Quick note before the main item: watch your registrations, kids! There was a time this morning when (coincidentally, I believe) Wapsi Square couldn’t be found and Sinfest resolved to a parking page.

Just put in a calendar reminder now to check on your domains before they expire; like maybe quarterly after filing your taxes? Last thing you want is for somebody of evil intent to grab up your domain name (as has happened to the likes of Box Brown’s Everybody Dies [no link, spamming page] and Vera Brosgol’s much-beloved Return To Sender [ditto]).

• An experiment wrapped today, a sort of public ride-along in artistic progression. I speak, naturally, of David Morgan-Mar (PhD, LEGO®©™^etc, of fumetti fame, who resolved just shy of three years ago to try to learn to draw comics with pen and Bristol board, via the best medium of all: recaps of Star Trek episodes. Morgan-Mar made no claims to artistic greatness, and undertook the project pretty much only to see to what degree he would get better; that he invited us along was a treat.

  After 79 old-school episodes and 3 season summaries (12 panels each), 22 animated episodes plus a summary (6 panels each), 6 orgial-cast movies (24 panels each), and a final summing-up (12 panels of Generations solely from Kirk’s POV), that’s a wrap for Planet Of Hats. Maybe there will be more down the line, maybe there won’t¹; he doesn’t seem to have the burning desire to rewatch all of TNG², much less DS9 or Voyager³, or Enterprise, plus two continuities of newer movies (two stone classics, the rest meh). Heck, if he did, the new Discovery would likely be done and half forgotten before he got to it at one episode per week.

  Oh, and to answer the question above, to what degree he’d get better? Morgan-Mar’s work is certainly more confident and his panel compositions much improved from the start of Planet Of Hats. His figure drawing is hardly realistic, but he developed cartoon references and recognizable elements in his cast (swoopy hair, swoopy ears, hands thrown skyward at the thought of plague!), which is pretty close to the purpose of comicking.

  And given the narrow restriction he set for himself in terms of topic and scope, his writing found his way to the crux (and points of ridicule) in Star Trek pretty much without fail. Every week he got better, and you can’t ask for much more than that.

  Thanks for the memories of laughing at the bad, reveling in the good, and the simple joy of a running gag. It was a pretty fearless experiment, and we at Fleen congratulate Morgan-Mar on his accomplishment. Thanks for inviting us along, consider doing your hair all swoopy-style, and watch out for plague!

Spam of the day:

Cannabis Extract now Legal to Buy and Ship in All 50 States

If you think I’m going to run afoul of the postal inspectors (those guys are relentless) testing this claim, you are even stupider than you believe me to be.

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¹ Morgan-Mar said that he’s got two new comics projects under development, to be shared when the time is right.

² And, let’s face it, most of the first two seasons were pretty mediocre.

³ Respectively: pretty uniformly excellent from the beginning, and it got better.

News and such. You know the deal.

• Item! We have word of new names to add to our MoCCA Fest 2017 exhibitor page and one bit of additional information. The first new exhibitor will be the exquisite Jess Fink, who tells us she’ll be at the Top Shelf table (A101 & 2) on Saturday, starting at 2:00pm. The second new exhibitor will be Mike Holmes, who will be debuting his newest collaboration with Gene Yang, the third book in the Secret Coders series¹. Mike will be at table J278 B, alongside his show wife (and, incidentally, wife wife) Meredith Gran.
• Item! Speaking of Meredith Gran, this is your occasional reminder that Octopus Pie continues to get better with every damn update, and the story mechanic of having a party for protagonist Eve Ning in honor of her job catching fire is brilliant. The strip may be on the glidepath to wrapping up, but by glob we’ll get to see all the old faces one last time. Whether it’s semi-recurring characters or formerly major characters that we haven’t seen for-damn-ever, everybody will get their threads wrapped up.

  Case in point: the desparkled America Jones, onetime throwaway villain, now sublimating her evil tendencies with roller derby and Nazi punching², making her just another one of the weird people in Eve’s orbit. I’ve come to believe that we’ll see the pea-wiggle guy, Mr Pedals, and Olly’s nephew before everything concludes. And you know what? I am one thousand percent okay with that. If Gran wants to drag out the conclusion of this strip so that we find out what’s up with the ducks or James, I am ready and willing to read those strips.

  Okay, maybe not James. That guy’s a dick.

• Item! Via the twitterfeed of “Uncle” Randy Milholland,news of a Kickstart you may want to check out:
  

  So @TheOnlyTrout has a Kickstarter. He’s a good guy who works hard on his comics. Please consider backing it.

  I missed this, so thanks to Randy for letting us all know; John Troutman’s been doing webcomics for as long as I can remember, and always produces projects that are unlike anything else you’ll find out there. The campaign in question is to print a collecton of The Gospel Of Carol, which is the story of Jesus’s twin sister, the one that got left out of all the Gospels because … well, you know. She does all the work, He gets all the credit.

  There’s 25 days to go and Troutman’s not quite halfway to the exceedingly modest US$3000 goal (with additional gospels and epistles as stretch goals, up to US$6000). Look, you’re not going to find a more redeeming (yet heretical) comic out there, so give Carol a look, yeah?

Spam of the day:

20?Of?The?Most?Hilarious?Dirty?Photos?Ever

Your crappy attempts at identity theft (with your non-Roman characters designed to evade keyword matching) might actually work better if you included the near-porn photos your promise. Just a thought.

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¹ If I remember correctly, Yang told me once Secret Coders will run 5 or 6 books. Certainly, book 3 ends on a cliffhanger (thanks, as always, to Gina Gagliano at :01 Books for the advance copy).

² I realize that Nazi punching is a 2017 thing but honestly? It would not have been out of place in America Jones’s character back in 2008 when we first met her.

There’s a webcomic that I don’t mention nearly enough, because it’s always just so good, what new need be said? Your Wild City is the brainchild of science educators Rosemary Mosco (words) and Maris Wicks (pictures), and teaches us about the undomesticated critters that inhabit our cities and towns. It’s great stuff.

It’s also been on a bit of hiatus, on account of Maris Wicks has been off in Antarctica at a research facility, learning stuff that she will share with the world via comics. Regular readers may recall she did roughly the same thing this time last year on an ocean-going research vessel looking at weird rocks. Well, hiatus is over, Wicks is back from the far antipodes, and Your Wild City resumes today with stories of what various critters do over the winter: your gray squirrels, your great horned owls, various insects, turtles, Marises Wicks and Rosemarys Mosco are all looked at with the naturalist’s eye. Welcome home Maris, good job guarding the couch Rosemary, and everybody go check out the prime info and hearty laugh-chuckles.

• So the pop culture commentary machine that is The Nerdist has a comic book component, in the form of the interview series known as The Nerdist Comic Book Club. Coming up on the 18th of April, TNCBB will be in New York City and talking to webcomics own Yuko Ota & Ananth Hirsch of Johnny Wander, Lucky Penny, Barbarous, and many, many other awesome comics. No word yet if their awful (but adorable) cat Cricket will be part of the show. Show runs 8:00pm to 9:00pm at the Peoples Improv Theater with tickets apparently required, but free.
• Kickstart alert: David Willis is doing the KS preorder thing for Book Six of Dumbing of Age; in keeping with tradition, the subtitle is long and ridiculous. The Machinations Of My Revenge Will Be Cold, Swift, And Absolutely Ridiculous (for that is its name) will cover strips from late August 2015 to early September 2016, plus two dozen strips not previously released to the interwebs. The campaign went up about 15 hours ago (as of this writing), is currently sitting at 112%, and runs for 30 days in all.
• As noted the last five times around, Willis’s Kickstarts are pretty much guaranteed to immediately fund, to have a completely predictable range of goodies irresistible to his fans, and fulfill on time. He’s basically mastered the art of using the crowdfunding platform as a pre-order mechanism so that he doesn’t have to go into speculative debt to print a book for which there may not be demand.

  It’s a vital skill to today’s independent creator, and probably nobody has figure it out better than C Spike Trotman; I mention Spike because of a general discussion that broke out on Twitter regarding the economics of freelance art/comics making, with more people than I can count pointing to one tweet or another and declaring Thread.

  The best two takes I saw were from Spike (from the perspective of a small publisher, with advice to new creators, and a supplement regarding new opportunities in self-publishing) and Rian Sygh (from the perspective of the completely indie freelancer and working for publishers).

  I’ve seen one or two people try to make them into dueling and intractable opposites, but I really think they’re saying the same thing — comics works on small budgets, and there are publishers out there that will be upfront and honest about what they can afford to pay, and there are publishers out there ready to screw young and hungry creators. Make sure you know which is which.

Spam of the day:

Dr. Oz: Hack

Why, yes! Yes, he is a hack!

Your Brain For More Focus, Clarity, and Energy

Oh. Subject line got cut off. No thanks, I don’t need your fake Dr Oz-approved mind-hack gum.

In case you’d forgotten, we’re just about a week out from MoCCA Fest 2017, and there’s more exhibitor information up than previously. I gave a skim down the list and in addition to familiar names, I saw creators that I’m not familiar with, but whose little avatar-sized teaser images makes me want to see more. Let’s run ’em down.

On the returning front, you’ve got Ken Wong’s Origami Comics (table F217), Bill Roundy’s Bar Scrawl (a personal favorite, next door at F218), Evan Dahm’s illustrated stories and adaptations (D143 A, no indication of who’s in B), Dean Haspiel’s long career (A103 B), Josh Neufeld’s nonfiction (next door at A104), Julia Gfrörer’s unsettlements (F206), Lucy Bellwood’s nautical wonders (on the exhibitor page, but table not listed), Carey Pietsch’s ever-expanding oeuvre (D145), and Meredith Gran’s soon-concluding magnum opus (J278 B, along with Mike Holmes). Many of them have relationships with the quality publishers that will be showing including Top Shelf (A101 & 2; Jess Fink will be there Saturday afternoon), :01 Books (E157 & 8), and Fantagraphics (C135-8).

On the not familiar to me yet list (and that’s not a bad place to be — I’ve discovered a new favorite creator at MoCCA) are the likes of Alisa Harris (table assignment not listed), Amanda Tolentino (F221 & 2), Leland Goodman (E175), Reneé Park (D150), Emily and The Yea Girls¹ (collectively, Yan Gabriella, Erica De Chavez and Angeli Rafer, with special guest Emily Dahl, F210), and Sean Dillon (H249). Given that I was just deciding to click on a name or not based on single images, I can’t really tell you much about the work of any of these creators, but I find it interesting that all but one are women. McCloud’s prediction that the comics industry would be majority female by 2024 continues to be exceedingly conservative.

MoCCA Fest runs Saturday and Sunday, 1-2 April, from 11:00am to 6:00pm at the Metropolitan West event space, West 46th between 11th & 12th. Admission is five dollars, a bargain at twice the price.

Spam of the day:

Get your FREE Hiring Risk Score

I’m not hiring anybody, thanks. And if I were, it would be the extremely competent-seeming women in your ad, and not the techbros that they appear to be interviewing. Those dudes need to go away and learn some body language that doesn’t indicate complete and utter contempt for women.

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¹ More artists collectives should have names that sound like touring musicians. If they don’t do at least two encores after the main set, I’ll be disappointed.

² That would be Sean Dillon; before you ask, Leland is normally a male name, but Goodman uses she in her bio and that settles it.

I know you’ve been anxiously waiting since I announced it yesterday, so let’s give it up for Fleen Senior French Correspondent Pierre Lebeaupin!

As always, Fleen salutes FSFCPL and thanks him for his rigor and attention to detail.

Spam of the day:

Eat THESE 2 Foods to regrow hair in 19 daya

Firstly, got plenty of hair, thanks. Secondly didn’t realize there was more than one Daya.

________________
¹ Preceded by another article (web-only) in the tech section, focusing on the other side of the picture of Silicon Valley that Laurel tells about in Comme Convenu.

Hey, who wants to learn about the state of webcomics-related crowdfunding in Europe? Well, you’d better have said I do!, Sparky, ’cause it’s what you’re about to get … tomorrow, courtesy of Fleen Senior French Correspondent Pierre Lebeaupin. Start feeling the anticipation, because it’s coming right at you. In the meantime, let’s catch up with a couple of notable news items.

• First up, and I’m a little late on this one, the annual Slate/Center For Cartoon Studies Cartoonist Studio Prize shortlists have been released. This is the fifth year for the CSPs, which have a breathtaking simplicity for comics awards: ten print comics and ten webcomics (equal billing!) are nominated by the faculty and students at CCS, Slate’s technology & culture writer Jacob Brogan, and a guest judge (this year, it’s Karen Green of Columbia University, where she’s the curator for comics and cartoons Rare Books and Manuscripts Library¹).

  Announcement gets made, a month later the two winners are announced, and the creator or creator team gets a check for US$1000. No muss, no fuss. This year’s nominees include John Martz, Eleanor Davis, the March team, Sarah Glidden, Sonny Liew, and Leela Corma (print), and Tillie Walden, Jess Ruliffson, Christina Tran, Meghan Lands, Luke Healy, and Diana Nock (webcomics).

  The print nominees are dominated by publisher by Retrofit/Big Planet Comics (three nominations), with the usual suspects (Koyama, D&Q, Top Shelf, Fantagraphics) also represented. The webcomics are dominated by single stories with beginnings, middles, and ends (including a biographical profile from The Nib, which is also my pick on the webcomics side, with Walden’s On A Sunbeam as a close second), with few ongoings. None of this is good or bad, just how the nominating panel found things to be this year.

  Best of luck to all the nominees; the winners will be announced on April 10th.

• Speaking of the Center For Cartoon Studies, one of its alumni, Sophie Goldstein, has something to share with you. Goldstein’s been on my radar ever since she was one half of the team behind Darwin Carmichael Is Going To Hell, and she’s not wasted the time since. She’s been nominated for the Cartoonist Studio Prize, won a pair of Ignatzen, and produced a stack of damn good comics as long as your arm. And yet, as successful as her career has been, it’s been part time work; time for that to change:
  

  With the help of Patreon, I hope to make writing and drawing graphic novels my full-time job. Like many creators I’ve had trouble stitching together a steady income from my work. Currently, I work part-time at a rock climbing facility and take on occasional freelance to make ends meet. However, long-form storytelling is what I love to do, and with the help of my patrons I can focus on the big projects closest to my heart and and get them out in the world as soon as humanly possible.

  Note to self: organize a webcomics rock-climbing outing sometime. Goldstein, Jamie Noguchi, Matt Boyd, and Yuko ‘n’ Ananth are probably not all of the webcomicker climbers out there, and I’d trust any of them to catch me on a whipper. But I digress. Goldstein’s base goals are very modest:

  • US$60 — the amount she was recently paid to participate in a medical experiment
  • US$200 — her monthly food budget
  • US$650 — her monthly rent and utilities

  She’s reached the point where she no longer has to be subject to the whims of mad doctors and can eat; it’s time to make sure she has a place to live while making comics. Go check out her comics (so much is available for free on her site) and if you like what you see, give just a bit so that she can make more.

Spam of the day:

Re. For Whom It May Concern.

Oh, this is one just bad — two different names from the introduction to the signature, a third name as the point of contact, tortured English, a vague promise of a grant to me just for being awesome (with no amount specified) from Google and/or the UN and/or the EU and/or an Act of Parliament, but only if I’m American. Hello, hi spammers, you are very bad at your job kthxbye.

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¹ Green is really smart; I saw her talk about how graphic novels have changed in the ten years since :01 Books hit the scene at last year’s SDCC.

Okay, so I know a lot of you read DRIVE by Los Angeles resident Dave Kellett, but a lot of you don’t, so here’s where you get caught up. Imagine a star-spanning human empire, ruled by the one family that controls the resource that holds it all together: the secret of faster-than-light travel; now forget the usual star-spanning parts, like the hostile alien cultures that are at war with Earth, because the really interesting part of the story is one of family.

Much like the modern Saudi royal family’s control over oil, the Cruz family control the drive, and the only La Familia benefits. The best jobs in government, industry, the military, the sciences, and all other aspects of human society are held for them when they finish their stint in the Drive Corps. But like the Saudis, the royal family keeps growing — there are thousands — and keeping all the factions happy and rich is like holding a tiger by the tail.

But three of them — Los Tres Primos — have a Robin Hood thing going, stealing from the Emperor for the benefit of the people; this story thread has been going on since near the beginning of Drive (and would it kill LArDK to have a decent archive, so I could easily link you to strips? I believe it might), but it only comes to fruition in the latest strip¹.

You don’t need to have read DRIVE to read it; there’s no spoilers (well, one, but you’ll gloss right over it if you get to reading from the beginning). Instead, encapsulated in a single page, is what you could argue is LArDK’s thesis statement about DRIVE and its universe: that advantage and privilege demands responsibility and altruism, or we’re all doomed.

The tall Primo there (his name hasn’t been revealed yet), seven and a half years into the strip’s run no less, finally lays out all that’s at risk. Humanity could win or lose its wars and it doesn’t matter, because the entire culture is stagnating and regressing. Worse than wealth being concentrated and the poor at least being able to dream of being rich, every single one of the billions of humans, minus 7000 or so Familia, know that they can never achieve to their potential. They chose their parents wrong.

And yet — even in the bed of intrigue and selfishness that is La Familia, the thought cannot be entirely burned away:

This universe cried out to those that can help, to help. And in the finite time we’re given in this life, our job is to make this world better than we found it.

It’s an important enough thought that LArDK’s already shared it¹, from the mouth of a smart (but poor) alien critter, apprentice to a master of a race of godlike inventors who has likewise lost the thoughts of altruism:

When I was young, my Pa would always say, “Kik, if there’s trouble — like a field-fire, or a swarm o’ fang-weevils — you gotta look for the helpers.” The helpers. There’s always gon’ be helpers. People that run toward the trouble ‘stead of away from it.

Those that follow LArDK on the sosh-meeds have seen more than one expression of wondering what the hell is going on in the world, and an occasional admission of feeling helpless in the face of reckless would-be authoritarianism². It would seem that he’s decided on his course of action and is calling on us to do the same:

Don’t fear the days ahead. Fear not walking toward them.

Damn, Los Angeles resident Dave Kellett, that is the quietest, calmest call to courage and resolve³ to make things better that I’ve ever heard. Well done.

Spam of the day:

Alert: Someone has just run a full-back-ground check on you

Pffft. Unless they lifted my prints from somewhere, it’s not as thorough as checks I’ve had in the past.

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¹ NB: those links may change in the coming week or so. LArDK runs his DRIVE strips alternating with the Tales From The Drive stories from other creators; when a Tales story wraps, he rearranges the order of his strips so that the Tales story runs as a continuous series. This makes permalinks a bit challenging.

² Feelings which I think many of us are familiar with at this point.

³ I blame Shakespeare. I stand second to no man in my love of the Saint Crispin’s Day speech [A/V], but it kind of set the pattern for calls to courage and resolve and ever since they’ve been rousing and a bit shouty.

So this week, I’m teaching a full five-day class in four days (read: 10+ hour days), in a basement (read: no cell signal), hooked up to a highly-restrictive guest wifi account (read: no webcomics). I am arriving at the client before the sun is up, and gonna be exhausted by the time the day is done. This would ordinarily be a recipe for no content, but these are not ordinary times.

These are times that feature Fleen Senior French Correspondent Pierre Lebeaupin, who always finds interesting stuff to talk about, and sends it to me at my least-likely-to-post times. Tell us about state of webcomics live performance events in the European Theatre, FSFCPL:

As always, thanks to Fleen Senior French Correspondent Pierre Lebeaupin for his reporting and analysis; as a special bonus treat, we’ll have another post this week regarding the latest on European webcomics crowdfunding. It’s a good’un.

Spam of the day:

Lost Navajo remedy found to reverse hearing loss

So, I’m confused — is “Chief Running Water” (ick … just ick) the “retired NASA engineer” who discovered the lost Navajo remedy? And if not, why is white dude in possession of more Navajo lore than any actual Navajo? It’s the implausible mixed with the irredeemably racist in one horrible, horrible spam. Good jorb!

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² Fun fact that FSFCPL could not have known — as a result of supporting Angela Melick’s final Wasted Talent Kickstarter (whose books you non-backers can still obtain until 15 April!), I am (or will be, once shipping happens) the owner of the original of that particular comic. I know! Terrifyingly appropriate!

Also, a Spam of the day with a blockquote in the reply. Everything is upside down today.

We are coming up on a barn-burner of an anniversary in webcomics; over the next couple of years we’ll see it repeated, but this is the first one. Jon Rosenberg¹ may try to imply that Goats only became acceptably good about the time he went to color full time, and that no comics existed prior to the end of 2003. Au contraire, mon frère! Goats was birthed of frustration and spite boredom and not a little beer on 1 April 2007 1997, or just about twenty damn years ago.

[Thanks to alert reader maarvarq who caught my typo; I blame it on the fact that while Goats could be nearly 20 years old, it couldn’t be from 1997 because that would make me old.]

Thanks to the magic of the Wayback Machine, we can share that first strip (I will spare you what the site looked like back then). It’s been nearly seven years that the story has been on hiatus (what with Rosenberg working on SFAM, winning NCS awards, and figuring out how to end a story when the inspirations for same have radically changed².

Not that that’s stopped him, I mean:

I’m almost done inking and I gotta say I forgot how much fun making Goats was. This is okay. I can do this occasionally.

Yep, Goats is back, and the worlds-spanning weirdness has an end envisioned. But in the meantime, celebrations must be had:

I’m doing a 20th comicsversary thing at a pub on the 31st. Come celebrate with me! https://www.facebook.com/events/1625658347448520/ …

That would be the Peculier Pub in Greenwich Village, where Goats was born and where so much of it took place. It’ll be the very last day of the 19th year of the strip; for those that hang around until midnight to ring in Year 20³, don’t forget that the next day is the start of MoCCA Fest 2017; I find that synchronicity to be pleasing. Fun starts at 6:00pm, and there will (needless to say) be booze. See you there.

Update to add: New Goats strip! What may be the longest webcomics hiatus (and our non-Trump related national nightmare) is over!

Spam of the day:

The Black Eyed Peas Debut Original Graphic Novel, MASTERS OF THE SUN – THE ZOMBIE CHRONICLES

I’m with Ms Ludgate in my general opinion of BEP, and also Mr Nathan Rabin of The AV Club, who dubbed them:

[E]ssentially a four-person advertising agency flimsily masquerading as a pop group. Think of them as the distinguished firm of Hologram Man, Meth Lady, The Other Guy, and The Other Other Guy, Inc.

After discerning the most irritating possible melody imaginable, Will.I.Am then moves on to the next step in the songwriting process. He heads down to the lyrics lab of Hologram Man, Meth Lady, The Other Guy, and The Other Other Guy, Inc., where scientists with clipboards monitor crazy homeless men around the clock and write down their most annoying patter. Once the most irritating possible melody is married to the most obnoxious conceivable lyric, the song is given to Fergie and the horrible-ification process is complete.

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¹ Obligatory disclaimer: the reason that this blog exists, and guy that pays for my hosting (if no longer my beer).

² Not the least being the births of his three children, including twin boys from a high-risk pregnancy that necessitated some fairly extensive physical therapy. He’s basically not slept in the past six years.

³ Just one more year and Jon’s cartooning career can legally drink.

I mean, I’ve had big snowstorms before, but not with such wet, heavy, packed snow … a day and a half below freezing since, and the piles cleared are solid masses of ice. It’s a winter wonderland barely tolerable, slippery, hurts-when-you-fall-on-it slap in the face mere days before the official arrival of spring, but at least I’m starting to catch up with things.

• Know who missed out on a decent chunk of winter — Midwest winter no less — weather? David Willis. I mean, not that a snowstorm, even of the consume your life so you can’t draw comics variety is gonna affect the guy with a buffer that stretches past the next solstice. Yeah, he was on the Nerd Boat last week, and apparently tropical sunshine and cool folks and wonderful weird times put him in a good mood, on account of he announced that he’s gonna do a comic shop signing, presumably in an effort to tamp down some of the residual happiness:
  

  I will be at Laughing Ogre Comics here in Columbus, Ohio, on Friday (St Patrick’s Day) from 5-7pm! I will have books and probably magnets with me to trade to people for money. That’s right, I have one single event scheduled this year that I’m currently aware of, and this is it! No ECCC, no SDCC, Webcomic Rampage is over, and it’s too soon to schedule my annual Bloomington trip, SO THIS IS IT, THIS IS IT, ONE DAY’S NOTICE, COME SEE ME I GUESS

  Comic shop denizens scheduled all ninja-like on a day famed for public drunkenness? Willis is either very brave, very foolish, or very both. Go tell him I said hi, and don’t make him regret his willingness to be among the outside people.

• Steve Lieber of Helioscope Studios (formerly Periscope) in Portland is well known for a number of things: comics ranging from Whiteout to Spider-Man titles, tons of storyboard and concept work, and damn good advice from the trenches of a freelance comics career. He dropped some of the latter today on Twitter (starting here) that anybody doing work for hire should memorize, and possibly tattoo on the insides of their eyeballs.

  Key thought: document everything that you’re willing to do, how much it will cost, and what the client gets in return for their money¹. Documentation is critical, as are minimizing the number of voices providing you wth contradictory instructions, and the ability to advocate for yourself. Remember: it’s not that your client is actively evil per se; they aren’t out to actively make you miserable, it’s just that your time or happiness do not enter into their thought processes at all.

  And the two most useful pieces of advice are, in no particular order:

  Tape this phrase to your monitor: “That’s beyond the scope of our original agreement. We’ll need to work out what doing that will cost.”
  And ffs, sit up straight. You’re gonna need that spine even after the job’s all wrapped up.

  Go read it all.

Spam of the day:

Cannabis Extract now Legal to Buy and Ship in All 50 States

I doubt the veracity of this statement, as well as the claim that it came from Dr Sanjay Gupta. Somehow, I think that a world-famous neurosurgeon has more to do with his time than hawking fake weed oil.

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¹ Implication: no money? They get nothing.