The webcomics blog about webcomics

Goddammit, Will Somebody In This Medium Please Realize This Guy Is An Asset?

A generalized commercial industry (like comics) that is a) facing inherent, structural challenges that b) cause it to look extinction in the face and c) can’t manage to get its collective head out of its ass long enough to keep a talented, capable, professional like Rick Marshall d) working on its (still comics, stay with me) own behalf bloody well deserves its long slide into irrelevance. Go look at the stellar writing in his clip file, especially the webcomicker interviews that put our own efforts here at Fleen to shame.

While it’s a comfort that ComicMix doesn’t seem to have a Let’s actively screw our people attitude that some of Marshall’s former employers seemd to evince, I’m sure that’s not helping Rick much in the rent and groceries category. Mark my words: one day, Rick Marshall is gonna run this town, and I for one welcome our new overlord.

Being An Oral History Of The Zombie War Comic-Con

In our hands, by various nefarious means, is this insider’s view of life on the convention floor. Fleen hopes that future historians find it useful.

I no longer remember when certain events happened. Here’s what I do know:

  • Business seemed slightly down for a great many booths on Saturday, as compared to the previous two days. Weird, right? Saturday being a slow day? Theory split evenly between two schools of thought:
    1. It’s the panels! Saturday was the day of all the big-ass crazy panels that people needed to camp out for in order to have a ghost of a specter of a chance of getting in line for waiting to attend, which meant a great many people were absent from the floor who would otherwise be there. Proponents of this theory included but were probably not limited to:

      Chris Hastings
      David Malki !
      David Willis
      Mike Fehlaur

    2. SDCC sold out of everything, including four-day passes. Which meant that a whole ton of people bought four-days just to be able to get in the show. It’s possible that they were already around on Thursday and Friday just because they COULD be, and accounted for a bump in Thurs/Fri numbers. Proponents of this theory included but were probably not limited to:

      Phillip Karlsson
      Scott Kurtz
      Robert Khoo
      Jeph Jacques
      Chris Hastings (he voiced both as equally likely theories, unprompted)

  • The Late Night people did some taping on the con floor with Triumph the Insult Comic Dog, and Scott Kurtz got a visit. I think this happened Friday.
  • On … Saturday? … the Studio Foglio people bought everybody lunch. Literally everybody, or at least as close to “everybody” as they could get: they got a big honking pile of trays of different Subway sandwiches and took them around to the webcomics booths, which was awfully dingdang nice of them. I’m not sure how long they lasted, though; Dumbrella was among their first stops, and I was distracted by business.
  • In general there seemed to be just a damn, DAMN lot of webcomics people around this year who weren’t last year, like R.K. Milholland and Randall Munroe. At least, I don’t remember them being around last year. Shit, even Nicholas Gurewitch was there, and that dude’s not even doing a webcomic! I didn’t even know some of them were there until Saturday night, the night of Cmdr Riker/Capt Sisko Cabaret Power Hour.
  • What we need in order to top this year will be for the following people to attend SDCC 09, assuming they can find space¹:

    Ryan North
    Rene Engström
    Kate Beaton
    Nedroid

    At this point our battlestation will be fully operational.

This is all I can usefully recall; if it turns out to be woefully inadequate, this is because I am a woefully inadequate man. I hope it is of some small service to you. Here’s to making it next year!

The account was signed =j=. Fleen thanks this anonymous witness to the carnage, and wants “j” to know that whatever fate may have befallen him or her, posterity will remember the sacrifice of all who braved maelstrom.

In other news, unstoppable reportage machine Rick Marshall has a series of photo collections up at ComicMix, along with his full writeup, and the latest webcomicker interview, with the aforementioned Toronto Man-Mountain. Enjoy!

____________________
¹ The account contained the following footnote:

This was the first year I’ve seen where people (including myself and the friends I stayed with) were renting condos near the con for a week instead of getting hotel rooms, because there were absolutely no fucking hotel rooms anywhere. Speaking for myself, this was a solution my pals and I had to arrive at after a lot of head-scratching. I was wondering whether we might end up:

  • Hijacking a houseboat and anchoring it somewhere behind the convention center similar to CBR’s yacht, or perhaps ginning up a pirate fleet of rowboats with tents
  • Founding a makeshift hobo tent city in the park on Island and 1st out of XXXXL Spider-Man t-shirts, burning lesser comics for warmth, brawling like savages and devouring the weak in a display of primal nerdery

But who knew: condos. I guess that’s the answer?

Safe Travels To All Heading Promward

If you see that guy up there in the vicinity of webcomics, he’s doing floor reporting for us, so give him the dirt you got. For those sticking closer to home, things of note:

Goats Books Mark II: Electric Goataloo

Time to talk! Check this:

Villard Books will publish the recently completed Goats story arc, The Infinite Pendergast Cycle, as a trilogy — in the style of the great sci-fi sagas Goats so affectionately parodies.

Oh, my. Villard, for those of you keeping score at home, is an imprint of Random House, and is known in our community as the current home of the Flight series. And check me on this, but I believe this would be the first color reprinting of a story-based webcomic by a major publisher (possibly excepting Jellaby, which featured/will feature strips that didn’t appear online prior to publication). Actual suit-and-tie publishing moguls have reached a deal to reprint a work that they don’t own. They’ve put this into their schedule, sunk the money into the plans and the printing and the promotion, they’ve committed to Goats for the next two years.

Aside from an unprecedented development for capital-w Webcomics, this seems like a fairly big deal for Mr Jon Rosenberg, so we at Fleen did a quick talk in the popular “Q&A” format.

Q: So the basic deal is for three books of Goats material in color, right?. What stories do they cover, what are you going to call them, and when do we see them? 

A: Each volume will be full color and published at six-month intervals. The first volume, Goats: Infinite Typewriters, set for July 2009, will include newly revised and created material intended to introduce new readers to the colossal and complex Goats universe — and set up the audience for the rest of the epic. Book 1 will cover material published on the Goats website from December 2003 to January 2006. The second book, Goats: The Corndog Imperative, scheduled for a November 2009 release, covers January 06 to March 2007. And the third book , Goats: Showcase Showdown, due out in April 2010, covers March 2007 to April 2008.

Q: Any idea of the print run on these books? What about the possibility of further books covering the stories up ’til the end of the strip/world in 2012?

A: I’m not sure how large the print runs are going to be, they haven’t shared that information with me yet. I tried to guesstimate based on the contract terms and I came up with a number large enough to make me suspect my methodology might be flawed.

My intention is to publish a second cycle of 3 or 4 books following this one that takes the storyline up to 2012 and the true end of the story. Whether or not Villard decides to publish them will probably depend on how sales of the first three books goes, I imagine. But I suspect they will find print in some fashion or other not long after the current trilogy is released.

Q: Any of your other material — earlier strips, the tantalizingly incomplete Patent Pending and Worlds of Peril, your minicomics (including the long hoped-for Operating Thetan III) — that might now see print as a result of this deal?

A: Anything is possible, but a lot of the projects you mentioned were ended for good reason. Patent Pending needs to be completely rethought and redone if I ever decide to work on it again, it would have made a better novel than comic I suspect. The Worlds of Peril comics were the inspiration for a lot of what makes up The Infinite Pendergast Cycle, I like to think that it’s the story of what takes place in the aftermath of Goats proper. It’s not canon, though, so don’t be reading too much into that.

The first minicomic is going to be reworked slightly to serve at the intro chapter for Infinite Typewriters. The second one could theoretically be included as an extra in one of the other volumes. I don’t have any plans to produce OT3 at this time but if I can fix some of the plot issues I could see it appearing in the future in some form, either as a standalone or as an arc of Goats.

Q: Now that you’ll be in bookstores and comic stores from coast to coast, what kind of followup can we expect? More toys, new merch, a 26-episode deal on Adult Swim?

A: Oh man, who knows? Obviously I’m interested in doing as much with the property as we can, but I suspect a lot of what we’re able to accomplish will be determined by just how aggressively folks purchase the book. If it sells well I’m sure my agent will be pursuing all sorts of things.

I love Adult Swim! Goats on Adult Swim would be a natural fit, but I think 26 episodes just about anywhere would be super-neato, though.

Q: For the benefit of everybody that thought your wife was wasting her time with a failure addict, any words of wisdom to share?

A: Success is just an opportunity to fail on a grander scale.

Fleen will be following this development closely. Congratulations to Rosenberg, and to Villard for investing in the future of webcomics. Press release should be up various places by now, but I recommend you click below the cut.

Edit to add: Rosenberg’s apparently been spreading his interviews around; check out the discussion with Rick Marshall over at ComicMix.

(more…)

Wheels

You may recall that two of the best friends that captial-w Webcomics ever picked up are Brian Warmoth (please, somebody draw me a picture of a moth geared out for WAR) and Rick Marshall “Will and Holly” — a year ago, they were well into their mission to de-suckify the Wizard website, in part with a series of terrific interviews with various webcomickers known as Cursory Conversations.

You may note that there is no link attached to “Cursory Conversations”; this is because the entire archive mysteriously disappeared from Wizard‘s website not long after Wizard decided Warmoth and Marshall did their jobs really well and therefore their services were no longer required.

So imagine my amusement when I was informed that Wizard has a) discovered webcomics; b) yesterday inaugurated a new series of micro-interviews with creators; and c) decided to start with the same creators that Warmoth started with a year ago.

No link, just enjoy the unintentional hilarity of Maxim-lite reinventing a wheel it already created. Meanwhile, be aware that Marshall not only interviews webcomickers at ComicMix, he also does a weekly webcomics news roundup. Now if there could be direct links to those two categories, I’d be really happy; I might even cut back on the Sleestak gags (do yourself a favor and don’t follow the Urban Dictionary link).

Okay, You’ve Probably Seen This By Now

But I’d still like to welcome Ben “Yahtzee” Croshaw as he steps up from a one-off print-review of webcomics to his more usual video-review style. Usually, it’s videogames that bestir his wrath at Zero Punctuation, but this time it’s videogame-themed webcomics.

As fun as it was reading his earlier dissection, this is better because you can hear the contempt in his voice. Sadly, Croshaw has pretty much said everything that needs to be said about videogaming webcomics, so we probably won’t see any more of these directed towards our community’s … lesser efforts. Nevertheless, plenty to keep us busy, as we try to puzzle out what this “Bontrol-Bolt-Belete” of which he speaks is.

In other webcomicky news, check out Rick Marshall’s totally awesome interview with (the usually reliably-cranky) Warren Ellis on Freak Angels and more.

That’s it for today — tomorrow’s meat and beer won’t grill and drink (repsectively) themselves, you know … so much to prep. Haven’t decided if I’m actually going to take tomorrow’s holiday (for those of you in ‘Merica), but check back anyway … it may rain.

Kate Beaton Has Captured Miyamoto Musashi’s Character So Well I Want To Marry Her But My Wife Doesn’t Like That Plan

One regret from my time travelling in Japan is that I didn’t get to visit Funajima, where a famous duel took place. No worries now, as Kate Beaton transports me back to a time of dudes and swords.

In news that is no less historical hysterical, POOP SIGNS! I have fond memories of Jon Rosenberg’s toddler daughter looking upon a stack of POOP signs and wondering … Should I? In any event, check out the POOP sign video and consider the fact that the weird guy with the Tintin hair is allowed to own power tools.

The only thing about Rick Marshall‘s interviews with webcomickers I don’t like is that they don’t come on the same day of the week. There were on Thursdays for a while there, but this week he released early, which means if I didn’t trawl regularly looking for this stuff, I might have missed it for a whole 24 hours! Anwyay, he’s talking with the Harvey-nominated creators of EZ Street, Mark Wheatley & Robert Tinnell.

Finally, Fleen congatulates Box Brown on Bellen! joining the lineup at Transplant Comics — those guys are growing by leaps and bounds, and Brown’s been on a tear recently (new print collection, excellent contribution to the Star Wars-themed Harvest Is When I Need You The Most anthology that was the hit of MoCCA). I’ve rarely seen a webcomic pick up so much popular momentum so quickly; right now, Bellen! is the odds-on favorite for Breakout of the Year. Thanks to Joseph Hewitt for the heads-up.

Confidential to Artistic in the Oilfields: I will pay American cash money for the original of that strip if you’re selling. Or, if you require a hard currency, I can also obtain Canadian funds.

Quiet Times

Maybe it’s just because I’m finishing up the copy of Set It To Awesome I picked up at MoCCA (short version: it rules; slightly longer version: although the smallish size makes some details hard to pick out, it rules; definitive version: although the smallish size makes some details hard to pick out, it rules and I can’t wait for the Reprographics2 volume and not just ’cause I’ll be in it), I’ve been poking around photocomics for a bit.

Lots of familiar ones out there (did you catch Rick Marshall’s interview last week with Emily Horne & Joey Comeau?) and at least one new one. Ben Heaton, one of the twisted geniuses behind Terror Island (two years old today, as it turns out) and The Ham Project is now running a second photo comic (or fumetto if you wanna be all art-school about it): Request Comics.

Pretty simple: you email the request, Heaton finds a way to photograph it, hilarity ensues. If nothing else, you’ll never look at a game of Rock-Paper-Scissors again. Just try your fancy kiddie-mind-control-tricks on an angry boar, Howard Tayler!

Reportage

Have you seen these? Comics stories from the China earthquake by Coco Wang; plans are to eventually have 100 or more such stories. Powerful stuff — having trained for (but thankfully never participated in) mass-casualty events, this is the sort of thing that reads like an EMT’s nightmares. Big thanks to Ananth Panagariya at Applegeeks for the link.

In lighter news, Rick Marshall Willenholly has restarted his webcomics interview series (up first: Chris Hastings)over at ComicMix; I’m reliably informed that there’s now a buffer of completed interviews, so we ought to see this as a regular feature from here on out.

New webcomicker podcast! Krishna Sadasivam got in touch with some buddies, then got in touch with a few more creators (click that last one if you haven’t already — damn good stuff), and declared their confab to be the first meetup at The Sequential Artists’ Pub. First episode at Talkshoe, next live broadcast on 13 June.

Dammit People, Stop Doing So Many Significant Things Today

From the top:

  • Round numbers: Diesel Sweeties #2000and five years of Wondermark.
  • Speaking of those guys: Rich Stevens (and a mess of other cool people, including webcomickers) is at ROFLCon, at the once-prestigious Harvard University. David Malki ! (and a mess of other cool people, incuding webcomickers) is at the Stumptown Comics Festival, in the once-ignored Portland, Oregon. Both events kick off today and continue tomorrow.
  • Again with the Malki !: He’s on the podcast of The Ethicist, via the once-respected New York Times.
  • More broadcasting: Webcomickers will be invading the once-sedate world of public radio, as members of the North Carolina Web Comics Coffee Clatch descend on the studios of WUNC for an appearance on The State of Things. Tune in or listen to the stream on May 8th at about 12:40pm eastern time, and be sure to call 1.877.962.9862 with your questions. The show will be rebroadcast later that night, then released as a podcast on the site; members of the NCWCCCCCCCCC are also negotiating to have excerpts animated on their website.
  • In the hot seat: By the time you read this, Rick Marshall will have his latest webcomic interview up at ComicMix. Paul Southworth of Ugly Hill answers your questions, and I have to note that Ol’ Rick still needs a name for this series; may I suggest Webcomics With Willenholly?
  • Life imitates Dinosaur Comics: Ryan North should totally get a commission from that logo design shop.
  • And last but certainly not least: Chris Yates of Reprographics has his first book up for pre-order. Titled SET IT TO AWESOME, it features a foreword by Colleen AF Venable and an afterword by David Malki !, which brings us full circle. Looks like I can tell what my first purchase at MoCCA‘s gonna be.

Weekend now. Enjoy it.