The webcomics blog about webcomics

It’s All Political

Because a recurring theme of the manchildren that want comics that solely cater to their own preconceptions and prejudices is that anything not wholly reflecting their own identity is unnecessary politics that comics were never sullied with previously, goodness, never, a few items reminding you that politics and art — even comics — are inextricably linked.

  • Word comes today that there will be a comics adaptation of Kurt Vonnegut’s Slaughterhouse Five releasing later this year, from artist Albert Monteys, colorist Ricard Zaplana, and oh that’s what he’s been working on this makes perfect sense Ryan North on words.

    A scathingly funny indictment of war, Slaughterhouse Five will anger some people just by existing, but then people like them have been angered by Slaughterhouse Five existing in all its forms for the past fifty years, and will anger other people for the next fifty and beyond. The cohort of people determined not to learn the lessons of war are as unstuck in time as Billy Pilgrim. The graphic adaptation is due in September from BOOM.

  • A central part of Slaughterhouse Five is protagonist Billy Pilgrim’s unlikely survival of the the Dresden firebombing, which Vonnegut experienced firsthand. There may be nothing more terrifying than fire so widespread and hot that it alters the normal patterns of weather, physics, and reality around it, becoming a wholly unpredictable and uncontrollable entity in its own right. There’s a reason that Dresden and March 1945¹ are shorthands for destruction beyond comprehension.

    Conflagration need not come from war, but human stupidity will certainly be involved:

    As I type this (on Monday 6 January), 25 people have been confirmed killed by the fires, 7 remain missing. Well over 1500 homes have been destroyed, as well as thousands of other buildings and structures. The total area burnt so far is over 80,000 square kilometres, which is larger than Ireland, almost as large as Austria. These numbers will continue increasing for weeks, as the fires continue to burn, unstoppable in the hottest part of summer, as we suffer the worst drought in recorded history.

    Even in places not directly affected by flames, the smoke from the fires is causing hazardous air quality across much of south-eastern Australia. For over a month now, air quality in Sydney (where I live) has been marginal some days, and officially “hazardous” on many other days. Visibility has been down to 100 metres or so because of thick smoke in the air, the sun shines down with an apocalyptic orange glow even during the middle of the day, and the smell of smoke is everywhere. Ash and burnt leaves fall from the sky, even in the middle of the city. Outdoor surfaces, wiped clean, are covered in a fine gritty ash the next day. Hospital admissions are up around 10-15% because of people experiencing increased asthma and other respiratory conditions. Canberra, which is a long way from any fires, has experienced several days in a row of horrible air conditions, with many institutions and government departments shutting down because it’s too hazardous even inside the buildings for people to work.

    That from David Morgan-Mar (PhD, LEGO®©™ etc) from his vantage point in Sydney, on the ongoing fire season in Australia — which started four months earlier than usual, exacerbated by climate change-driven drought and high temperatures. The news from Down Under is heartbreaking, with serious predictions that by the end of fire season in March or April, there may be essentially no non-urban space untouched by the bushfires. Places that I’ve visited and loved may not recover in my lifetime.

    And more infuriating is the now repeatedly demonstrated utter indifference on the part of Australia’s senior governmental officials, starting with their sociopathy-demonstrating Prime Minister. Read the whole thing, get mad, and do what you can to express to your own government, wherever you are, that climate disasters aren’t abstract, they aren’t off in the future after senior officials will be safely dead and thus insulated from their effects, that we are well past prevention of worldwide tragedy, and instead playing a game of mitigation.

  • And yet, even in the face of ongoing crisis, small acts of utter optimism and hope in the future take place every day. It’s a couple years late (then again, the documentation is a couple years behind the event), but let’s take a moment to welcome Elizabeth Anna Trogdor Breeden to the world, and to resolve to make her lifetime less stupidly hellish than the current trajectory seems determined to be. Vonnegut had a famous benediction for newborns that’s widely quoted, and I’d like to offer it up to young Trogdor with an addendum: God damn us, babies, we weren’t kind and now it’s all on you. I’m sorry.

Spam of the day:

Xone Phone has a smooth appeal that will turn heads due to its slick surface and pleasing texture. Hold The Vibrancy In Your Fingertips

This sounds like it should be covered by Erika ‘n’ Matt when they come back from their break.

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¹ Please, Ryan, I love your work, but do not also adapt the other great narrative work about World War II firebombings. It’s the greatest piece of art that I never want to experience again.

Let’s Get Back To It, Then

Hey. How you doing? Have a good set of holidays? Good, good. I spent what was supposed to be rejuvenative downtime fighting a cold which is still hanging on by its bacterial fingertips, so I hope yours was better. 2020 has started out more terrifyingly chaotic — and more quickly — than I’d expected, even at my most cynical. I’ve been pretty buried in the step back from the fight and catch your breath mode that we all have to engage in from time to time, but I’m back to exercising my opinion at lawmakers with specificity and persistence¹. But today, let’s talk comics.

  • I cribbed that last bit from the introductory tagline that Brad “Sexy, sexy man” Guigar and “Los Angeles resident” Dave Kellett use at the start of each episode of ComicLab (at least, once they’ve finished up with whatever weirdass random absurdity they have on deck for the cold open), and if you’re not a regular listener, let me direct you to their year-end, best-of-2019 clip show.

    There is absolutely zero useful advice in here — unless you want to get a commercial film crew to stop shooting in front of your house, or possibly to stay married — but there are plentiful hilarious stories and rants, plus Drunk Orson Welles. I advise you not drink anything while listening, because you will end up spit-taking on multiple occasions.

    Oh, and Happy Birthday to LArDK. You had a hell of a 2019 and I suspect 2020 is going to be even better.

  • As long as we’re talking about 2019, Heidi Mac over at The Beat has compiled her annual survey of folks in the comics biz looking back over the year and forwards towards the next. As of this writing, the first three parts are up, but you’ll eventually find all of them (there’s usually a half-dozen or more) here. You’ll find the excessively wordy input of a hack webcomics pseudojournalist in Part 1.
  • When Tom Spurgeon’s memorial service was announced, word was that in addition to Columbus in mid-December, there were tentative plans to also remember The Spurge in New York in the new year. Those plans are concrete now, with the Society of Illustrators building on 63rd the venue. New York isn’t quite the center of the comics universe it used to be, but there’s plenty of people within daytrip distance of Manhattan, and on the 24th (that’s a Friday), they’re invited to the 3rd floor reception at 6:30pm, and the 1st floor memorial at 7:30pm.

    If you’ve been feeling the absence of Tom Spurgeon for the past two months, I’m going to encourage you to attend if it’s in your means to do so. Don’t feel that you didn’t know him well enough, or that you aren’t important enough — I can tell you with absolute confidence that if Tom knew your work he wanted you to succeed at comics, and if he had no idea who you are, he still wanted you to succeed. I am undecided if I’m going to go again, but I’ll tell you without hyperbole — in these unsettled, fraught times, saying goodbye to Tom among a tiny fraction of the community he loved was a balm.

  • When people say that comics is a medium of almost infinite potential, I like to think that some of them are thinking about things like graphic medicine — the idea that comics can help educate people about health and medicine, whether as providers, patients, or policymakers. Cathy Leamy has been ahead of the curve in providing comics in this niche, which has grown to the point that panels and even entire conferences are being organized around the idea; fittingly, it’s via Leamy’s Twitterfeed that I’ve learned of some upcoming events.

    Following last year’s first event in the Boston area, there will be a three-day schedule for the New England Graphic Medicine Conference hosted by Massachusetts College of Pharmacy and Health Sciences in Boston; the call for papers ends on 10 January, but given that the topic list contains such areas as artist health, climate change, comics journalism, and The Nib cited as an area of discussion, there’s probably some folks reading this that are what NEGMC are looking for.

    Then, in July, Toronto will host the Graphic Medicine Conference the weekend before SDCC, covering similar territory, with a deadline for submissions on 31 January. Note that GMC presenters are responsible for their own expenses (including conference registration), although they note that [d]iscounted rates and some limited scholarships will be available for students, artists, and others in need; registration info isn’t up yet, so no idea what that might cost you (it appears that in past years, presentation by videoconference was an option).


Spam of the day:

Get better photos with the optical zoom lens with manual focus telescope

No lie, my current phone (a midrange 2019 model) has a better camera on it than any actual physical camera I ever owned, going back to my 35mm film days. I don’t need a doodad to make that differential even greater.

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¹ Truly, I never thought that I would need to have both local and DC offices for my representative and senators on speed dial.

SPX 2019, Now With Extra Solidarity And Also Mutant Balloon Animals

SPX was pretty excellent this year, everybody. I saw too many wonderful folks (and forgot to include some on the list while I was waiting for a burger, like Jamie Noguchi, Boum, MK Reed, Patrick Lay, Lucy Knisley, Maia Kobabe, Britt Sabo, Lauren Davis, Kori Bing, Blue Delliquanti, Kori Michele Handwerker, and Melanie Gillman, plus I hadn’t run into George, Raina Telgemeier, and Andy Runton yet), a side effect of the concentrated nature of excellence:space that the North Bethesda Marriott engenders.

But the trip took on an actual reporting task, as the common perception of Kickstarter’s actions last week skewed nearly 100% to They’re unionbusting. The near-universal consensus of everybody I spoke to hit several repeated points:

  • Kickstarter’s upper management does not reflect the community-interface folks, who were spoken of with warmth and support. It was pointed out that the Kickstarter representatives as the show were, themselves, involved in the unionization efforts.
  • Creators indicated that they’ll be looking to the Kickstarter Union folks for guidance and will follow their lead. Boycotting right now has not been requested, and would very likely be counterproductive.
  • Several acknowledged the difficulty of finding a platform that could serve to replace Kickstarter if the Union calls for a boycott.
  • There’s a willingness to lend voices of support to the unionization effort, to the extent that personal involvement with Kickstarter might hold any moral authority or ability to sway management’s decisions.

Speaking of the second and fourth points above, Taylor Moore (one of those ousted last week) is currently tweeting a call to action, asking creators to sign on to a petition to Kickstarter management. Not being a project creator myself I am not the intended signatory, but I’ve noticed more than a few webcomics folks retweeting and stating they’ve signed, so maybe take a look.

Specific responses when I asked if there were comments about the situation for the record:

Sara McHenry, Make That Thing asskicker at large and creative project manager, on unalloyed support while not forgetting point #3 above — I think every workplace should be unionized, and if I only did business with unionized workplaces I would starve.

Matt Lubchansky, cartoonist and editorial force at The Nib, on how Kickstarter’s actions are ultimately self-defeating — Unionbusting is bad for Kickstarter, it’s bad for the industry, and I’m looking forward to hearing [from the Kickstarter Union] what we can do to support them.

Matt Bors, temporarily doing way too much to keep The Nib running — The Nib is planning on using Kickstarter for our upcoming projects. It appears they fired people for trying to organize a union, which I’m pretty sure is illegal? I support the organizers’ efforts and look to them for direction.

Shing Yin Khor, Kickstarter 2019 Thought Leader and creator of mutant-horrorshow balloon doggies¹ — [Silently looks me square in the eye, grasps the ribbon that tethers the KICKSTARTER-branded mylar balloon floating above her table and pulls it down. Writes UNIONIZE in Sharpie on the balloon² and lets it float free, never breaking her gaze.]

Becky Dreistadt, artist, animator, and woman who gave Steven Universe his neckThe reason we [indicating her partner Frank Gibson] both have healthcare is I’m in the animator’s union. Unions are good.

Frank Gibson, the writerly half behind Becky And Frank’s work, including Capture Creatures, Tigerbuttah, Tiny Kitten Teeth, and Bustletown — The stability of my upbringing is because of the New Zealand teacher’s union.

George, official Kickstarter Expert and guy who knows what Public Benefit Corporations are supposed to be like[A long stream of pro-union statements made while I didn’t have my notebook close to hand, but while George was holding the brick he accepted on behalf of Ngozi Ukazu at the Ignatz Awards just prior, while offering to both email me a pro-union statement for the record, and also expressing an understanding of why rioters grab bricks, because the feel of them makes you want to chuck it for great justice.]

I’ll just end on a couple of personal notes: I had a couple of people come up to me on Saturday to thank me for this page³, and one woman who told me that she took a photo of me at MoCCA 2018 to use as reference for a painting, which she showed me on her phone (and which she’ll be emailing to me soon, I hope; I’ll share it when I get it). Thanks very much, Susan, John, and Qu.

Congratulations to Colleen AF Venable and Ellen T Crenshaw, who found out this morning that Kiss Number 8 is longlisted for a National Book Award.

And congratulations to Rosemary Valero-O’Connell on your three (!) Ignatzen for Laura Dean Keeps Breaking Up With Me. I told her when I met her that her already-strong work was going to become world-class; I told her on Saturday to make room in her luggage for three bricks. So far I’m two-for-two. Back her Kickstarter, which I guess brings us full circle.


Spam of the day:

Every my part are getting hot when I see you

I am a sexy, sexy man, it’s true.

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¹ They had a bunch of balloons and I saw similar critters on half the tables on the show floor. They were … yeah.

That’s mine in the picture up top. I call him Bob The Unsettling. He lives on the shelf above my computer, with my Stupid, Stupid Rat Creature. The Rat Creature has a quiche as an accessory!

² I noticed later that Evan Dahm similarly editorialized on the balloon at his table.

Oh, and that’s not a silver wang in the background, pervs. SPX has helium balloon letters of the alphabet floating above each table pod, and that’s Pod J, listing to the side.

³ One added it had been their homepage when I was in high school, which I took as a tremendous compliment. There’s all kinds of things you fixate on at that age, and a hack webcomics pseudojournalist wouldn’t make the top 1000 most popular online topics among highschoolers. Thanks for that, and for the mini — it’s good work.

Can’t Spell Tariffs Without FFS

As near as I can tell, I first started wondering when Screamy Orange Grandpa¹ would take his trade war into territory that harmed webcomics back in June of last year. As luck would have it, George weighed in with his advice:

I am encouraging people to just factor in an extra 25% as a trump tax in case stuff gets fucked. This I’d recommend regardless of where you’re manufacturing. Since he’s hitting Canada the plants people use in Montreal often could be hit, and also US plants that are part of global multinationals could wind up having trickle down cost increases.

Hope you listened to him back then, because the get fucked stage of the tariffs-by-tweet tantrum is coming to webcomics:

[transcribed from screenshot] The Office of the US Trade Representative has announced that as of September 1, 2019, books printed in China or Hong Kong will be subject to a 10% tariff.

What this means:

  • Book product from China (which has always been zero rated) will now carry a 10% import duty.
  • The amount assessed is based on the declared value of the import plus freight.
  • The stated value must be verifiable — for instance, if the shipment is coming directly from a printer then the declare value must be equal to the print cost plus transport fees.
  • These shipments are likely to be highly scrutinized by customs officials, and fines will be steep for any mis-declaration.

I think we can add a bullet point to the list Donald Trump is an idiot, a petulant child, and surrounded by sycophants that tell him he’s big and strong and smart and other verifiable untruths, or he wouldn’t be pulling this shit and claiming that China is paying the US money.

For the immediate term — near as I can tell — even if you put in your order and everything was complete before Sunday, if it arrived this week or later you’ll have to pony up. If you ran a campaign figuring that this fuckery wouldn’t happen, you’re going to have to come up with a check or your books won’t clear customs impound. If you haven’t started your print order (or your print project yet), you’ll have to decide to eat that 10%, pass it along to your customers, or some combo of the two.

Those of you running projects that haven’t yet started, I’d say that George’s 25% safety cushion should now be on top of the 10% we know will be charged, because you never know when Screamy Orange Grandpa will have an unsatisfying morning on the solid-gold toilet and declare in no more than 280 characters (and including several correctly-spelled words) that all tariffs on books are now 387% just because he hates books that much.

And, just in case you didn’t see it last week, you don’t even have to be involved with current-and-future China printing to get screwed. Case in point:

If you have done work with @KrakenPrint AND have inventory at their warehouse, contact the warehouse IMMEDIATELY!
The warehouse has put a lien on all #krakenprint inventory due to nonpayment. Contact info in link:
https://m.facebook.com/stor…
#comics #indiecomics

The creditor, TWE, has put up a list of titles that are known to be in the warehouse over at Facebook; it’s not your fault, but if you don’t claim your stuff (and pay off part of Kraken’s debt), your books will be auctioned off. We should probably mention that it’s not TWE’s fault either, so please don’t yell at them.

Do your favorite creator a solid and read what’s at those two links, and if you recognize any of the titles, give them a heads-up that they need to contact TWE so as not to lose out. Also, if you know where any of the principals of Kraken are, there’s probably more than a few folks that would very much like to talk to them for reasons.


Spam of the day:

Treat your pain with COFFEE Stops Pain and Depression

This may explain why R Stevens is one of the sanest people I know.

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¹ Thanks to KB Spangler for that perfect descriptor.

What You Need On A Friday

Recently, Rosemary Mosco — science communicator extraordinaire and all forms of nature but especially birds afficianado — ran a comic (seen above) about birds whose common names suffer from Tony Danza syndrome¹. The Mo[u]rning Dove has a mug expressing its opinion on the topic of mornings, and because Mosco is a professional, you should know immediately that cloacal kisses are totally a thing.

Meanwhile, the mad geniuses over at TopatoCo know a good thing when they see it. The world needs a Mornings Can Kiss My Cloaca mug (complete with handy arrow) and now there is one. There’s also some misprints that lack the arrow for five bucks less, but honestly? It’s the arrow that makes it. Well, that and the irritated eyebrow the bird sports. Get one for the morning-averse person in your life.

Yeah, we’re a bit short on words today, but you got nearly 15,000 of them in the past ten days and I need time to catch up on everything that happened since SDCC started. Enjoy the weekend, we’re out.


Spam of the day:

How did your recent visit to 7-11 go?

I haven’t been to 7-11 in more than five years when on weekend EMT duty on the hottest day of the summer, we stopped by 7-11 on the way back from the hospital for Slushies. I hadn’t had a Slushie for, I’ma say 35 years, and had a moment of panic the next day. Blue is never a color that should come out of you.

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¹ As in, what’s the refrain to that one Elton John song? Hold me closer, Tony Danza, right?

Ask Them Anything

[Editor’s note: Disclaimer time again. The purpose of these recaps is to get at the gist of what was being said and by whom; to the extent that direct quotes occur, they will be italicized. And just because you don’t see somebody’s name doesn’t mean they weren’t in the middle of the conversation; it just means that I need to learn shorthand, or go back to typing these things.]

So you want to get comics into the classroom (which was a recurring theme of the sessions being held at the San Diego Public Library, which is a magnificent facility bee-tee-dubs), so what better way than to be able to have a nearly entirely question-driven session with creators (Jimmy Gownley and James Parks, with Ben Costa in the audience because the table was full), academics (Talia Hurwich and Meryl Jaffe, authors of Worth A Thousand Words), teachers (Derek Heid and Tracy Edmunds), and publishers (Mark Siegel and Gina Gagliano, who was honored by Publishers Weekly today)?

It was rhetorical, but the answer is There is no better way.

The questions from the audience ranged from the purely physical (How do you keep graphic novels from getting shredded in circulation?, a librarian wanted to know) to the application of theory (Teachers wanted to discuss leveling, the process of determining reading level for materials, and why graphic novels are consistently rated too low), with the ever-popular How do you get buy-in from parents/colleagues/administrators? along the way. Let’s take that last one first.

Jaffe admitted that she used to be one of those parents/teachers who thought that graphic novels weren’t useful in the classroom; she credited the kids in her class who did an intervention with me. She noted that because there is so little text on a page, the vocabulary tends to be advanced, with an extremely high incidence of metaphor. Gownley supported this point, noting that the most garbage Marvel superhero comics are written to the same level as the New York Times. Parks added that comics stretch the reading skills further, in that they — uniquely — allow readers to interpret what happens on a page more broadly than other forms of reading.

We noted a couple recaps back that the Common Core standards require students to examine a work classic literature in at least two different media; Heid stressed that to read text only is not teaching to standard, and Edmunds pointed out that graphic novels are specifically listed in those standards as a media type to be used in¹ fifth grade.

Siegel was happy to note that parents are the last pockets of resistance, when they think that their kids are getting short-changed or being given half measures. Librarians (and this is a recurring theme with Siegel over the years) have been ahead of the curve, obtaining and pushing graphic novels².

When there is still resistance in the community, he recommends putting up a display of books with all the shiny awards stickers on the front — the National Book Awards don’t have a category for graphic literature, after all. But, he allowed, it gets a little tiring to keep having the same conversation about format. Gownley had the ultimate solution: These people will get old and die someday.

Heid remarked that teachers are pretty much onboard, since they saw how large the medium (not genre!) is, but is ticked that at education conferences, there’s no panel on Novels In The Classroom. Nobody even thinks to question their inclusion, but somehow the absolute equivalecy of novel:=literature persists to the detriment of other media.

Let’s jump back to the circulation question; the answer was at least partly to adjust expectations. Gagliano pointed out that the typical graphic novel binding will hold up to about 60 circulations, which is as good or better than prose. The librarian admitted that they’re seeing about 75 circulations, so there you go.

Gagliano also mentioned specialty bindings for libraries from outfits like Perma-Bound and Bound To Stay Bound to increase durability (Gownley chimed in that they aren’t as pleasing to read, but they hold up). Siegel noted there’s an increasing number of simultaneous releases of hardcover and softcover, specifically with libraries in mind.

The discussion around leveling fascinated me, because it was clearly of great interest to nearly everybody in the room, but also completely new to me. The discussion began when a teacher said she had no problems with her elementary principal, librarians, fellow teachers, or parents. Her issue was that the district wants comprehension tests after every book, and she needs both documentation that kids aren’t reading below grade level and a mechanism to evaluate how well the students are reading (NB: The teachers and teacher-adjacent in the room would refer to what I saw as two things almost interchangeably).

Edmunds jumped on the leveling issue: the grade level assigned by the most common leveling rules/services does not accurately reflect the complexity of the reading. The levels, and most tests available to teachers, are algorithmically generated and only take into account the text. Gagliano mentioned that publishers are constantly in communication with the test-generation folks to more accurately reflect the material and the leveling.

Gownley almost hopes that a solution isn’t found — when the books are outside the official curriculum, there’s no test, no proofs of proficiency, a slight hint of being forbidden, then reading becomes more fun.

But returning to why there isn’t a leveling tool that incorporates words+pictures, Edmunds explained that it’s difficult to to. Leveling is the province of computers, not humans; Jaffe added that it’s done by people who aren’t in classrooms. Siegel expressed some sympathy for the lack of accurate leveling, in that the entire idea of visual literacy is hazy right now. As noted a few days ago, we’re all just waiting for McCloud to give us the vocabulary to have the conversation that we need to have in order to come to a consensus on this complex and constantly changing landscape.

The last question of the session³ was about how to incorporate graphic novels along with nongraphic novels, rather than instead of. Heid jumped in to say it depends on what you’re teaching, but using both allows all kinds of discussion. For example, To Kill A Mockingbird presents the climactic verdict scene with a focus on Jem, but the graphic novel adaptation shifts it to Tom Robinson, with each Guilty shifting his expression from shock, to horror, to the sure knowledge it was always going to be this way. After your kids have read both, ask them, Why did Harper Lee focus on Jem and the graphic novel focus on Tom?

Jaffe says the contrast between text-only and graphic novels allows you to explore questions with students that you couldn’t otherwise. Contrasting the different formats allows investigation into concepts like How do you communicate? Gagliano focused on the fact that a lot of literature teachers may not have a background/training in art, but they can learn with their students; you can think about why a page was designed the way it way, why the choice was made to use color or B&W, what job each panel has to do. Asking the questions and seeing what answers they come up with will spur a teacher’s own education.

And that education continues: Hurwich is working on her PhD (graphic novels and other media in the classroom and their effect on student literacy) and Heid his Masters (on education standards and how graphic novels fit); Gagliano and Siegel keep seeking out the best books they can, and Parks and Costa keep figuring out how to make their series more entertaining and relevant for kids. None of them will ever stop trying to do more for their students or their readers.


Spam of the day:

Get Vivint.SmartHome monitoring now and sleep well

You’ve got some damn nerve pushing this on me the same week as a tremendous security disclosure around embedded systems like those featured here? Remember, kids: The S in IoT stands for Security!

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¹ Or possibly starting in fifth grade, rather than solely fifth grade. My notes got a little rushed, and any teachers familiar with the Common Core are welcome to clarify for us.

² Asked in a follow-up when the librarians started pushing graphic novels, Gownley perkily answered Thursday! to general laughter. Gagliano remarked that the annual YALSA Great Graphic Novels For Teens list started in 2005, which she described as the tipping point. American Born Chinese would be nominated for the National Book Award the next year, and once SMILE took the Boston Globe-Horn Book Award for nonfiction, the momentum was pretty much irreversible. Edmunds half-lamented that it’s almost not possible to keep up with all the good graphic novels being published today.

³ Well, second to last; the last was Where will we see you after this session?, which prompted the best response from Gownley: The Crowne Plaza sushi bar.

A Selection Of Quotes From Ursula Vernon’s Spotlight Panel, Some With Context

[Editor’s note: Yeah, pretty much forget the earlier disclaimers. This time I’m going for exact quotes.]

There’s something refreshing about giving Ursula Vernon a microphone and no set topic list for an hour. With her A/V tech/husband, Kevin Sonney¹, by her side, she projected slides of her artwork, digressing as the mood struck her on each. Oh, and for those that don’t know, Ursula Vernon is also T Kingfisher when writing for adults, the difference between them being, T Kingfisher wears a hat. I mean, I’m wearing a hat now, but it’s because my hair … yeah.

Let the quotes begin!

I had a blue period because the only ink bottle I could get the cap off of was blue.
— Explaining why the crested caracara was that color

I just like painting stone.

Sometimes you want to get back to your roots, but not enough to draw humans.
— Explaining why she painted Pen-Guin the Barbarian, decked out for war and murder.

Turnips are inherently funny.

Oh, God, they produce so many eggs.
— On the keeping of chickens

Ursula: The chicken had a tragic backstory …
Kevin: I’m not made of stone.
Ursula: … which lead to multiple adults unironically stating We just want what’s best for the chicken.
— On how they wound up with the Strong Independent Chicken. Also, Kevin is a Disney Princess, animals just flock to him.

I had the grandiose idea of doing steampunk moths.

Oh, the pear
— On seeing the Biting Pear Of Salamanca, which came about because Vernon was drawing a lot of fruit, but was also inspired by how Rob Liefeld draws teeth but again didn’t want to draw a person. Most people only focus on the pear and not the fact that it’s clearly a tourist attraction and so the little rodent in the foreground is photographing it. Nearly everybody overlooks the giraffes in the background but come on, you can’t have too many giraffes.

Inspiration knocks on the door occasionally. Spite will bang on the door all year long.

Kevin: I HAVE INSTRUCTIONS IF YOU START AN EPIC.
— On what to do if Ursula decides to start another strip the length of Digger. They involve a shovel and an unmarked patch of land out back.

At least it’s prime!
— There are eleven volumes of Dragonbreath, not ten.

It’s all right, the fox can’t hurt you anymore.

Spinning wheels are really hard to draw … but hamster wheels are easy to draw.
— On how a desire to tell a fairy tale became Hamster Princess.

Don’t get me started on potatoes … [Kevin nods pointedly] … the Russet Burbank is an abomination.
— She’s got opinions. This came at the end of a question if her degree in anthropology helps her writings. It lead to the point that you should get the food right, that not everybody eats the same things, and that in general there should be fewer potatoes in your faux-medieval setting.

The answer is always more sauna.
— On consulting with a Finnish folklorist to see if she got details right in The Raven And The Reindeer, and being told that the folklore and food were fine, but there wasn’t enough sauna in the story.

I have much less trouble than is emotionally healthy.
and
Many children’s book authors are frustrated horror authors.
— On any difficulty she may have code-switching between the two genres. Turns out kidlit authors get told you can’t write that, it’ll scar a kid fairly frequently, leading to frustrated ambition and resentment. All of those scenes get more and more horrifying until they’re ready to explode in a brain-melting cavalcade of madness and terror.

Or, you know, you’re Ursula and just fight with your editor on Twitter. No big².


Spam of the day:

Please review how you can easily produce quality videos to show or communicate more about Fleen.

This spam purports to come from somebody named Orko and … no. Just no.

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¹ Ursula and Kevin are capital-M Married, with an innate feel for where the other is, mentally, at any given moment that omega-level psychics would envy. Of course, they mostly use that knowledge to mess with each other for extremely dry comedic effect.

² That’s what she said!

Contrasts Abound

If there’s one thing you’ll never run out of at SDCC, it’s the range of human experiences that go from extreme to extreme. I listened to the replay of Armstrong stepping off the lander pad last night while preparing for drinks with friends. The moon hung bright and inviting as it must have 50 years ago and I swear I could taste the Tang that I drank back then¹, a sense memory that couldn’t be further from the rather sublime single cocktail I enjoyed in a dark room with a taxidermied ostrich over the door and a wall made out of 3D-printed skulls salvaged from an old Rob Zombie video.

Tang vs fine Italian bitters. Buttoned-down serious men with pocket protectors in their own dark room half a century ago, fussing over a computer being overwhelmed by a handful of extra bytes every few seconds vs some goofball in a t-shirt and jeans holding a supercomputer in his right hand, scrolling through pictures of his even goofierball greyhound.

Or, to provide an even greater contrast:

On Friday while waiting to interview Jim Ottaviani, I had the great pleasure to make the acquaintance of Phil Plait², who couldn’t have been nicer. It was only for a few minutes, but it was a genuine honor to talk to a person that spends all their time trying to spread knowledge about how the world works.

On Saturday while walking my way through the Gaslamp towards the convention center (also while on a lunch run, several hours later), I had the great misfortune to encounter a slient parade of utter wankers in Guy Fawkes mask/hat/cape combos, some lining a section of street, some silently processing between, some silently handing out literature, all holding giant placards decrying (in the most vilely truthless manner possible) the dangers of vaccines.

One tried to hand me a flyer and I said out loud Do not touch me, you pathogen-ridden vector. You’re a very, very lazy child killer. It was suggested to me later that they may have been doing some kind of bit — although I do think it was sincere — but I don’t care. On the literal anniversary of the day we, as a species, first landed on the gosh-darned moon, which I count as the second greatest thing we, as a species, have ever accomplished, these assholes are out critiquing an achievement that contains within it the only greater achievement humanity has managed³.

So, yeah. Within a period of 24 hours I experienced the sheer joy of scientific literacy and willful ignorance with almost unlimited potential for harm. Don’t be anti-vaxxers, kids; vaccines cause adults.

I only got to one panel yesterday, but it was a humdinger — a collection of publishers, creators, and teachers had an Ask Me Anything session about using comics in the classroom. I love hearing teachers and librarians on this topic, I just can’t get enough of it. I talk about it more once the notes are pounded into shape, but one thing that stuck with me is for all the discussion about how comics are helping students develop visual literacy, there’s no real agreement on what visual literacy is or how to define its boundaries.

Fortuitous, then, that shortly before closing Scott McCloud came by to talk4 and I asked him how his next book — on visual literacy! — was coming along. It’s going to be a while yet, but I mentioned the discussion from the panel and told him, Hey, no pressure, but the world is kind of waiting on you to give us a point of reference to discuss this stuff so we can figure out what it all means. Good thing you’ve done that before. He laughed, but also may have muttered Oh God in there. But I made up for it by sharing the story Tillie Walden told in Alaska about how she’s making comics because he encouraged her, so he’s got that going for him.

There was also a quick talk with Gene Yang at a signing, where I was one person too late to get a galley copy of Dragon Hoops. One of the things that I really appreciate about Yang is his prodigious memory for people; he has no reason to remember me, we’ve done one interview three years ago and maybe three times since then a quick handshake and two minutes chat, but he always does. This time, we spoke about how much I’m looking forward to his Raina Telgemeier turn (This book is about me he said, sounding a little surprised himself) and he asked if I’m a basketball fan. I told him I’m not, and then the fervor he brought to challenging kids to read outside their comfort zone came into his voice: Neither was I, but it’s great!

Like pretty much everybody associated with :01 Books, he’s a treasure. Mark Siegel and the people he’s worked with have done tremendous things for comics, and with their alumni moving into other publishers, they’re an incubator for the industry (I suggested metastasizing, which did make Siegel laugh, but we decided it was maybe not quite the word you want associated with your brand).

Pictures:
I lost a couple of photos in getting them synced from phone to laptop — thanks, technology! — but that’s the way things crumble. It’s not quite cosplay, but Peter Porker made some notable appearances. I think this may be the same group as earlier in the week, but with Porker instead of a bagel. This puppet was magnificent — she made it! — and I particularly like the posing she did in the photo up top, rearranging the fingers into the proper thwip! position.

You can’t see it because one of the photos I lost was the front of this pair, but Russell is holding a stuffed Dug in the Cone Of Shame.

But the best of the day had to be a three-way tie between Gizmoduck (the wheel was cleverly done), Gwenpool (when I told her I was going to send a copy of this photo to Christopher Hastings, she squeed a little), and The Landlady from Kung Fu Hustle, who had the most genuine and pleasant smile when not in character. Kudos, all around!

Panels to watch for:
I haven’t yet decided if I’m going to the panel on introducing younger readers to comics (noon, Room 28DE), the roundtable on combining tech and magic in your stories (1:00pm, Room 25ABC), or the short form comics discussion (also 1:00pm, Room 28DE). But I will be scouring the NPR website, because my wife texted me to say that Dylan Meconis was on Weekend Edition Sunday and she sounded great. Audio will be up here later today.

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¹ There are only two things from my childhood that I’ve lost and truly regret — one being the Linotype slug that I’ve mentioned. The other is tied to what I believe is my earliest concrete memory; Tang for a period of time sold their powder in a plastic jar that, when placed on a cookie sheet in the oven at a particular temperature, would deform and reform itself into a fair simulacrum of the Apollo Lunar Module.

I remember seeing the commercial and dutifully drinking the goo every morning until the jar was empty, I remember thinking it couldn’t possibly work, I remember watching it twist itself like magic, I remember being told No, I couldn’t play with it because it was still blisteringly hot plastic, you silly child.

² Thanks to Zach Weinersmith for the assist; after telling Plait that I enjoy his work, I mentioned that we had you as a friend in common, which prompted a handshake and a pleasant conversation.

³ I speak of the eradication of smallpox. It is an unalloyed good, and something that every person alive can be glad and proud of. Third greatest achievement of humans is dogs, and I think we have to share that one with the dogs, who were and are our willing partners in a monumental act not of domestication, but cross-species friendship and mutualism.

4 Speaking of contrasts, I was probably standing about 3 meters from where I first met McCloud, when his very kind words about this page sent me over the moon (callback!). If you’d told me that day that not only would I meet McCloud, but achieve the kind of familiarity where I would see him and say Oh, hey Scott instead of OMG OMG OMG that’s Scott McCloud!!!, I never would have believed you.

General Friday

Friday can, ironically, be both the busiest day at SDCC (any given year, it’s toss-up between Friday and Saturday), and also the one where things first start to feel slow on the floor. If there’s something big in Hall H going on, or if the retailers start to run out of exclusives, there can be periods of relative quiet. For me, Friday was ironically a day that I woke up feeling great, mentally thanking the hotel bed for a terrific night’s rest. A scant few hours later I would be mentally reciting Ow every other step because I am an old man and my spine is made of tissue paper¹.

I’m not sure if the fact that I spent a lot of time sitting in panels rather than standing at the booth was ultimately a positive thing or negative. On the one hand, discomfort was definitely tied to shifting my posture; on the other, I know that you just have to keep moving and encourage muscles to stretch themselves with motion. On the other other hand, I am a lazy, lazy man and sitting suits me just fine.

I started off watching people who make comics with a factual basis talk about their processes of developing topics, researching, and bringing essential truth while not getting bogged down in minutiae on the page. Or, in the case of Dylan Meconis, writing fiction where you get to decide that Henry VIII died before breaking with the Church, but obsessively getting the livestock correct. More on that, on Randall Munroe deep dives into the human systems and groups that deal with the odd corners of our world, and the longer interview-slash-conversation I had with Jim Ottaviani later.

Ursula Vernon had her spotlight panel in the afternoon, ably assisted by her A/V tech and partner in adventure/crime/marriage, Kevin Sonney. It was … look, if you’ve never heard Vernon talk, there’s a lot of side quests in her conversational style, a lot of I have no memory of doing thises, and a lot a lot of hilarity. I’ll be bringing you that story when I can come up with a way to describe it that doesn’t amount to Look, you had to be there, but I absolutely will find a way. Until then, you can find her at the Sofawolf table (Booth 1236) for signings; stop by the booth to verify times.

Similarly, I need to find a way to discuss the panel for all-ages readers that featured a half-dozen Scholastic/Graphix creators talking about their work, and what they’ve got coming up. I don’t want to reduce it to Here’s a list of forthcoming books because it really was much more interesting than that. However, that will be an approach I am taking for the last panel of the day, the annual best/worst manga extended lightning round. Each panelist got 60 seconds on the clock to explain or defend their pick in each category, which does not lend itself to me taking a lot of detailed notes as to rationale (even if I hadn’t volunteered to act as timekeeper, resetting and starting the countdown timer on an iPad from my seat in the front row). So there’s a list of the picks below the cut with links.

Finally, word came late that Pat Race and Aaron Suring of Alaska Robotics were not recognized at the Eisners and you know what? It’s okay. The Spirit Of Comics Retailer Award went to a couple of gents from Buenos Aires, and Pat and Aaron couldn’t have been happier for them. By the end of the night, I heard talk of visits from the near extremes of the Pacific Coast, a Comics Camp exchange program, and an acknowledgment of how comics brings people together. We’ll let Lucy Bellwood have the last word.

Pictures:
Most of the pics today were of panelists, which will run when I write up the panels. Because I spent so much time in panel rooms or moving pretty briskly to and from those rooms, I didn’t catch a lot of cosplay. I did see this rather magnificent dragon warrior, and a very impressive Taskmaster, but best cosplay has got to go to Ruby Rhod, who was absolutely perfect in the costume details, had the attitude (and the walk) down, and had amplified audio. It was green.

Panels to watch for:
Assuming I get a move on, I’ll be going to the panel spotlighting Randall Munroe’s about-to-be-released How To (10:00am, Room 4), and a session on comics in the classroom that will include Gina Gagliano (hey, she’s here, flight’s no longer delayed) and Mark Siegel, who are always smart and informed (2:00pm, at the Library). For those of you that don’t want to make the trek out past the ballpark, may I suggest the panel on women making stuff in Hollywood and the push to parity? It’s also at 2:00pm, in Room 7AB.

Finally, I would be remiss if I didn’t note that at 1:17pm San Diego time (or 20:17:40 UTC), it will be exactly 50 years since the Eagle landed on the gosh-darned moon². And then at 7:56pm (02:56:15 UTC), it will be exactly 50 years since Neil Armstrong stepped onto the lunar surface (which, I will remind you, is on the gosh-darned moon). If possible, I recommend that you lose yourself in the replay at Apollo In Real Time; as I write this line, the crew are on lunar orbit 11/75, prepping the LM for detach and landing.

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¹ It was my own fault. I ran into somebody I haven’t seen forever and went in for a hug. Thing is, she’s on the short side, and last time I saw her she was in heels. I bent over an extra 3-4 inches to compensate and when the embrace happened, things moved in ways that were once trivial and apparently are no longer tolerable. Worse, it was probably another five hours before I was able to get some ibuprofen onboard, so I spent the day aware of things not wanting to move or get jostled to any appreciable degree. It’s much better today, but still going to be a day when I want to avoid incidental bumps or unthoughtful movement.

² And did you see that Marvel announced there will finally be a Squirrel Girl figure (just in time for the series to wrap up, grumble)? The sculpt looks amazing, and it comes with a Vespa and a basket full of squirrels.

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SDCC 2019 Programming: Sunday

And we make it at last to the wind-down, which weary resignation is a recurring theme when talking about San Diego Comic Con and Sunday, whether considering advance planning or the actual experience. Sunday remains the kid-themed day, with lots going on for the younger fan of comics, not to mention the wild rush to finish up commerce before things that getting torn down until next year. And hey, Con ends at 5:00pm, so there can’t be panels that don’t start until 9:00. I think …


Sunday

Food Network’s Chef Duff Goldman
10:00 — 11:00, Grand 10 & 11, Marriott Marquis San Diego Marina

I love that dude, and the joy he brings to creation. I may just go check this one out.

Space Wizards: The Quest To Define Speculative Fiction
11:00 — 12:00, Grand 12 & 13, Marriott Marquis San Diego Marina

Wait, there’s a panel about Space Wizards, and they didn’t invite Jon Rosenberg? That’s messed up.

The Adventure Zone: Murder On The Rockport Limited! Graphic Novel
11:00 — 12:00, Room 7AB

Two McElroys (Travis and Clint), Carey Pietsch, and Satine Phoenix talk about the brand new graphic novel adaptation (it releases the day before Preview Night).

140-Odd Years Of Looking At The Future
12:00 — 1:00, Room 25ABC

Junior high school me, with a serious habit of ’60s-and-later hard SF, would shit himself at the possibility of being in a room with Larry Niven, David Brin, and Greg Bear (who, at 17 or 18, was one of the founders of SDCC). The topic will be time travel, and discussion will be guided by Dr Travis Langley (professor of Psychology, Henderson State University).

Growing Up with Comics: Introducing Younger Readers To Graphic Storytelling
12:00 — 1:00, Room 28DE

One of my great thrills in life is giving a stack of graphic novels (some exactly age appropriate, some that require stretching a bit) as a birthday present as part of my grunkle duties. Last year I watched a seven year old forgo a water fight on the hottest day of the year when she say I’d given her a copy of The Witch Boy². So I imagine a good deal of the discussion from Cecil Castellucci, Sarah Graley, and Amy Mebberson will be variations on Put comics in front of kids and let ’em rip, but they’ll find much smarter ways to express that thought.

iPhones And Wands: Can Tech And Magic Coexist?
1:00 — 2:00, Room 25ABC

Clarke’s Law gets a workout from the likes of Gene Ha, Maya Kern, Katie O’Neill, Bree Paulsen, Carey Pietsch, and Ursula Vernon, with moderator Lilah Sturges.

Short Form Comics For Every Reader
1:00 — 2:00, Room 28DE

There is a certain irony in inviting Randall Munroe to this panel, given that probably his most famous comic¹ took four months to play out and has an entire wiki built around its 3102 frames. But join Sarah Mirk as she talks to Munroe, Aminder Dhaliwal, Ebony Flowers, Kevin Huizenga, and Sophie Yanow about getting ideas across in just a few frames.

Super Asian America
2:45 — 3:45, Room 5AB

Do me a favor. If CB Cebulski shows up to bother Andrea Walter, CB Lee, and Wesley Chu, somebody smack him.

Wonder Women CEOs — Female Owned And Operated Comic Publishers
3:00 — 4:00, Room 7AB

Quoting here: One day a female comic publisher will be standard — until then, we have Wonder Women! Hoo-howdy, that’s a crappy topic sentence, and whoever wrote it needs to re-evaluate where they are in life. As previously noted, it’s women that do the nuts-and-bolts work of getting comics out, and as the big two become less relevant because their corporate masters see the money brought in from Wednesday sales as a rounding error, the small companies are going to fill those niches. Hear about the revolution in the offing, and try to convince Sandy King Carpenter (Storm King Comics), Enrica Jang (Red Stylo Media), D Lynn Smith (Kymera Press), and C Spike Trotman (Iron Circus Comics) that you’ll be useful to the new regime. Comics is about to be a women’s game, and the dudes currently running things are placeholders.


Spam of the day:

Bring Your Doorbell Into the 21st Century 2.4g WiFi connectivity, Android and iOS compatibility, image capture technology

I have a bell. I also have glass up and down the front door, and other windows that look out on the front door, and a dog that loveloveloves new people bouncing up and down scrabbling at the front door.

Under no circumstances am I bringing your shit-security, hardcoded-admin-credentials Internet Of Things thing into my house. Fuck outta here with that nonsense.

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¹ Depending on who you’re talking to, of course. In my day job, it’s more likely to be a discussion of scrubbing SQL inputs or computer voting being an inherently bad idea.

² Certain of the grand-nieces and grand-nephews have had to be informed by friends that not all graphic novels come signed and sketched by the creators.