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Holy Crap, Watterson

We are going to talk about some cool things today, but could anything be cooler than watching Bill Freakin’ Watterson return to the Sunday comics page, even just for one day? We’ve seen him draw in the slightly recent past with the poster for STRIPPED, but to see Calvin again, to see Watterson dinosaurs again, to see something even better than the legendary Tyrannosaurus Rexes in F-14s¹ ², and to see him playing with Opus the gosh-danged penguin.

With a Trump joke.

Look, if it turns out that Breathed just got Watterson to okay the use of Calvin, but that he didn’t draw the lil’ guy again, don’t tell me. Breathed’s done C&H references for a couple of April Foolses now, but the earlier ones didn’t have that spark, that hint of Wattersonian goodness. We all need to find joy where we can.

  • Speaking of finding joy, please enjoy Pénélope Bagieu on the effect of a participation trophy that she didn’t know was a participation trophy, leading to a lifetime of assuming she could do stuff. Which means, naturally, that she can.

    The Teddy Bear Effect is a pure delight. Go read it in anticipation of meeting Ms Bagieu at MoCCA this weekend and telling her how hard she rocks³.

  • On any other day, this photo would be up top, but you know how it goes. Just a few books that have shown up here at the Fleenplex — Lucy Bellwood’s 100 Demon Dialogues is a delight through and through, and I’ll have to work up proper reviews for the tenth (!) book in The Olympians by George O’Connor (I say this every time, but this one’s my new favorite) and the first graphic novel from Vera Brosgol since Anya’s Ghost (thanks to :01 Books for the latter two books).

    Suffice it to say that I’ll be carting Brosgol’s and Bellwood’s books (I, uh, got five copies of 100DD so I could give ’em away to people that need them) out to Juneau and Comics Camp later this month, so I can get them signed. I’ll be coming home with more copies of Be Prepared as well, as I’ve got nieces who will love it and they can’t have my copy, it’s mine.

    But what’s the large book taking up all the space? Oh, nothing, just the first college text ever to talk about the entire history of illustration from cave paintings to Cintiqs. Years ago, the lead editor went looking for somebody to write 500 words on webcomics and Scott McCloud sent her my way.

    It was remarkably hard to get down that far, not lose sight of what a big topic was being addressed, and still sound like me (special thanks to KB Spangler, who smacked me upside the head about the latter point; that’s why she’s an excellent editor and you should hire her). But there it is, years later. My essay got split up and folded into a series of digital illustration topics, and my name might have gotten left off the contributor’s list, but it’s totally in the errata and will be in the next edition!

    Look, like I said above, we need to find joy, etc, and I personally look forward to a job interview in the unspecified future and some tech recruiter asks about the line on my CV that says I contributed to History Of Illustration. This is completely a thing and I’m taking joy from it.


Spam of the day:

Is Your Husband Getting Calls Day and Night?

No?

_______________
¹ Leading to an excitable kid to exclaim This is so cool and a jaded tiger to mutter This is so stupid.

² None of which, as far as I know, were T-Rex, in that they didn’t appear to be shouting Frig! Frig! I don’t know how to fly! Friiiiiiiig!

³ Correct answer: So hard.

I believe you’ll find Watterson’s signature in the title frame.

Yes, and in prior years it was clear that Watterson’s signature (and thus, approval) appeared, but he didn’t contribute to the strip.

In this case, I believe he contributed to drawing at least Calvin and some of the dinosaurs.

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