Not terribly hard, but after yesterday’s downpour, there’s a lot of groundwater. Like, a lot a lot, and I’m hoping that today’s drive home is not a crapshow. In the meantime, there’s two books you should be aware of.

Firstly, the latest Iron Circus Smut Peddler iteration, this one about gettin’ it on with robots. If you followed ICC Generalissimo For Life C Spike Trotman on the Twitters last night, you know it funded out in the first four hours, will be going for only 15 days (pretty sure that’s a record for brevity), and has already passed the second creator’s bonus level. And if you didn’t know all that, now you do.

Secondly, Abby Howard’s new book releases today, and she celebrated by illustrating a comic for Zach Weinersmith (I really love their collaborations). A sequel to last year’s Dinosaur Empire (which was great), Howard sends Ronnie and Ms Lernin to before the time of the great lizards, to the Age Of Fish and beyond, when the seas were alive with critters curious and lethal.

Ocean Renegades¹ looks at the Paleozoic Era, when water was where it was at, evolutionarily speaking. From soft-bodied jellies to sailbacked dimentrodons, Howard takes you through a few hundred million years of nifty critters, and I can’t wait to obtain and devour this great book.

How can I be so sure it’ll be great? Because I got to speak to Ms Howard for about two minutes in San Diego this year, and thanked her for all of her comics, especially Dinosaur Empire, and thanked her in advance for Ocean Renegades which was surely going to be awesome. If it wasn’t going to be awesome, she would have had to tell me — it’s like they have to tell you if they’re a cop, it’s the law. Anyway, Abby Howard knows more about prehistoric beasties than you do² and lucky us, she’s willing to share.

Spam of the day:

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¹ Not to be confused with the occupants of OceanRenegades.com, a Jersey shore basketball team.

² Man, I hope she gets to do a book on the post-dino mammalian periods. Ever see the ridiculous things that lived in the Age Of Horns? Hippos, rhinos, pigs, deer, rabbits, horses, sloths, all with horns growing up out of their snouts. Probably fruit bats, too. It was a weird time.

So work is a combination of a technical failure in a system making life difficult and a late start from weather conditions.

On the drive in, there was flooding. And by flooding, I mean at one point, I saw a guy sitting on the roof of his dead car in the middle of rushing waters where there should have been pavement. I was, for a short time, on a section of road that was between two impassible flood zones — couldn’t go forward, couldn’t go back.

Don’t mess with water, kids. Water always wins.

It’s blue skies now, but I’m still behind from the late start and the technical issues, so no post today.

I’m confident you’ll deal.

This is just schizophrenic. And by this, of course, I mean the revamped Harvey Awards, which now have only six categories, but fifteen nominees in Book Of The Year:

• BLACK HAMMER: SECRET ORIGINS by Jeff Lemire, Dean Ormston and Dave Stewart
• BOUNDLESS by Jillian Tamaki
• EVERYTHING IS FLAMMABLE by Gabrielle Bell
• HOSTAGE by Guy Delisle
• KINDRED by Octavia E. Butler, adapted by Damian Duffy and illustrated by John Jennings
• LIGHTER THAN MY SHADOW by Katie Green
• MONSTRESS by Marjorie Liu and Sana Takeda
• MY FAVORITE THING IS MONSTERS by Emil Ferris
• ROUGHNECK by Jeff Lemire
• SHADE THE CHANGING GIRL by Cecil Castellucci and Marley Zarcone
• SPINNING by Tillie Walden
• THE BEST WE COULD DO by Thi Bui
• THE CUSTOMER IS ALWAYS WRONG by Mimi Pond
• THE FLINSTONES by Mark Russell and Steve Pugh
• THE PRINCE AND THE DRESSMAKER by Jen Wang

That’s one-shot memoirs, original graphic novels, creator-owned and IP-farming monthlies, original work and adaptations, all-ages and mature readers only, all mashed in together. Whoo boy, the old Harveys were a charlie foxtrot, but this one is going to be extra chunky.

Plus, any list that includes neither The Unbeatable Squirrel Girl nor Giant Days is immediately suspect.

Most of the Book Of The Year Nominees appear in other categories, which include Digital Book Of The Year, Best Children Or Young Adult Book (those are very different things, BTW), Best Adaptation From A Comic Book/Graphic Novel, Best Manga, and Best European Book. We’ll call out the Digital Book Of The Year nominees as relevant to Fleen’s readers:

• BANDETTE by Paul Tobin and Colleen Coover
• BARRIER by Brian K. Vaughn, Marcos Martin and Muntsa Vicente
• CHECK, PLEASE!: #HOCKEY¹ by Ngozi Ukazu
• NOT DRUNK ENOUGH by Tess² Stone
• THE TEA DRAGON SOCIETY by Katie O’Neill

Solid contenders, all. Likewise, Best Children Or Young Adult Book is a pretty consistent and self-similar set of nominees:

• BRAVE by Svetlana Chmakova
• REAL FRIENDS by Shannon Hale and LeUyeun Pham
• SPINNING by Tillie Walden
• THE PRINCE AND THE DRESSMAKER by Jen Wang
• THE TEA DRAGON SOCIETY, by Katie O’Neill

We’ll see how it all shakes out. The Harvey Awards will be presented during New York Comic Con, 5 October. Voting is by industry professionals (Heidi Mac tells us that anybody receiving a Pro or Artist Alley badge for NYCC in 2016-2018 automatically qualifies to vote), with applications for pro status due … sometime soon? Their website doesn’t actually say, but get on that if you want to vote because it’s less than two months for them to get everything done.

Spam of the day:

Good chance just have been made to you

Having retired from Superman-inversion duties, Bizarro now composes spam text.

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¹ This is the title of the first collection of Check, Please! from :01 Books, due out soon, and not the name of the webcomic. I’m not sure what’s up with that.

² In their announcement the Harveys deadnamed Stone, who announced transition and a name change to Tess nearly a year ago. I mean, come on, it’s only his pinned tweet.

Those who follow me on the tweetmachine know that I’m in San Diego, and it’s weird. I can walk into a restaurant in the Gaslamp and just sit at a table! Streets have people on the sidewalks, but not throngs! People are walking their dogs on patches of green adjacent to Harbor Drive, instead of there being enormous installations of Nerd Shit! It is, in a word, Paradise.

• But we all know that Paradise is flawed, that hideous maldesigns cause it to be lost. In this case, I’m here a week too early:
  

  SAN DIEGO: I’m appearing at the incredible San Diego Maritime Museum (YES THE ONE WITH ALL THE BOATS) next Thursday, 8/16! Come hear me talk about boat comics ON AN ACTUAL BOAT. Free signing in the gift shop 6-7pm, then a lecture inside the museum! AAAAA. https://www.facebook.com/events/1927332380657504/ …

  Lucy Bellwood is bringing her 100 Demon Dialogues tour to this town next Thursday, and it’s on a boat and I won’t be here, what the crap.

  If you haven’t had the pleasure of a Lucy Bellwood talk, you owe it to yourself to attend; if you haven’t been around Lucy Bellwood on a boat, I recommend you get from 100+ SPF sunblock, or possibly one of those airport firefighter suits because she is going to be incandescing with excitement, y’all. Fun starts at 6:00pm, runs until 9:00pm, and will take place at 1492 N Harbor Drive¹. Signing first in the gift shop (until 7:00pm), then a talk about Bellwood’s nautical adventures from 7:15pm on a boat (museum admission required).

• It’s an up-and-down time for Lucas Landherr these days. His good, good dog (they’re all good dogs) died, which sucks; his daughters have never known a time without Westley², so I imagine it’s been a sad time around the Landherr homestead.

  Then scant days later, he got recognized by the professional society of Chemical Engineers for what he’s done to make ChemE education more effective; specifically, he’s the recipient of their 2018 Award for Innovation in Chemical Engineering Education:

  Prof Landherr has had the opportunity to work with student and professional artists to write a comic on teaching pedagogy for Chemical Engineering Education. This initiative is an opportunity to further work with the medium for broader instructional purposes.

  In addition, Prof Landherr’s work with Crash Course, in collaboration with PBS Digital Studios, has helped influence how engineering topics can be taught through another unique visual media. Prof Landherr has been working as the engineering consultant of the “Crash Course: Engineering” series that covers fields and topics throughout all of the main branches of engineering.

  For those keeping track at home, the American Institute Of Chemical Engineers also named him to their 35 Under 35 list last year, he was recognized for teaching in 2016 by the American Society For Engineering Education, and he’s taken a number of named awards at Northeastern for education innovation and teaching.

  And I bet he’d trade any of them for another snuffle from Westley. Well done, Dr Landherr, best wishes to your family in this time of loss.

Spam of the day:

Please activate your new Gumtree account

Not be be confused with Gumroad, Gumtree is apparently the UK version of Craigslist; I’ve known for some time there’s at least one Gary Tyrrell in the UK who thinks my email address is his, and Gumtree really wants him to confirm the account he signed up for. Either that, or Russian spammers have just supplied his email address (that is to say, mine) along with an “account name” that’s a combo platter of Cyrillic letters and a URL that there’s no way in hell I’m clicking, in an attempt to hijack a legit merchant to send their links past some (but not all) spam filters. Either way, please figure out that your email is not mine, UK Gary Tyrrell

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¹ Pro tip, about three blocks south, at Broadway on the water? Great taco stand.

² Westley Landherr is also known as German, faithful labcoat-wearing hound of Dante Shepherd.

Today we resume with Fleen Senior French Correspondent Pierre Lebeaupin and his discussion of Japan Expo Paris 2018 from last week. Thank for your patience.

Today’s recommendation is for Rainette¹.

I first learned of Rainette when I went to the 2016 edition of Japan Expo Paris, appropriately enough, but it is only through its recent Kickstarter campaign that I was able to catch up on it. And rather than waiting for it to come in the mail, it turned out creator Biscuit would be receiving copies just prior to Japan Expo Paris.

So getting my copy early, saving on shipping (I got a tote bag in compensation), and meeting the creator, on a trip I would have been making anyway … I have known worse deals.

Rainette is green, and as the saying goes, it is indeed not easy being green [A/V]; but that is also a metaphor for difference and acceptance (and maybe more … we’ll see), and there is a lot of difference to go around here, as Rainette has two moms, only one of which is a witch. She has recently had to start living in a witch village and that itself will be the source of a lot of issues … and encounters.

One aspect I like is how creator Biscuit plays with classical manga elements; for instance, the webcomic starts with the heroine being late … for the first day of the summer holidays. In a related fashion, she plays with expectations and does not feel the need to put everything explicitly, all the while being very easy to follow, allowing the story to unfold in multiple ways.

But what I was most struck with is how the story is meant to fill the book: even though it is published page by page on the web, you would never guess that by reading the book. Indeed, not only is there no punchline, but there is no temporary hijinks that fit in an update, no intermediate chapters or resolution, no somewhat self-contained part: for the past three years, Biscuit has been building up the story of which only the first chapter has reached some conclusion today² (and even then, the web is not yet caught up on the book). This takes a great deal of courage as the web typically does not reward these kinds of long-term payoffs.

I told her as much when I came back to her booth for additional chatter, and we had a very interesting discussion about the changes and opportunities happening in online publishing of comics. This creator and her work are definitely ones to keep your eye on.

This con report is dedicated to the memory of the unnamed art retailer who was killed while being waylaid on the highway, during his return trip back from Japan Expo Paris.

Thanks to FSFCPL for his report, and for the recommendation of Rainette. There are some English language webcomics that treat the pages as non-discrete story units (for example, the when book-length works are serialized), but those are usually less webcomics and more promotional efforts for books. As such, it’s a pretty unique read.

Spam of the day:

This Device Can Save Your Money And Keep You Safe

This spam is hawking a handheld car battery jumper that claims to supply 12,000 volts and 400 amps. The 400 amps is plausible, that’s about what you’d need to jumpstart a car, but the average car battery is 12 volts, not 12,000. That’s 400*12,000 = 4.8 megawatts, or about what you’d generate off a wind turbine with 77m blades on a 158m tall assembly.

Now I really hated the power generation and rotating machines part of my electrical engineering education, but I’m pretty sure this is a load of meretricious, artisanal, hand-crafted bullshit.

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¹ Editor’s note: that link goes to a site in English, in case you’re more comfortable in that language. The original French is here, at an address that is almost identical.

² Editor’s note: this piece was originally intended to run on 1 August, but then Things Happened.

Doing better, thanks for asking. I’m going to do some catch-up to clear some items that are timely, and we’ll return to Fleen Senior French Correspondent Pierre Lebeaupin and the second part of his look at Japan Expo Paris.

• Item! Jon Rosenberg is many things — a webcomics pioneer, cranky dude, connoisseur of office supplies, father of three, and owner of my soul. He’s been running webcomics endeavours since 1997 and for much of that time, it’s been a one-person deal.

  Today, Goats Amalgamated Industries doubles in size, as a new employee (or, more likely, a new boss) joins up. Amy Rosenberg is — apart from the questionable judgment necessary to marry Jon — a skilled designer and artist in her own right, and has been doing yeowoman’s work these past dozen years, working a corporate¹ job to keep the insurance that one must have when one has kids — particularly one with medical challenges. But Alec is a whole lot better now, and Amy’s metaphorically flipped corporate America the double bird, quitting her job and joining Jon in running the comics stuff, including clearing an extensive backlog of Kickstarter and Patreon rewards.

  It’s a risk. It’s an act of supreme optimism. It’s a move in service of art and humor and light-heartedness at a time when we desperately need all three. It’s possible to support Rosenberg, Rosenberg, Rosenberg, Rosenberg, and Rosenberg, LLC, through Patreon, assuming Patreon is working today.

• Item! Zach Weinersmith, in accordance with prophecy (and his threats/promises of the past couple of weeks) launches a new comic today, along with co-writer Greg Weiner (his brother, and an actual political science professor) and artist Dennis Culver. It’s an explainer of how American government works, and it’s called Laws and Sausages.

  L&S launches today, with four multi-page episodes (on Separation Of Powers in two parts, Impeachment, and How To Communicate With Your Elected Officials), and it’s already got a sub-reddit².

• Item! Chris Hallbeck has been running something very unusual at Maximumble for the past two weeks or so — an ongoing storyline (never happens) about people with actual recognizable character faces (really never happens). And now it’s spun off to its own site, and we’ll get the continuing adventures of Pebble And Wren a novice monster kicked out of the cave by their parents, and the little girl they’re supposed to haunt (her dad thinks having an under-bed monster is traditional). It’s hell of cute.
• Item! Steven Conley launched a Kickstarter for a hardcover collection of The Middle Age. That was last week, just as things were interrupting life, so sorry that you’re late finding out, but on the bright side, Conley’s made goal in the meantime, so it’s less hope the campaign funds and more pre-order at this point. Bonus!

  The collection will include the first three chapters, two of which are available in print form already, the third in digital collection. What, you want print? That’s what the Kickstart’s for — three chapters, 100-odd pages, full color, shipping in October.

• Item! Another new book, but this one you’ll have to wait for. Next year, Evan Dahm will have Island Book coming from :01 Books, and some time after that, a new book from Iron Circus. It’s about Christ’s decent into Hell, based on Gospels both apocryphal and canonical, deconstructed to get to meat of the matter. The Harrowing Of Hell is being worked on now, and features the cartooniest stigmata you’ve ever seen. Follow Dahm on Twitter to keep appraised.

Spam of the day:

This important expiration notification notifies you about the expiration notice of your domain registration for search engine optimization submission. If you fail to complete your domain name registration search engine optimization service by the expiration date, may result in the cancellation of this search engine optimization domain name notification notice.

You’re trying to fool me into thinking that my domain is expiring, and if I don’t give you money it will result in … you no longer notifying me you want me to give you money? Oh, screw you, scammers.

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¹ Read: soul-destroying.

² Wait, don’t Zach and Greg have a brother that’s recently the CTO at Reddit?

The scars of your racing career weren’t visible, but they were there all the same. You faced your fears and became as fine a companion as anybody could want and your ears were so soft. You were brave these last few weeks and I’m sorry that you could only be ours for a little more than four years.

Good dog.

Fleen Senior French Correspondent Pierre Lebeaupin, that is. There’s … stuff … going on here, and my mind is anywhere but webcomics at the moment. But FSFCPL sent an unlooked-for post — the first of two! — and so we all get to read along.

It took me some time to understand that Souillon¹ was on to something.

What struck me when I started paying attention to his signings, in order to consider going, is that he overwhelmingly favors anime cons, and generally shuns “traditional” French comics festivals. This is not merely because of his new independent status: the pattern was the same when his erstwhile publisher, Ankama, was housing him for signings (these days he either booths independently or is hosted by a bookshop).

He has his reasons, of course, of which I’d rather not speak instead of him; but I considered him an isolated case and so did not pay much attention to anime cons in general.

But last year I came to two realizations:

• Festival goers for traditional French comics festivals are really centered around netting these signed copies from their favorite creators; there is not that much demand for discovery or curiosity there. It would be presumptuous of me to try and explain this phenomenon; I will just note that, since French comics are traditionally very well distributed, it seems the main role left for festivals to fulfill was to allow the public to actually meet the creators, which are presumed as being already known.
• It’s important for online creators to be discovered, obviously. And being rediscovered — that is, being noticed by passersby as being the creator of art these passersby first saw online — can be an important part of that. Case in point: last year I went on a lark to a comics festival of LGBTQ+ creators, and once there I noticed Shyle Zalewski was there, which I had not expected (well, not that they aren’t LGBTQ+, but I had not followed them enough to notice any announcement that they’d be there).

So while I skipped them in 2017, I thought it important that I attend anime cons in 2018, because creators can benefit from exhibiting there way beyond simply catching the eyeballs of otaku using their manga-like style: attendees are much more likely to be simply travelling the aisles looking for something new, and while I described some French comics festivals as being big, anime cons are bigger (allowing more affordable table space for creators) and have higher attendance (allowing better changes for rediscovery, statistically speaking) by an order of magnitude, on average.

And Japan Expo Paris is probably the biggest (about 120,000 m² [meters squared, not a footnote], not counting the halls dedicated solely to line management) and most attended anime con in France². But by itself that does not mean much: earlier this year I went to Made In Asia in Brussels, and while that took up more than 50,000 m², I did not find any comics content to discover. And with these conventions, Japan Expo Paris included, you cannot really count on the programming or exhibitions to compensate.

Japan Expo Paris, however, was a bounty. Not only did I see SoSkuld, Pellichi, and other creators with a manga-like style³ that you would spontaneously associate with such a convention, but I also saw Jackpot, creator of Jo, whose style is definitely closer to traditional bandes dessinnées; and this was all the more valuable to meet her as she had to get away from social media (I missed Jo writer Soyouz, who was not present on Saturday). So the chance meeting aspect was definitely there.

Plus, since there was no line of people waiting for a signing, we were able to chat for a bit: for her as well attending Japan Expo Paris was a snap decision, without much of a commitment (Jo’s readers have no particular expectation of seeing the creators at Japan Expo Paris), to see how it would go, and she indeed appreciated the occasion to meet readers who’d just happen to be there and recognize her work.

I came back at the end of the day to check out her booth and ask how the day had gone, and it had obviously gone well, at least better than she planned for, as she had run out of some books (Saturday being usually the biggest day).

While other creators confirmed the impression, for it to happen to Jo shows these anime cons are now much more than places for selling manga, anime DVDs, and messenger bags to people who grew up with anime (though they are that, too): they are general pop culture conventions; and much like crowdfunding is providing comics creators an alternative for financing their creations, such conventions are providing them an alternative for meeting their readers. These conventions have in recent years been colonized by Youtubers for this very reason, and it is and will be interesting to see independent comics creators doing the same.

Thanks again to FSFCPL. We’ll run the second part of his adventures at Japan Expo Paris once it clears Blog Customs.

Spam of the day:

Sorry to see you unsubscribe! Just so you’re aware, unsubscribing removes you from our global PR list for all clients. If you’ll allow us, we can customize your subscription settings to specific topics so that you receive news only that you care about.

See this? This is from a PR flack that’s sent stuff to me that I don’t care about for years. They finally — after uncounted messages being sent to the spam folder — included an unsubscribe option and then this happened.

Don’t do this. Unsubscribe means you don’t talk to me any further, and it pissed me off enough that I complained to MailChimp, to find out if this was a violation of their TOS (it is).

Fun fact: the PR flack in question was using fake MailChimp headers and badging and isn’t actually one of their customers! So this is going to serve as notice: if I get anything further from you, I’m naming and shaming. In the meantime, bugger off.

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¹ Since Maliki does not deign show up to conventions and other public events, for the purposes of this report we will treat the creator of Maliki’s webcomic as being Souillon.

² For instance, I anecdotally met a Peridot when I reached the train station next to my home to embark on my journey to Japan Expo Paris. Not unusual to meet con goers ahead of the con itself you say? Except we were at least (depending on train choices) two connections away from the train to get to the Parc des Expositions de Paris Nord Villepinte … so I think it’s fair to say Japan Expo Paris draws quite a crowd.

³ One of which will be the subject of the next post.

Fleen’s coverage of SDCC 2018 is now finished. We put up 8645 words during the show, and another 7539 in the week since it wrapped up. If you want to read it all, you can click here, scroll back until you hit A Busier Preview Night Than One Would Have Expected, and start reading.