The webcomics blog about webcomics

Looong Day

Already really late, so let’s hop straight to the Lightning Round!

  • TopatoCo have already filled one of their positions (announced last Thursday/Friday depending on where in the world you are), but you can still be their intern, especially if you are:

    [R]esponsible, reliable, generally self-reliant, and able to take direction even if you know deep down that what you are doing is wrong.

  • The greatest thing ever painted by Jeff Zugale (as of today; tomorrow, the sumbitch will probably blow the doors off this magnificence before lunch) has progressed to the published fanfic stage (not sure where that falls on the hierarchy) for the beneift of Lupus research. Yay!
  • Meme in the making? The System impressario Rosscott launched the hashtag on Twitter, and now “Future World Problems” has escalated to illustrated form.
  • Definitely meme — draw yourself (or favorite creator) as a three-stage Pok&eacut;mon progression: The Portrait-Dex.
  • From the Department of Redundancy Department: I’ve been following DJ Coffman’s e-book off an on for the past three weeks or so since it launched. Still haven’t read it (I’m not a cartoonist trying to make ca$h), and have been curious to see which cartoonists were using it. There’s testimonials and blurbs provided on Coffman’s site, and I’ve followed links to get familiar with some strips that I previously didn’t know. In that list: one “Mark D Ashworth”, who waxed rhapsodic about the benefits Coffman provided to his own efforts, and signed with his (Ashworth’s) site, www.memesink.com.

    Which consists solely of a redirect back to Coffman’s site.

    I like to give everybody the benefit of the doubt — and this could be just a busted link — but given the fairly rapturous praise given to Coffman’s book immediately on launch by people who didn’t seem to actually create comics, gotta say that Ashworth isn’t helping DJ dispel whatever perception existed that the testimonials were empty.

Fleen Book Corner: Amulet Book Three: The Cloud Searchers

I finally picked up Kazu Kibuishi‘s third book in the Amulet series (see writeups of the first two here and here) this week, and want to talk about it. Be forewarned, though — I’m going to get into spoiler territory in a minute, so if you don’t want to know about what happens in The Cloud Searchers, this would be the time to jump down to the bottom, where there’s something unrelated you might be interested in.

I’m not sure which stage of the Campbellian Hero’s Journey it is where the search for wisdom and ability becomes a bit of a chore, but Emily and Navin are verging on it at the start of TCS. Their mother, returned to health by their efforts in the last book, is along for the ride as they seek to defeat evil and save the land, and moms just don’t always have the priorities that young saviors do. Observe two interactions between mother and son early in the book, on the topics of their new surroundings, and the task of finding transport to a powerful city that may be the only hope for their cause:

Mom: You have to remember we’re on an alien planet. There are all sorts of strange and dangerous things around us.
Navin: Yeah, isn’t it great?

Mom: Is this a bar? My children are not going into a bar.
Navin: It’s not a bar, Mom. It’s a drinking hole.

Seriously, if Odysseus or Coyote or Momotaro had mom along on their quests? Whole lot less exciting stories. That’s before Navin (previously revealed to be the commander of the Resistance army by prophecy) gets busted down to deckhand on an airship; for a young boy who’s spent the prior couple of days flying planes and driving mecha, you’d expect a lot of objection to be a natural reaction. But since getting mom back, since being faced with responsibilities he couldn’t have fathomed a week earlier, Navin just accepts it and proves himself, piloting an airship with spectacular results during a dangerous storm.

Emily is also feeling the need to grow up faster than she’d like; having accepted the role of the world’s protector in the previous book, she learns in rapid succession that the forces of evil have an interest in Earth as well; that her most vicious enemies may be valuable (if reluctant) allies; that using her Stone for defense is much more difficult than for attack (unsurprising — the Stone’s voice has always been one couched in terms of domination); and that there are other protectors in the world, but they’ve been sitting back from the conflict instead of involving themselves.

The remnants of the former guardians of the world have been secreted away in a floating city; they apparently have much better technology and magic than the folk suffering under occupation, and are deciding within their own population who will be in charge once things get sorted out. They aren’t seemingly doing much about getting those things sorted, though (surely to be revealed more in future books — it’s just supposition on my part for now), and for the moment give every impression of waiting for somebody else to clean up the mess so they can get back to their self-ordained role of Being in Charge. Max, a young Stonekeeper from this society lays it out for Emily:

The best of us will be left to govern Alledia. The Council believes that, like me, you have the potential to take a leadership role. Can you imagine what having that kind of power must feel like?

The sheer ordinariness of the smile that Max wore while uttering that last line was as terrifying as any of the expressions of brutality of the more obvious baddies; the Stones talk in terms of power and leading, and Emily’s worth to the world may largely come down to the fact that she doesn’t want the power. These distant would-be leaders may be ultimately as dangerous as the nominal Big Bad, the Elf King.

Ah, yes, the Elf King: prime instigator of the chaos, death, and destruction in the world. Or is he? In the review of the prior book, I wrote:

[W]e learn that years ago, four young stonekeepers gave into their stones and became monstrous creatures; one survived the defeat and imprisonment and attempts to free him from his stone’s influence, and he is now the Elf King that threatens all the world. This nameless, faceless king appears to wears a mask that resembles his stone, a total submission to its will, literally hiding behind it. On a later read, I began to believe that perhaps the stone has so incorporated itself into the king’s being that it has grown and merged with him, and now literally forms the face which the king presents to the world.

Half right on those assessments; the King is wearing a mask, but behind it he’s long since dead and his Stone has kept the corpse moving as a puppet. Rather than the King wearing the Stone as a mask, the Stone is wearing the King as a kind of cloak to hide its own independent existence. Brrr, creepy. The implacable evil armies that have thrown the world into oppression don’t know who (what?) it is that they’re following, and might abandon the fight if they knew. So it’s probably a good thing for the King that he’s got a deadly assassin on the payroll, one who kills minds and memories as much as bodies. Brrr, double creepy.

Perhaps because this volume falls in the middle of the overall story and doesn’t end on an immediate crisis (as with Book One) or achievement of a large goal (Book Two), it feels less like Emily and her family are making progress towards being done with all this struggle. One foot in front of the other, keep heading forwards, end game is still over there somewhere — like I said, adventures can become a chore.

Like all middle-of-the-story books, TCS isn’t quite as satisfying on its own as the previous books, but taken as the transition point to what the story is about to become? When the entire saga is over and done with, The Cloud Searchers could well be the pivotal turning point, the last moment of calm before it all blows up. Now we just have to find out what’s behind those clouds — silver lining, or more storm.

  • Promised unrelated note: Girly wrapped up after more than 750 comics and 7.5 years. Congrats to Josh Lesnick on the adventure, and thanks for taking us along for the ride.

Ia, Fthagn Wednesday

The Elder Gods seem to be the theme of the day. Consider:

  • Michael Moss wrote:

    We just finished a short animation with one of our characters, the great and terrible Cthulhu, from our webcomic Gods Playing Poker! Enjoy.

    Okay, the great and terrible Cthulhu is no Isaiah Mustafa, but the addition of tentacles probably means that Hurricane Erika only likes him that much more.

  • Meanwhile, over at Questionable Content/, Friends of Lulu Awards Best Female Character nominee Hannelore Ellicott-Chatham (and a new record for excessive capitalization in one sentence, woo!) is channeling truths man is not meant to know. Or at least, thoughts that man really doesn’t want to hear.
  • No elder gods, but in case you hadn’t seen it, the Best Guest Comic of the Month is by Rebecca Clements; she absolutely nailed Kate Beaton’s visual, linguistic, and topical styles at today’s Hark, A Vagrant. Come to think of it, that cat’s tail in the header does look a little tentacle-y. Hmmm.
  • Absolutely no tentacles even, but the redoubtable (don’t ever try to doubt her, much less redoubt) Jess Fink has some absolutely stunning artwork for a new show for display on her Ell-Jay. Before I give you the link, please note that the title of said show (organized by Jason Fish) is Monsterbation; if everything that just jumped into your head is cool for connecting via whatever computer you’re sitting at, make with the clicky.

[Editor’s note: Okay, crap, this was supposed to post yesterday, and today client interactions are kicking my ass up & down one of the outer boroughs, so … everybody check out today’s Extinct Mammals guest comic by our buddy Lore Sjöberg and we’ll call Thursday a wash. Come back tomorrow for a review of Kazu Kibuishi‘s Amulet Book Three: The Cloud Seekers.]

Is It SMBC Day Already?

Zach Weiner (or is it “Weinersmith” yet?) dropped his 2000th update of Saturday Morning Breakfast Cereal with a discussion of pure Plotonium. But then I saw his SMBC Theater cohort JP Nickel (I think he’s particularly funny matched up against James Ashby in this short) dropping an intriguing piece of news:

@smbctheater will have its own panel at NYC ComicCon in October! @ZachWeiner @jsandlinashby @FuSchmu The Mrs. & I will be speaking!

NYCC’s programming & panel schedule isn’t set to go live until tomorrow (curses!), but when it does, you should find the time & location of the SMBCfest here. Don’t let the fact that nearly every character in the SMBC Theater shorts is a horrible, horrible person — I’ve met a bunch of them and they’re only one level of horrible at most.

  • Speaking of NYCC, the exhibitor list is pretty complete, and webcomics are pretty well represented, from ACT-I-VATE to Webcomics Dot Com.
  • The Friends of Lulu awards make a return this year (to be given out at the Long Beach Comic Con Halloween weekend), and public voting is now open. I thought I’d mention it because the Lulu awards do something that you don’t usually see: rather than throw webcomics into a single catch-all category (which can find creations wildly different in scope, subject, and tone treated as comparable), they’re distributed throughout the list. Thus, you have webcomics contending for recognitions as wide as Best Female Character, Lulu of the Year, and the Kim Yale Award for Most Talented Newcomer.
  • Welcome back to Randy Milholland who had a nasty sore throat that made his drawing elbow lock up. No, really. It’s so improbable and unlikely, it could only happen to a webcomicker; at least we may get some good Life With Rippy strips out of it.
  • Finally, we at Fleen have been known to refer to certain members of our community by nicknames; one perennial usage has exploited the fact that Dresden Codak‘s creator shares a name with a Mexican singer/actor, thus making Aaron Diaz webcomics’ own Latin Heartthrob. Today, however, he is re-christened as ALP creator Bernie Hou made the logical leap and observed that Diaz is actually our Latin Art-throb. >slow clap< Well done, sir. Well done.

Briefer Fleen #1

Because I really just want to eat dinner.

  • New con on the calendar: Pittsburgh’s ToonSeum is starting up PIX: the Pittsburgh Indy Comics Expo, on the weekend of 16 – 17 October. The focus will be on creator-owned, self-published, small-press, and handmade comics, with free admission; the venue will be the top floor of the Guardian Storage facility, at 2839 Liberty Avenue in Pittsburgh’s Strip District, just outside of downtown [editor’s note: it does not appear that the Strip District refers to either comic strips, nor the “tease” kind]. Tables are a rock-bottom $25 (yes, twenty-five dollars) until 2 October, when they soar to a still unreasonably cheap $40. Anybody looking at this one?
  • Recent Big Round Numbers: 9 years of Wapsi Square as of last Thursday; six years of Commissioned Comics as of last Friday. That puts creators Paul Taylor and Obsidian at about 2000 and 1500 strips, respectively.
  • Interview at Washinton Post‘s Comic Riffs blog with Ted Rall on The Great Cartoonist Warzone Pilgrimage of Twenty-Ten.

Haven’t Forgotten You, Promise

No network access during the day this week, so expect late (viz., EDT nighttime) updates. If you’re desperate for content, I’d recommend searching Twitter for #interventioncon or #spxcomics. My understanding is both shows rocked and everybody sold out of their stuff.

Can You Believe Staples Doesn’t Sell These?

I’m not actually in anything approaching the mood of my man Roast Beef up there; I just want that sign for my desk.

  • I received something really cool in the mail yesterday — Dustin Harbin had been kind enough to offer a review copy of his Diary Comics Volume 1 (making its debut this weekend at SPX) and I was more than happy to accept his kind offer. But imagine my surprise when I found that the package also contained a copy of Three Word Phrase mini by Ryan Pequin (also making its debut at SPX). That’s a whole 100% more review copies that I was expecting!

    I’m still working through DCV1 (it contains comics for every day from 1 January to 30 June 2010, in many cases getting down to the hourly scale of time), but I can tell you this much — as Pekarian as his daily diary comic is online, it approaches something like poetry when you’ve got between a day and a week staring up from a two-page spread. Time moves quicker and slower depending on how much Harbin wants to get into, and all you can do is follow the tempo changes, nodding your head as he improvises the rhythm.

    On the off chance you don’t find that worth the price of admission (a paltry six dollars for six months of the man’s life!), then consider that he drew a couple zillion Dharbin heads for the inside front cover, and pigment choices, there’s a feeling of looking at a 3-D image without the green and red glasses; your brain is sure that there are dimensions that you can’t quite perceive and it wants to dig in further.

    Ryan Pequin’s mini contains roughly half of the comics that he’s posted online, and needs only two words to convince you it is the best thing ever: President Bird.

  • In other news, David Willis celebrates thirteen years of webcomics (across four related, exclamatory titles) by launching a fifth. The worst-kept secret of the past month, Dumbing of Age, is a relaunch/reinterpretation/reboot of Roomies! (which started the whole shebang lo those many years ago). Think of it as having the same relationship to the Walkyverse as the new Star Trek has to the previous iterations of the United Federation of Planets.
  • Confidential to everybody going to SPX/Intervention this weekend: You lucky bastards.

Webcomics Haiku Corner

I don’t know what’s got into me today.

R Stevens remixed
Hist’ry of Clango and Pale
Suzie’s bad breakup

David Malki! is
Gettin’ philosophical
On your ass ’bout wine

Unicorns are jerks
Sometimes they eat the flowers
They had it coming

Molebash wants to share
News about a charity:
Clean water for all

Neko the Kitty
Creator launches new strip
On yellow stickies

Oxicomics free
On the iPhone this weekend
Eight strips included

Best. Day. Ever.

My dog had a pretty serious health scare for the past ten days, but it’s resolved now in the best of all possible outcomes; I know that I’ve been a bit distracted and not doing very well here for the past ten days as a result, but it’ll be better from here on out. Thanks for your patience.

  • Every week, there’s a bunch of stories on [web]comics creators — some are very good, some are merely adequate, but they fall into a predictable rhythm and you can pretty much tell where they’re going after the first paragraph or two. So let me point you to one that doesn’t follow the standard script, as the Burlington Free Press talks about James Kochalka‘s latest effort, Dragon Puncher but spends more time on Kochalka’s family and their involvement in the creative process than on the book itself. It’s a pretty nice reminder that art doesn’t come out of nothing — it’s influenced by those around the creators and their lives on a continual basis. Anyway, I liked it.
  • Speaking of the creative process, Jess Fink seems to have hers … borrowed without attribution … quite a bit. So it’s with mixed emotion that I point you to her newest shirt design; on the one hand it’s absolutely gorgeous, and on the other the more people see it the greater chance one of them will be the — I dunno, eighty-third person this year? — to steal it and run to Zazzle in an attempt to cash in on Fink’s talent. Then again, this one features glow in the dark inks, and I don’t think that’s in the manufacturing repertoire of print-on-demand places yet. In any event, time to having to beat down on an art thief starts … NOW!
  • To be first seen at SPX, those of you that are going: Johnny Wander‘s first book, new Everything Dies and Bringing It All Back Home by Box Brown, minis from KC Green and Meredith Gran and more! All of you guys have fun without me, ‘kay?
  • It’s most of an hour long, but this series of videos on Youtube is worth a watch: it’s a thesis defense on the topic of webcomics, continuing the ongoing march of our little microgenre into the realm of academic respectability. Hopefully, this thesis found more respectable sources to cite than the last academic that looked at us and wound up talking about a hack pseudojournalist.
  • Finally, I believe that there’s a birthday girl out there in webcomickia today. If you’re going to SPX, I believe that you’re obligated to offer Kate Beaton a celebratory (if belated) birthday drink from the bar. With a little cooperation, you can make this her bestest birthday ever.

Supergroups

Nothing like a Monday off, except when there’s a mountain of news that piles up over the weekend.

  • From PAX came the news that there’s going to be a new webcomic in town, and much like the 1960s when the news could break that talented musicians from different groups were coming together to form a supergroup, this one is coming from established stars of the medium, viz., Messers Holkins, Krahulik, and Kurtz.

    Not much known right now beyond the name and basic concept: The Trenches will focus on a group of videogame testers, and the one teaser image released so far visually sits exactly in the middle of Kurtz & Krahulik’s artistic stylings. For me, the most intriguing part of it all is the name, because when I hear about The Trench(es), my mind goes back to another group of three young guys (as they were then) who set their minds to challenges and made things happen. I’ll let Jerry, Mike, and Scott argue who is FIDO, who is GUIDO, and who is RETRO, since they’re all equally cool (which is to say, nearly as cool as EECOM).

  • Meanwhile, on the other side of the world, Phil & Kaja Foglio (indeed, all of Studio Foglio) received the news that Girl Genius Volume 9: Agatha Heterodyne and the Heirs of the Storm was the winner of the Hugo Award for Best Graphic Story. One may note Studio Foglio, having won this particular award twice in its two years of existence, are a supergroup in their own right.

    One might also note that although Howard Tayler’s Schlock Mercenary: The Longshorman of the Apocalypse didn’t win, by all accounts he enjoyed a lovely trip to Melbourne in conjunction with the nomination. Congrats to Tayler, the Foglios, and Girl Genius colorist Cheynne Wright.

  • Okay, calling it now — as of today, Intervention is not allowed to drop any more last-minute news. Today came the announcement that the new con and its spacial/temporal neighbor SPX will be cross-promoting each other, with the shows giving out weekend passes to encourage attendees to take in both events.
  • Anniversaries: The wholly mysterious Eben07 turns three years old today (intercepted satcom intelligence image here), Funny Webcomic hit 500 strips yesterday, and Kevin & Kell hit a literally unprecedented fifteen years last Friday. Yikes.