that is the situation where the Salon du Livre de Paris found wise to go with Hey, how about we don’t necessarily pay creators for contributing to conferences, panels, or workshops?

The Salon du Livre de Paris², set up by Reed Exhibitions, a for-profit company, on behalf of the Syndicat National de l’Edition, a trade group of publishers, is most definitely a for-profit endeavor contrary to most comics festivals (e.g. to the best of my knowledge they do not make use of volunteer labor), so that skimpy attitude stung even more when participating creators found out about it when discussing it between themselves. Worse, some turned out to be paid for these contributions, but others not, with no discernible pattern.

So creators complained, very publicly, rallying around the hashtag #payetonauteur (pay your creator). While the Charte des Auteurs, representing child lit creators, relatively quickly obtained the guarantee child lit creators would be paid for their efforts, this of course left everyone else, so the campaign continued, with Emilie “Bulledop”, a booktuber, and other creators announcing they would not attend in the current conditions, and cartoonists such as Cy advocating the cause to the public and trying to rally support.

It’s not worth going too much over how the Salon de Livre de Paris justified their position (they tried to claim that creators would actually be promoting their own work through their contributions, therefore no pay), because after a few days of pressure … victory! They relented and announced all contributions from creators would be paid … except for signings; that part will remain a battle for another day.

And while the Salon du Livre de Paris is now over (creator revendications³ did show themselves, but it went smoothly overall), the struggle goes on, now to try and obtain better statutory protections, especially in the context of the incoming general reforms in France (e.g. unemployment, retirement, ongoing training, etc.). We have probably not seen the end of it.

Many thanks for FSFCPL, and is your mind as blown as mine by the bit at the end? Creators seeking legal protections against exploitative circumstances at shows? In the US, we can’t even get major publishers to not offer illegal internships. Thankfully, others understand that treating people well forms a pipeline for the skills you need to keep your business running (heck, I’m tempted to take a leave from my frustrating job and apply for that :01 Books internship myself).

Spam of the day:

Discrete, Beautiful, Women Waiting For You

Wait, you mean the Asian mail-order brides you’re advertising are distinct and separate individuals? Awesome, I’ve never really been into hive minds. Now, are they also careful and circumspect in their speech and actions, so as to avoid causing offense or gain advantage?

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¹ Along with a narrowing from some late night EMS calls and not enough sleep in the past 24 hours.

² Which covers prose books and children books in addition to comics.

Editor’s note: Reed Exhibitions (a division of RELX Group, formerly Reed Elsevier) is the parent company of Reed!Pop, who run NYCC and bought (and greatly changed) Emerald City Comic Con. Reed Exhibitions do a lot of trade shows worldwide, and their mastery of forms as diverse as the boat show or the home improvement show reveals that they try to treat their events according to a standard script. But comics are neither boats nor building contractors.

³ This is not only a French word, but apparently also an English word. Revendication: action of claiming back or recovering a rightful possession, according to the folks at Oxford. Learn something new every day! In this sense, I’d say it’s close remonstrances mixed with vindication — creators had to get a bit loud and noisity to make sure they weren’t ignored or run over.

Here are your instructions:

• Go to this link.
• Give Molly Ostertag five dollars American cash money. Or more! You can give more. If you are, by chance, in a place where you cannot give Molly Ostertag five dollars American cash money at the moment, the first page (they’re tall pages) of what you’re going to give her five dollars American cash money for is available as a preview at Ostertag’s twitterfeed.
• Download How The Best Hunter In The Village Met Her Death and read it.
• Set it aside for a short while, then read it again.
• Pull Ostertag’s masterful graphic novel, The Witch Boy, off your shelf¹ and give it a read, thinking about it and about How The Best Hunter In The Village Met Her Death. In fact, go read How The Best Hunter In The Village Met Her Death again. Think about it some more; I’ve been doing quite a lot of thinking about it today.
• Thank Molly Ostertag, because she’s shared a piece of entirely wonderful art with you.

Spam of the day:

The super soft ribbed silicone gently scrubs away mud and dirt leaving your pets feet nice and clean! Cleaning the cup is a breeze. Just pour out the dirty water and rinse out the cup.

I’m gonna say that this cleaning device for muddy pet paws is actually pretty clever. I’m also going to say that it looks like something Matthew Nolan might have reviewed.

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¹ You have a copy, right. If not, fix that immediately.

It does, however, seem that my desire to prevent another work-related disaster is chewing up all of my spare breathing time getting sucked into meetings (bloody meetings!) while you endlessly talk back and forth, hoping to run out the clock and make it my problem again.

• Which is to say, you’re also depriving me of the time needed to talk about my beloved webcomics, including the Kickstart put up by the too-awesome-for-words Tony Breed for the next Muddler’s Beat collection, Have Fun, Leave Me Out Of It¹.

  Then again, there’s not much that needs saying; Tony’s awesome, his comic is awesome, he’s working with Make That Thing (who are jointly and severally awesome), and this is as close to a no-brainer as you can get in crowdfunding. The campaign is running a paltry fifteen days, it’s hit 46% funding (of the extraordinarily modest US$4500 goal) about a day in, and you’ll have your book by the end of June.

  Like, this June. Partly this is because Breed, et al, are awesome (see above), and partially because he’s had time to get everything just so; Muddler’s Beat has been on a retooling hiatus, and will return in minicomic form (leaving behind the daily strip format) in April. Not doing a daily strip is an excellent way to free up the time to get everything set on a book.

• And since we are here, may I point out that the Kickstart for BACK Book 2 has two and a half days and 15% to go? You’re making me nervous, people. KC Green and Anthony Clark are two of the finest cartooning minds on the planet, and the thought that their collaboration is getting down to the wire is inconceivable.

  Also, it was written in the before times that if ever Green or Clark is thwarted, they’ll turn into monstrous elder gods (in Clark’s case, adorably wizard shaped) and consume (in no particular order) the sun, the Earth, and your soul. So you might want to get on that.

Spam of the day:

Fastolfe, as he did so. Superior Singing Doodle Video ­ Clickbank — Superior Singing Method can dreamer, we’ll Grab Your FREE Copy of My Most Effective, Time-Efficient Fat-Loss Workout Here.

Robbie Coltrane is my favorite Falstaff, or Falstofe, if you will.

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¹ Breed comes up with the best titles; case in point: his last collection was titled Literally Everything Is Outside My Comfort Zone.

The header image is apropos of nothing, except that Kendra Wells has been killing it at The Nib lately, and that there’s something refreshingly hilarious about a pop song called Obstruct My Justice.

It’s spring time (the snow from the Nor’easter two days back is melting and everything!) and that means comics festival time. In case you hadn’t seen, both MoCCA Fest and TCAF have new information up for your perusal.

• First up: MoCCA (7 and 8 April, at the Metropolitan West event space, next to the Intrepid Museum) has schedules of events (which will take place a skant two blocks away, at the Ink 48 hotel), with six panels on Saturday and six more on Sunday.

  The big draws look to be the retrospective on creating March with co-author Andrew Aydin and artist Nate Powell (Saturday at 3:30pm in the Garamond Room), the Jaime Hernandez spotlight (Sunday at 12:30pm, Garamond Room), and the Mike Mignola Q&A (3:30pm, Garamond again). It’s not like what’s happening in the Helvetica Room is bad, it’s just these three caught my eye.

  Oh, and I’m not sure if I mentioned that featured guests for MoCCA, but they include webcomicker Rebecca Mock (who also designed the badges this year) and The Nib cartoonist Ann Telnaes (who also draws for other places, like The Washington Post). Exhibitors that caught my eye include Alisa Harris (A119 A), Carey Pietsch (H255), Christian Blaza (H264), Corey Chrapuch (H230), Josh Neufeld (I270 A), Julia Gfrörer (E183 A), Ken Wong (G242), Laura Ķeniņš (E179), Madeline Zuluaga (F231), Pénélope Bagieu (no table listed, but I’ll bet she’s hanging out with the cool folks at :01 Books, E162), Priya Huq (H263 B), Robyn Chapman (E170), Rosemary Valero-O’Connell (J286), and Sara Varon (D155 B). Did I miss anybody? Let me know!

• For those not all festival’ed out, TCAF will run 12 and 13 May, centered on the Toronto Reference Library, but spilling out into the surrounding neighborhood for a event that’s become more and more citywide. They’ve also done us the favor of putting all their exhibitors on one fast-loading page. However, the fast-loading page doesn’t allow you to click links into new tabs or copy link addresses, so there’s no quick way of including websites for folks. I know, but you think I have these all memorized?

  Anyways, you’ll see Lucy Bellwood, Boum, Tony Breed, Vera Brosgol, Emily Carroll, Cecil Castellucci, Danielle Corsetto, Becky Dreistadt & Frank Gibson, Melanie Gillman, Sophie Goldstein, KC Green, Nicholas Gurewitch, Kori Michele Handwerker, Dustin Harbin, Myisha Haynes, Ananth Hirsh & Yuko Ota, Abby Howard, C Spike Trotman, Jeph Jacques, Shing Yin Khor, Hope Larson, Kel McDonald, Sara & Tom McHenry, Rebecca Mock, Sfé Monster, Molly Ostertag, Ben Passmore, Katie Shanahan, Whit Taylor, Jen Wang, Ron Wimberly, and the zubiquitous Jim Zub. You should be able to find their sites pretty easily.

Spam of the day:

Congratulations, You’ve Been Considered for Inclusion…

They still do Who’s Who type scams? Man, that takes me back. I remember getting actual postcards back in like high school talking about the importance of being listed in such a prestigious personal branding vehicle. Got some sour news for you, Jack — you weren’t getting my US$39.95¹ back then, you ain’t getting squat from me now.

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¹ US$95.74 in constant dollars.

I am cautiously optimistic that all the of frozen water I cleared away from my house will be the last we get this season; much of it is melting away as we speak, which makes me wonder what the point of it all was.

Anyway, let’s talk Kickstarter, and not for the reason that appears to be all over subtwitter¹. Rather, let’s see how Kickstarters can/should be run from people with a history of running them well.

• First up, the irrepressible Lucy Bellwood² is presently in Denmark teaching various things, including the effective use of Kickstarter; by a peculiar corinsidence, this came just as notices of shipment were going out for Bellwood’s 100 Demon Dialogues campaign, bang on time.

  Bellwood, being the community contribution maniac that she is, has also kept a live Google spreadsheet showing all the finances on this project so that all can learn from her hard-won experience. And since looking at a spreadsheet isn’t enough to learn all of her secrets, her talk is here, where over the course of an hour she talks about community-building, reward design, budgeting, and outreach — plus some important information about wizards and how they can totally heck up your whole deal. If you don’t want your whole deal hecked up, give it a careful watch or five.

• Brad Guigar is utterly predictable in a couple of respects: he will burst out laughing like his life depends upon it, and his Kickstarts follow a definite pattern. Namely, he takes a year’s worth of strips, pitches a reasonable number of tiers to his fans, gets 1.5x to 2.5x overfunding, prints ’em up, and does fulfillment on time between two and four months later (shorter for stock items, longer for personalized). Guys, when it comes to Kickstarter, boring is good; you know exactly what you’re going to get from him.

  Which, in the case of his latest print collection, is exactly what I just mentioned, along with the added bonus of smut. Guigar’s got fans of his teens-and-up strip, and fans of his (ahem) late-night Cinemax Patreon tiers, and for the first time he’s providing for both in one campaign (instead of the whole thing being adults-only, there are a couple of tiers that include the cartoon sexytimes, with most being safer to leave out on the coffee table around family).

  Boring, but with suddenly revealed sizzle is the pitch for more porn movies than you can think of because it works. I anticipate that the Guigar Sons College Fund is going to benefit mightily from BBWSRS for the foreseeable future.

• Howard Tayler³, on the other hand, swings wildly in his Kickstarts; not in the BBWSRS sense, but in the sense that he’ll do alternating quick turnaround, narrowly focused campaigns, complex, ever-growing campaigns with long fulfillment times, then back to simple. The books come as the chapters dictate (and are planned out well in advance, at this point).

  Every once in a while, he’ll throw in a simple project, but mix it up so he doesn’t get bored. Case in point: his first new shirt designs in some time, which is running with a unique stretch goal model. Reaching the US$25,000 figure (US$10K over goal) unlocked a shirt design that everybody was going to want. Reaching a total of 1500 shirts ordered allows everybody at the three shirt bundle tier (US$60) to choose a fourth shirt for free.

  But please notice that there are five designs, and if the total orders reach 3000 shirts, people will be able to add on additional shirts for US$15 instead of US$20. Everything about the stretch goals increases value for the backers while simultaneously incentivizing them to give Tayler more money. It’s a thing of beauty where everybody (but especially Tayler’s bank balance) wins. Writing the adventures of money-maximizing borderline sociopaths must be inspirational, as Tayler’s got the money maximizing part down cold; here’s hoping he leaves the lessons learned there.

• Kel McDonald (for whom the McDonald Ratio is named) has done every kind of Kickstart under the sun — print collections (simple reprints to multivolume omnibus editions), anthologies, pins, done-in-one stories, and more. Of late, she’s been working around digital-only projects, which simplify the crap out of fulfillment. Got a story to tell? Write it up, get a team of seasoned comics pros to edit, draw, and color it, and have it in everybody’s hands in 60 days or so. It would be a mistake to think that McDonald couldn’t make good on any campaign, what with a baker’s dozen under her belt, but with the help of Roxy Polk, Kara Leopard, and Whitney Cogar, it’s pretty much a slam dunk.

Spam of the day:

Easy care suits: Wear. Wash. Repeat.

Why is this the subject line for a spam full of pictures and links to knock-off jewelry?

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¹ For the record, I’m far away from the corners of Webcomickia where all of this went down and don’t know any of the principals, but people I know and trust have Opinions and yeah — been a while since we had a mess like this. And it seems risky for Kickstarter to have offered a 22 year old a job in charge of stuff without an unimpeachably solid record of managing people and processes (which pretty much no 22 year old has, so …).

² Adventure Cartoonist!!

³ Evil twin, etc.

See that up there? That’s the most useful forecast product in the weather game — the 48 hour, hour-by-hour breakdown of what’s happening in your neighborhood, from the National Weather Service. They’re not hyping numbers to get you to tune in and they don’t have bozos in logo parkas out in the slop for live updates on the eights. They measure success not by eyeballs, but by how accurate they are.

If you’re curious how it’s gonna be for wherever you are, go here, punch in your ZIP code, and scroll down to hourly weather forecast graph. Personally, it’s gonna be a bear around here, and so if I don’t post in a timely fashion, please forgive me in advance.

As for today, it’s the 20th, and I’ll admit that this iteration of the F-Six hasn’t gathered the attention that previous ones did¹, but still thanks to Ben Cordes and anonymous, there will be US$100 donated to the DC March For Our Lives, and another US$100 to the Parkland March For Our Lives. On a day when there was another godsdamned school shooting, it seems the very least that we can do.

Spam of the day:

Xeophin is currently undertaking a cryptocurrency raise to restructure our company and undertake the first Biotech ICO powered by Blockchain.

Got news for you, Bunky: your blockchain don’t mean shit with respect to finding new drugs, and as somebody who’s had rheumatoid arthritis kill people near to me, I’m insulted that you’re implying your scam initial coin offering has anything to do with treating that hideous disease. Fuck off.

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¹ In fact, it’s been a decline with each new charity campaign — I get it, and I’m not mad.