The webcomics blog about webcomics

Comme Convenu Est Mort, Vive Valerian

Fleen Senior French Correspondent Pierre Lebeaupin alerted me on happenings in French webcomics at the start of last week, but also asked me to hold the story as it was known that more details were coming down the pike. The tail end of the story arrived at the end of the week, so let’s turn it over to him and get caught up on Continental goings-on.

  • After 500 pages of an harrowing story inspired from her own experience, Laurel has recently concluded Comme Convenu (non-spoilery ending). Congratulations to Laurel for bringing this story to its conclusion!

    Now it is clear this is leaving a sizable hole in the daily trawl of many readers. And while we’re expecting to hear what she’ll be working on next, it turns out she’s been expecting, period.

    Everyone, please welcome Valerian, who [on 1 June] joined his big sisters Cerise and Hermione. And congratulations again to Laurel, as well as to Adrien Duermael.

  • Thomas Pesquet has been regaling us with photos from the ISS for the last six months, but [2 June] he is set to land back on Earth. But fear not! For Marion “Professeur Moustache” Montaigne is busy narrating his odyssey in comic form in a new book to be published in November. Yes, Commander Hadfield, you too have given us fantastic photos from space, but have you had a 200-page comic made about you? I don’t think so!¹

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¹ Ok, ok, he’s told us his story in illustrated form. Good enough. Sorry Commander, please don’t hurt me.

Gary again, with two thoughts:

  1. Commander Hadfield has never hurt anybody; he’s a friend to all. Nevertheless, I will be most intrigued to read Pr Moustache’s GN, for a litany of fairly obvious reasons.
  2. A footnote! Oh, FSFCPL, you are making a hack webcomics pseudoeditor very happy.

Okay, third thought: welcome, Valerian. I hope that we can make the world less stupid and cruel by the time you notice what it’s like. Your mother and father will love you unconditionally, but give them the occasional full night of sleep, and they spoil you rotten.

Also, grow up safely and quickly so that you can see what looks to be a completely bonkers Luc Besson movie named after you². It’s either going to be completely kickass or incredibly stupid, but either way it’ll probably make The Fifth Element look like a model of understated restraint and I can’t wait.

Edit to add: Octopus Pie just ended. Too soon to get my thoughts wrapped around that fact. Tomorrow, promise.


Spam of the day:

Bionic Steel Hose

Is this some kind of robo-Real Doll thing? Because, ew.

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² Seriously, have you seen the trailer? Bonkers.

Busy Weekend Approaching

Dunno about you, but for me this first weekend of June is gonna be all-EMS, all the time. It’s time to get smarter and practice the skills you hope you never need, which is a time-consuming process. If you have anything to announce between now and Monday, maybe drop me an email or I’ll probably miss it. What kind of anything? Oh, you know, new comics, appearances, that sort of thing.

  • New comic! Maybe nobody has had a hand in more different webcomics — and certainly more updates, given that mezzacotta has an update in its archive for damn near every day from the Big Bang until today¹ — than David Morgan-Mar (PhD, LEGO®©™etc), and since he wrapped up Planet of Hats a few months back, he’s obviously ready to start another².

    Thus, a note at the bottom of Irregular Webcomic t’other day about the next project:

    Eavesdropper is a new, original webcomic story.

    It is a collaboration between Darths & Droids authors Andrew Shellshear and David Morgan-Mar. Andrew is writing the story and David is drawing the artwork.

    The comic will launch on Wednesday 14 June, 2017, and update weekly every Wednesday.

    That’s all we know so far. And since Morgan-Mar himself is about to embark on a couple weeks overseas travel with limited email access, that’s all we’re going to know until just before Eavesdropper, uh, drops. Morgan-Mar’s art chops have come a long way since he decided to learn how to draw, and given his tendency towards paronomasia (look it up), there’s a better than even chance that the title refers to clumsiness around actual roofing features.

  • Those in Ann Arbor, Michigan have a treat in store at the Downtown Library: an exhibit of Ben Hatke’s original artwork launched yesterday and runs through 31 August, in conjunction with his upcoming appearance at Ann Arbor Comics Art Fest (formerly the Kids Read Comics Festival). A²CAF³ runs Saturday and Sunday, 17 and 18 June, at the Downtown Library, and is free and open to the public.

    Hatke will be featured at a reception on Friday the 16th from 6:00pm to 8:00pm, and again at a Q&A on the 17th at 4:00pm. On the off chance that the firebreathing creator of Zita the Spacegirl, Nobody Likes A Goblin, Mighty Jack, Little Robot, Julia’s House For Lost Creatures (and much more) doesn’t catch your fancy, A²CAF will also feature appearances by Zach Giallongo, Kean Soo, Katie Shanahan, Lee Cherolis, Raina Telgemeier, and many more. Did I mention that it’s free? It’s free.


Spam of the day:

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¹ Okay, technically as far back as 1 January 9999999999999 BCE, which is about 73% of the way to the Big Bang. Close enough.

² He’s the embodiment of the notion that it’s not hard to come up with ideas, it’s hard to find the time to act on them.

³ That’s A-sqaured, not a footnote.

Checking In On The Holiday, For Timely News

Two tweets of interest, from Sam Logan:

15 years of Sam and Fuzzy! That’s a long time on the internet. 3 years older than YouTube, 2 older than Facebook, 4 younger than Google.

Today is Sam & Fuzzy’s 15th birthday, but I got YOU a present! It’s a free e-book copy [of] Volume 1. Spread and enjoy! http://gumroad.com/samandfuzzy

Fifteen years is forever in internet times. To give you an idea of how much Logan is giving you, each of the first five collections are normally US$9. Bonus: as part of the anniversary special you can get volumes 2-5 for US$10 or more; for US$20 or more, you also get the giant omnibuses that comprise all of the first thirteen years of the strip. If you haven’t read Sam & Fuzzy, this would be a good (and economical!) time to start.


Spam of the day:

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Jag är ledsen, jag läser inte svenska

Of Course, It’s Portland

Lotta signing creators going to be happening at the end of the week/start of next, mostly in conjunction with the NCS Awards weekend extravaganza, this year touching down in Stumptown, USA. I can’t recall a similar event happening at NCS gatherings in the past, but Portland is a pretty comics-intensive town so if this were going to be introduced, it makes sense to do it this time out.

Los Angeles resident Dave Kellett will be repping webcomics at the big signing event on Sunday from 1:00pm to 4:00pm at the Hilton Portland, ‘long with other independent creators like Andrew Farago of the Cartoon Art Museum, Scott Kurtz, and Shannon Wheeler. The fact that most of the signers will be syndication types shouldn’t keep you from going if you’re in town; I met a lot of them the year I went to the Reubens Weekend and they are almost exclusively really funny and cool people¹.

Along the same lines, Meredith Gran will be signing on Friday evening, at Portland’s Books With Pictures, from 7:00pm to 9:00pm. Gran, one may recall, lived and worked in Portland for a couple of years some time back, and also happens to be nominated in the Reubens for Online Comics — Long Form (along with Kathleen Jacques and Ngozi Ukazu). Speaking of which, today’s Octopus Pie appears to open the possibility that the imminent conclusion of the strip will end with the earth swallowing all the main characters. Perhaps Eve will become monarch of Brooklyn Below? I’d be cool with that.

And bringing things back around to the start, LArDK is also appearing in Portland in conjunction with his own nomination for Online Comics — Short Form (along with Sarah Andersen and Ruben Bolling²). Best of luck to all the nominees, and have fun in Portland. Tell everybody I said hi.


Spam of the day:

Discover the Lowest Rates for Burial Coverage

Pffft. I’m gettin’ shot out of a cannon and covering a wide area in my essence. REVEL IN IT, PEASANTS.

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¹ Pretty sure the one guy who was a dick to Jon Rosenberg is dead now.

² Who may have an unfair advantage vis-a-vis his name.

Well, This Is Some Straight-Up Bullshit x 2

Before we get to said bullshit, how about a little positivity? VanCAF (one of the standoout *CAF free comics festivals that has come about in the mode of TCAF¹) is this weekend, and every expectation is that the show made great by (founding showrunner) Shannon Campbell and (incoming showrunner) Andrea Demonakos will continue its trajectory of awesomeness.

Webcomickers expected in Vancouver’s Roundhouse Community Arts & Recreation Centre include Abby Howard, Alina Pete, Becky Dreistadt & Frank Gibson, Blue Delliquanti, Ed Brisson, Evan Dahm, Angela Melick, Jakface, Jeph Jacques, Kathleen Jacques (no relation), Katie Shanahan, Kean Soo, Kel McDonald, Kelly Tindall, Kory Bing, Lucy Bellwood (adventure cartoonist!), Sam Logan, Sarah Becan, Der-Shing Helmer, Steve LeCouilliard, Tony Cliff, and Tyson Hesse, along with featured guests C Spike Trotman, Chip Zdarsky, and Faith Erin Hicks.

On to crappier things.

  • Apparently, about seven days ago, Tapas (formerly Taptastic, the wecomic-hosting solution) changed its terms and services. The first person I saw that actually looked at the new T&S is webcomics superfan Michael Kinyon, who noted that there’s now a Right of First Refusal clause. This could be very, very bad or potentially not that bad.

    As the aforementioned and omnipresent Spike notes, First Refusal means you have to tell Taptastic/Tapas if you want to do anything with the stuff you host with them, and they have the first crack at making you an offer. She lays out a scenario where you could be prevented from doing stuff with your stuff, potentially forever.

    But, and this is why lawyers exist, the terminology doesn’t say that Tapa* has an absolute lock on future deals, just that you have to negotiate with them for at least 30 days. If you can’t come to an agreement “in good faith” in that time, they missed their chance.

    Of course, what constitutes “good faith”, or what constitutes you wanting to (quoting now) sell, license, exercise or otherwise dispose of, indirectly or directly, any rights or any interest in any content posted on the Platform is subject to all kinds of interpretation because (to my eye, at least) the clause is super-broad.

    But I am not a lawyer, so let’s hear from one, subject to the mandatory disclaimer:

    FYI, I do this type of legal work. Happy to give some general advice (none of you are my clients, & retain & consult a lawyer …

    me or s/o else, before relying on this (I’d do some actual research before giving official advice :), but here’s my “from top of head” take:

    Akiva Cohen’s read is that it’s really broad, but that right of first negotiation does not constitute an ongoing right to make counteroffers forever, and that the chief cost to you is time. He also notes a lack of specificity as to when you have to provide notice, and this next bit is pretty brilliant:

    Here’s where you get the benefit of someone thinking like a lawyer ;): The clause puts no parameters on WHEN you can give notice

    So, theoretically, you could provide notice, the day you sign up with them, that you “desire to sell, license, etc.” ALL content you have or

    will place on their platform, and offer them a 30 day period to negotiate for any rights to that.

    Result: either they give you a good enough offer before you post comic number 31 (if you’re a daily) that you want to take it, or

    their right of first refusal has been satisfied and you are free, 2 months, 1 year, or 5 years later, to take the work to market w/o …

    providing them any further notice or exclusive negotiating period

    Questions? Cohen put his email in the thread for anybody that wants to have a more detailed discussion, but remember — he is not your lawyer until you have a formal agreement for him to represent you. Which, he says, he’s willing to do at a preferred rate on on behalf of groups. Read the whole thing.

    My take: it’s not terrible, but I hate, hate, hate it when companies changes their T&S and force you to agree or discontinue use — if you don’t agree to Tapa*’s new rules, you have to delete your account (they don’t give a timeframe for acceptance), which definitely puts them in a position of imposing on their users. Also, Tapa* is clearly not taking the Katie Lane² approach of trying to find a mutually-beneficial solution for all, they’re trying to maximize their potential payouts in the quickest, least-defined way possible³.

    This all leads back to a few rules we would all be well served to remember:

    • If a service is helpful and free, you are being monetized somehow.
    • Nobody will care about your ability to make a living from your work as much as you.
    • Read the damn contract and then have a lawyer read it; unless an actual lawyer with experience in contracts has told you on multiple occasions that you’re good at contracts and unlikely to get screwed acting on your own, you are not good at contracts and are likely to get screwed by acting on your own.

    Tattoo ’em on the insides of your eyelids.

  • It gets worse, if you can believe it. Word broke yesterday that a webcomic had been hacked and deleted for the purposes of attacking the creator, for whom it was a main source of income. The creator, Sophie Labelle, was subject to coordinated harassment, threats, and doxing in the lead up, for the crime of being trans and making a comic that dealt with trans and non-binary issues. The website of Assigned Male [no link, about to explain] is presently down, which is actually an improvement as it was previously spewing Nazi imagery.

    Way to prove your innate superiority, Nazis, you’ve completely won me over with your impeccable logic and moral argument! Engaging in your righteous and in no way assholic behavior on International Day Against Homophobia, Biphobia and Transphobia was surely an unfortunate coincidence! Oh, and since there are such things as Tumblr and print copies, you didn’t actually manage to go back in time and erase Labelle or Assigned Male from ever existing. Way to accomplish nothing, you ineffectual, fragile, yet curiously convinced of your own genetic destiny dipshits!

    In fact, given that a lot of people hadn’t heard of Assigned Male before yesterday, I’m going to call this a pretty good example of the Streisand Effect. Patreon doesn’t show timelines of support (at least, not to random nosy-pants like me), but I’m willing to bet that you’ve driven the count of Labelle’s supporters up and raised her profile. People that didn’t have an opinion on trans issues have decided where they stand, and they’ve decided against hate.

    Assuming that anybody reading this page falls into that category4, do me a personal favor and take a peek at her work, maybe toss a few bucks to her Paypal to help with the sudden expense of having to move on account of Nazis are sending death threats and publicizing her address.

    Not too long ago, this sort of evil was ordinary; then things started to get better, and now the evil fuckers are trying to drag us back to when they could pull this shit and not be met with condemnation for it. Don’t let them get away with it.


Spam of the day:

Consolidate Debt — Shark Tank Star’s Recommendation

Is it that one obnoxious guy that thought he could be Prime Minister of Canada on the basis of he’s rich? I wouldn’t take advice from that guy if I was on fire and he was suggesting a dip in the pool.

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¹ Indeed, it’s now produced in partnership with TCAF.

² Light-ning LAW-yer!

³ To be fair, they can’t renegotiate with all their users individually. They could, however, set a date for the new T&S to take effect, and offer tools to migrate content away from their platform for any users that don’t want to accept the new T&S. Even my credit card companies — as rapacious and evil an industry as exists with respect to one-sided contracts — gives me 30 days to accept new contract terms or to close an account.

4 And on the off chance that you don’t — that you think that what happened to Labelle was fine, or all in good fun, or what your deity of choice requires — kindly do me favor and fuck off. You’re not welcome in my house. The rest of you can come over and hang out.

Rad Ladies

There’s days when I have a lot to say, and there’s days when stories speak for themselves; today we’re in the latter category.

  • First up, Erika Moen — cartoonist, force of nature, hell of awesome — dropped some news on us yesterday [the story is SFW, but the side panel ads are probably not] … she’s headed to Sweden:

    Oh my gosh, I’m making my first trip out to Sweden!!! If you’re in the neighborhood, please come say hi to me at the Stockholm International Comics Festival this May 20 – 21!!!!

    Or the Stockholms Internationella Seriefestival; if you speak Swedish, hit up the link. If not, here’s the translation, which links to bits about the festival’s Small Press Expo (described as the “official sibling” of the annual event in Maryland), and details on the international guests.

    If I’m reading everything correctly, the SIS will take place at Stockholm’s Kulturhuset Stadsteatern, in Sweden’s only specialist library for comics, Serieteket (here, for those of you that like maps). Free admission, and I think the times are 11:00am to 5:00pm (CET, or GMT+2), on Saturday and Sunday (20 & 21 May).

  • On my way back from Comics Camp (start here, if you’ve forgotten, and work forward) I had a layover in Minneapolis, and thus was able to visit with Rosemary Vallero-O’Connell, about whom I’ve written lots over the past year or so. She mentioned that in addition to all the work she’s been doing since graduating last May, she’d been in talks with VICE News to do an interview about work/life balance and the financial end of a creative career. Turns out that it happened, and now you can see it.

    It’s a huge topic (things dealing with money — peripherally or directly — took up many hours at Camp), and not one where all the subtleties can be done in a few minutes. Heck if they didn’t do a damn good job laying out the boundaries of the issues, though.

    I found the most compelling part to be Vallero-O’Connell’s frank recognition that there’s a very fine line to tread, with both too many and too few jobs offering risks. Don’t have enough gigs, you don’t make money and you can’t pay your bills. Accept too many¹ and you risk spreading yourself too thin² or injury — meaning you can’t sustain the money and can’t pay your bills³.

    There’s no grand solution offered — not that there could be — but just acknowledging the challenges is tremendously valuable. Vallero-O’Connell is starting to get a handle on what the career looks like (not just for now, but as a sustainable effort over many years), and seeing her present the quandries and puzzle them out is going to help others find their balance quicker than they would otherwise. Give it a look.


Spam of the day:

KOHL’s: Antiquated Dept. Store…

Are … are you trying to get me to click on your fake KOHL’s gift card by negging them?

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¹ A constant temptation for freelancers, particularly those new to the game.

² Leading to substandard work or burnout.

³ Unspoken in the four minute run time: even if you accept the exact right amount of work, you can’t guarantee you actually get paid what you’re due on a prompt basis, meaning you can’t pay your bills. I’m sensing a theme to the freelancer’s life.

Landmarks

Endings and beginnings today, my friends. Let’s see what’s up.

  • It has been some time since we checked in on PostScript, the webcomics that asks what happens after Happily Ever After?, by brothers Graham and Neal Moogk-Soulis. Wonder what’s going on over there …

    We are proud to present Testing Day. Testing Day is simultaneously the final PostScript story we are posting here online, and the first of the larger PostScript stories we will tell.

    Testing Day is but a taste of our future plans. You can expect further projects with greater narrative and visual complexity than the online strip format allows. They will not all be in the PostScript universe, they will not all be comics or picture books, and they will not all be funny, but they will be stories we hope you will enjoy. We know we will enjoy them.

    Sounds like it’s time for an archive binge; there’s only about eight years worth of stories there, you can knock that out in a day or two¹. Coincidentally, that’s just enough time to get prepped up, as Testing Day starts this Wednesday, 17 May, and runs weekdays until 1 June. After it wraps, The Brothers Moogk-Soulis will keep the site up, and you can follow news of their projects at PostScript, their twitterfeeds, and various other soshmeeds.

  • Molly Ostertag is making quite the lot of comics these days, what with her art contributions to Shattered Warrior, due out tomorrow from :01², and her ongoing at duties on Strong Female Protagonist and her day job at Disney animation. All that life surely explains the delays on the second volume of SFP, which was supposed to Kickstart last summer, but you know what? I’ll take comics that are done and good looking at whose production isn’t grinding the life out of their creators over comics that are delivered according to my preferences.

    And the wait has paid off: Book Two, y’all. The campaign’s actually been running since I was in Alaska, but it’s still got ten days to go, which means you still have ten days to get in on this. Book One ended on an emotional turning point; Book Two is only going to get deeper into that particular narrative well; even better, this volume will feature Ostertag’s art in full color, which was always necessary to let her bring life to Brennan Lee Mulligan’s words. And if you’re like me and can only read SFP in big, chapter-sized chunks, getting this book will be a particular treat.

  • Hey, you know what today is? The first day of Octopus Pie’s eleventh year. Yep, yesterday marked ten years of Everest “Eve” Ning’s evolution from moderately adrift twentysomething to reluctant adult; ten years of watching characters grow (up and together and apart again) and change, never in a contrived way, every last damn strip better than the one before it.

    And the strippiversary is just in time for the big wrap-up and whatever Meredith Gran has cooking in her brain for the next project. I loved Octopus Pie from the first strip, and considering how much better it’s gotten in the past decade, I can only imagine how good future comics from Gran will be, but that’s for later. For now, send her some good wishes if you haven’t already.

  • And, because in any list of [web]comickers Jim Zub always comes last³ what might otherwise be the lead story today: Zub’s Wayward — although he’ll be mad at me if I refer to it as solely his, what with the contributions of artist Steven Cummings, colorist Tamra Bonvillain, letterer Marshall Dillon, and cultural commentators Zack Davisson and Ann O’Regan — has been optioned for TV.

    We’ve mentioned the rules of options here at Fleen before … this doesn’t mean that Zub is suddenly fabulously wealthy, or that anything will happen on a set schedule. Manga Entertainment gets the right to try to develop a series (live action or animated, it appears to not yet be determined) for Japanese TV; they may or may not accomplish this.

    What is unusual about this announcement is that Zub and Cummings are specifically named as creative consultants on the project, including development of the initial story treatment along with character and creature designs. That doesn’t happen so often, and say that Manga Entertainment may be more concrete in their plans than many option deals turn out to be.

    Congrats to Zub, Cummings, and the rest of the Wayward crew; it’s always great to see good work recognized, but it’s even better to see good creators rewarded with cash money.


Spam of the day:

Extra 70% Off Ends Soon

Curiously, I am not much in the market for women’s casual wear from Polo Ralph Lauren.

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¹ Assuming you don’t sleep or go to work, that is.

² Short review: it’s good; writer Sharon Shinn has done something pretty amazing in making you understand what leads an ordinary person to become a revolutionary (or, depending on your point of view, a terrorist), as well as making the point that entitled PUA Nice Guys™ aren’t restricted to the human male.

³ Damn you, alphabetic norms!

As Always, CAM Has A Busy Summer Planned

If there’s one thing that we at Fleen have learned over the years, it’s that Andrew Farago and the crew over at San Francisco’s Cartoon Art Museum are always planning their next thing, and the thing after that, and the thing after that. For those of you looking to plan our your summer activities in the Bay Area, consider the following:

  • The annual summer cartooning bootcamp returns for 2017, this time in the form of three weeklong workshops running half days from June to August. While they put the polish on their new gallery location (at the historic Fisherman’s Wharf), the camp will take place at the American Bookbinders Museum, 355 Clementina Street. The camps are intended for kids 10-15 years old, with basic drawing skills to build on. Sessions will run Monday through Friday from 1:00pm to 5:00pm, at a cost of US$300 per session (US$50 discounts to CAM members).

    The first week will be 19 to 23 June, the second 26 to 30 June, and the third 31 July to 4 August, with more information at the CAM Progams page. Up to five scholarships for underserved students are being offered to each week by the nonprofit Yerba Buena Community Benefit District; registration and scholarship applications are online now. O

    The classes are taught by Ellis Kim of Time Fiddler, and will range from designing characters to writing and drawing a complete story. Each week is independent, but attending multiple weeks will allow students to further develop their skills.

  • Meanwhile, submissions are open until the first of June for the first annual Prism Awards to recognize LGBTQAI+ comics and creators, with winners announced at the CAM-presented Queer Comics Expo. Categories for the Prism Awards will include Best Short Form Comic (a full comic), Best Webcomic (initially/primarily published online), Best Comic from a Small to Midsize Press (as self-determined by the applicant), Best Comic from a Mainstream Publisher (ditto), and Best Comic Anthology (a collection of shorter works created by at least three different authors).

    All work should be less than two years old, no submissions (except Anthology) should be longer than 32 pages (and Short Form must be complete, not an excerpt), and submitted in PDF format. They’re only set up to judge comics in English this go around, but look for expansion in future years. There’s no fee, but also no monetary prizes — just the celebration of the community. Needless to say, read the entire submissions page before you send anything off, and if you don’t happen to be LGBTQAI+? I’ma say sit this one out — the rest of the world is there for you.

    The Queer Comics Expo will run 8 & 9 July, 11:00am to 5:00pm, at the SOMArts Cultural Center, 934 Brannan Street in San Francisco. Discount advanced tickets are available for purchase now.


Spam of the day:

Your frequent customer ID came up for a Complimentary $50 Target® charge card

I think that’s pretty unlikely.

The ReCamp Is Done; What’s Been Happening?

Oh my, so much has happened since I went to Comics Camp. The obvious is that TCAF happens this weekend and everybody will be there ‘cept me, but let’s not ignore other things going on:

  • Erika Moen & Matt Nolan are Kickstarting the latest OJST collection (number four!), hit goal about 12 hours in, and are well on their way to rewarding their guest artists beyond their original contracts. At US$50K, each guest artist will receive a shipping box’s worth of free OJSTv4 copies (to sell or otherwise dispose of); at US$65K, their page rates get retroactively bumped by $20/page. Since, as in prior volumes, about a third of the book is guest artists, that’s a pretty significant chunk of wealth-sharing for Moen & Nolan.
  • Hope Larson moved cross country (from LA to North Carolina), turned in a book (she’s got one a year on deck for the next few years), and restarted Solo. Busy lady. BTW, I didn’t get Larson’s Compass South / Knife’s Edge collaborator Rebecca Mock to give me any juicy details on the latter book, due out in about six weeks time, despite us being cabinmates at Camp. Journalistic laziness or respect for spoilers? You decide.
  • The Eisner nominations are out, Sonny Liew appears to be nominated in every possible category for The Art of Charlie Chan Hock Chye, and there are now two categories for the comics that appear courtesy of the nets and lasers and electrons: Best Webcomic and Best Digital Comic. The confusion of the Eisner organization with respect to webcomics appears to be as deep as ever, as I couldn’t tell you what qualifies a work in one category or the other¹, and there’s a distinct lack of recognition of ongoing strip-type work that forms the bulk of webcomics. Nevertheless, there’s some good candidates there:
      Best Digital Comic

    • Bandette, by Paul Tobin and Colleen Coover
    • Edison Rex, by Chris Roberson and Dennis Culver
    • Helm, by Jehanzeb Hasan and Mauricio Caballero
    • On a Sunbeam, by Tillie Walden
    • Universe!, by Albert Monteys

    And there’s lots of your traditional webcomickers in other categories: Raina Telgemeier for Ghosts in Best Publication for Kids (ages 9-12); John Allison, for Bad Machinery Volume 5, Chip Zdarsky/Ryan North/Erica Henderson/Derek Charm for Jughead, and Ryan North/Erica Henderson for The Unbeatable Squirrel Girl in Best Publication for Teens (ages 13-17); Zdarsky/North/Henderson/Charm for Jughead and Lisa Hanawalt for Hot Dog Taste Test in Best Humor Publication; Box Brown for Tetris in Best Reality-Based Work, Jason Shiga for Demon in Best Graphic Album — Reprint; and Brown and Tetris for Best Writer/Artist. Best of luck to all the nominees.

  • Los Angeles resident Dave Kellett has added DRIVE: Act One to his store, now available in handsome hardcover and slightly less handsome softcover. Honestly, if you’re gonna get this book, spring for the hardcover (because it’s friggin’ gorgeous) unless your name is Mario from Lisboa, Portugal, on account of Mario won hisself the extra copy I had in the Drive Giveaway Spectacular.

    International shipping on this beast (more than 1.25 kg!) is somewhat less than purchase price, and while I may restrict future giveaways to the US only, I’m glad Mario is going to get to enjoy this tome. Unless Customs steals it, because did I mention it’s friggin’ gorgeous? Pretty sure I did. Send us a photo when you get your book sometime between next week and never, Mario!


Return Of The Son Of Spam of the day:

File Your Tax Return for Free

I’ll note that this particular spam (and likely scam) was received the day after taxes were due. Way to be proactive, spammers!

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¹ The latter appears to allow for longer form stories, where the former appears to be for single-shot (but sometimes lengthy) presentations. For example, Bandette and On A Sunbeam (fiction stories) are digital, but On Beauty (which is more reportage/editorial in nature) is webcomic.

Comics Camp: Tuesday And Beyond

And then it was done; breakfast on Tuesday was followed by an all-hands talk about what Camp had meant, what lessons we were going to take with us from this intentional community of weirdos who normally are very isolated for much of their careers¹. What we’d learned and how we’d changed. Here’s the one line I wrote afterwards:

Gods damn, this place is better than a year’s worth of therapy.

(This was not far from where I’d written, for about the fourth time, I am fucking lucky.)

We’re not all going away until the year’s elapsed, naturally; the nature of modern communications and social media means that the impromptu tribe is never more than an hour or two out of communications with itself. The kitchen was scrubbed² and food packed out, luggage gathered and cabins swept³, and the bus loaded with those Campers that were on the 1:30pm flight to Seattle (enough that maybe they shouldn’t all be on the same flight; in the event of a disaster, your average cartoonist is both stringy and not terribly nutritious).

Those remaining — locals, people with later flights — made sure that the remaining stuff (mostly food and ukuleles) got loaded out and away from prying wildlife. Remember I told you that ravens would fly into cars to start poking around? During the packing up process, I closed the gate of a pickup truck’s bed cover; it was opened again so that somebody could add a box o’ stuff and in the five seconds that nobody was directly looking at the truckbed, a raven flew in, grabbed an entire loaf of bread in her talons, flew about 10 meters away, and started snacking4.

I was given a lift back to town by Tara (a self-proclaimed benevolent mercenary5; she’d worn a lab coat all weekend after the Saturday morning science march at the state legislature building), who showed me around the upper reaches of Juneau, through valleys and hiking trails, and into the historical site of Douglas Island.

Douglas is where the gold mining took place, and as fate would have it, it was just about 100 years to the day of the cave in that closed the Treadwell mine for good; the ruins feature bits of old buildings, old machinery rusted to Hades and back, the occasional intact shell that looks like a place to dump bodies. There’s a beach there, too — built not on sand, but 80 acres of pulverized rock and mine tailings that the gold was pulled from; lots of people walk their dogs there now.

Dinner with the other stragglers, a stupid-early taxi to the airport for a 5:30am liftoff, and then back to a world that is not Camp, not Juneau, not Alaska. I was left with the same feeling that I had the first time I visited New Orleans, where I felt an undercurrent that seemed to say You’re not home, this isn’t America anymore. This is New Orleans and we’re older than America, we’re something different, we won’t ever be the same as places you’re used to. Deal with us on our terms.

Comics Camp is different from every place we came from (even for those locals that just went up the road for a bit to join us), a place built on the people that gathered there for a long enough time to get to know each other, a short enough time to not know everything about each other, a temporary place to recharge us before we returned to our homes, ready to make more.

And now you’ve got maybe an idea of what it was like, except for all the parts that I’m still figuring out, and all the parts you had to be there for, and all the parts that aren’t anybody else’s business. Oh, and in case you might think it’s just an exercise designed to let Pat & Aaron just hang out with friends for a weekend, here’s what the state of Alaska thinks about their promotion of the arts year round.

It’s a hard, largely anonymous task they’ve taken on for themselves, which is helping artists up and down the state — and across North America — to find their people and create more art. Please consider the last seven posts less a massive self-indulgence and more a 10,000 word Thank You to some people I can’t ever thank enough.

Now.

All of us: those that went to Camp, those that were there last year, those that wanted to go and couldn’t, those that figured it wasn’t for them (spoiler: it’s for everybody), those that wouldn’t go near a group outing in a hundred years, every single damn one of us, there’s just one thing left to do.

Time to make stuff.

And come to Camp! We’ve got s’mores.


Confidential to P & M In Juneau: Hey! You’re getting married! There is no limit to the amount of joy that I’m wishing you both.

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¹ And for once, I’m going to consider myself a full part of the cohort; my job may appear to be social on the surface, but it’s actually fairly isolated. Much of my teaching schedule is done remotely, via computer and phone. When I have an in-person class, it’s with students that I’ll never see again. I’ve not had a boss in the same state as me for most of 20 years now.

² I mentioned to my wife, who just got her ServSafe certification, that we were cleaning the (not particularly dirty) freezer and fridge interiors with bleach and she was impressed.

³ Again, my everlasting respect to my fellow Nagoonberry Cabinmates; I don’t think the lights were ever switched on or a full-voiced conversation took place until we were packing up in broad daylight. People came into the cabin with flashlights held in their teeth and an easily-ignored flurry of zipper and velcro noises accompanied the bed-settling routine.

Even the very occasional snores formed a sort of complementary soundscape, like a lightswitch rave without the siren noise. Libby, Angela, Aubrey, Katie, Rebecca, and Kazu, you have my everlasting sleepytimes gratitude, and next time I see you the first round of drinks is on me.

4 We decided that such brazenness deserved a sacrifice and I tossed two more slices to the piratical corvid; her beak was full, but she hopped over and snagged up the additional food in her beak before awkwardly flapping off to find a hiding space. Well done, you thieving genius. Remember me when I return.

5 Tara, get a website I can point people towards because you are a neat person with lots of knowledge to share and I want to point them towards you so they will get smarter and better.