The big news in webcomics has to be the PR maelstrom surrounding the fact that the fabulously talented Kazu Kibuishi has been selected to produce new covers for the US trade paperbacks of the Harry Potter novels:

The stunning art for the new editions is by critically acclaimed artist Kazu Kibuishi, best known for his #1 New York Times bestselling graphic novel series, Amulet. Kibuishi is a longtime Harry Potter fan who called this opportunity, “more than a little surreal.” Each of the seven new covers will depict a distinctive and memorable moment from the respective book. The collection, which will also be released in September as a boxed set, will offer new readers just reaching the age to begin the series a glimpse of J.K. Rowling’s magical world and the epic story they are about to enter.

“The Harry Potter covers by Mary GrandPré are so fantastic and iconic,” said Kibuishi. “When I was asked to submit samples, I initially hesitated because I didn’t want to see them reinterpreted! However, I felt that if I were to handle the project, I could bring something to it that many other designers and illustrators probably couldn’t, and that was that I was also a writer of my own series of middle grade fiction. As an author myself, I tried to answer the question, ‘If I were the author of the books – and they were like my own children – how would I want them to be seen years from now?’

Even if Kibuishi wasn’t in the Scholastic family¹, there could hardly have been a better choice than Kibuishi, given his feel for the balance point between the fantastical and mundane, his appeal to YA readers, and his ability to convey flight better than anybody this side of Miyazaki².

We shouls also Note the fact that Kibuishi apparently serves as his own Secret-Keeper — some of his closest colleagues and friends are deep into Potter fandom and they didn’t know. One entirely plausible reading of a tweet would indicate that his wife didn’t know. Well done, Kazu, and I think I speak for all of us when I say I can’t wait to see the rest of the covers. Also, congratulations for finding the rarest of all things: a work for hire job that actually does provide high-profile exposure benefits for a career.

• Speaking of gorgeous pictures, it was actually a bit of a tough decision to put that Kibuishi piece up top, given that there’s also an Anthony Clark-designed Baffler! to share with you. Can there ever be anything as wonderful as Beartato with a pizza for Reginald and Harrison? No, there cannot, unless you maybe consider Conscience Cat riding a corgi by Sam Logan.
• It appears that Federal agents with chips in their heads that can see into the electromagnetic spectrum are now a thing, but answer me this: will the (as yet unpublished) YA novel or the TV series it’s inspired feature the ghost of Ben Franklin? Or a hyperintelligent, Machiavellian, and thoroughly chlamydia-ridden koala? Or a plethora of dick jokes? Stick with the original, and consider that this may have an upside: AGAHF creator K. Brooke “Otter” Spangler has commented that this will prod her to speed up the timetable for completing her spinoff novel, Digital Divide, the first three quarters of which is really good, you guys.

_______________
¹ They publish the Amulet series [warning: potential time-suck once you discover how to make the characters conga the day away].

² I remain firm in my belief that the only reason that Kibuishi is not the living reincarnation of Miyazaki is that Miyazaki is still alive.

We at Fleen have long followed the career of Ryan North, the Toronto Man-Mountain of legend. Even his tragic death from sploding could not stop his relentless march towards ever greater creative endeavours, a march which is somewhat simpler today thanks to his recent re-embodiment.

Alert readers may recall that North took the precaution of constructing a mathematical representation of his physical body such that even the icy talons of death would not long grip him. After arcane rituals that are best left undescribed, a sacramental libation was poured into a representation of North’s skull, his ineffable life-force came rushing back in, bursting the vessel with his mighty essence and causing his physical being to spontaneously reconstruct from nothing, a process which was thankfully caught on video.

Doubters may feel that this account of North Re-Risen is implausible, and cling to the cover story that North never died in the first place, but merely exploded a model of his head. To those doubters I ask: If this is the case, why is the newly reborn North seen in the video at the 0:40 mark in a dry, clean set of clothes despite the slushy weather? Not so much as a waterspot or splash upon his person, or even his shoes!

Clearly, it can only be because he did not exist in that slushy alleyway, manifesting not only a new body but also pristine raiment appropriate to the climate. Clapping his hands to show appreciation to those that helped in this resurrection, one can almost hear his jovial thoughts: Good work everybody; thanks for helping me return from the Lands Beyond Living on account of my spectral form was freaking out Chompsky.

In any event, we at Fleen welcome North¹ back to the world of the living and will await with bated breath the wisdom that he brings. Not to mention the fact that having a physical body again will make it much easier to finish copy-editing TBONTB:ACFABRNAAWST, which appears to be well situated for an on-time release in May.

As long as we’re on a Ryan North kick today, we would be remiss if we didn’t note one of his other major projects², the Machine of Death anthology which is due in July to coincide with San Diego Comic Con.

North’s co-editor, David Malki !³, dropped some MoD news on us this morning with the announcement that the MoD structured card game (distinguishing it from the previously-available MoD cards which could be adapted to many play styles or just freaking out your friends) has been finalized and will be available via the obligatory Kickstart later this week. The Kris Straub-designed cards look like they perfectly straddle the line between amusing and morbid, which is no surprise to anybody that’s been reading Straub’s Broodhollow. Keep your eyes peeled for the KS announcement, and be ready to hop on this one.

________________
¹ All hail.

² You know, besides the all-time top-funded publishing project on Kickstarter and defeating Death Itself.

³ Who himself was named yesterday to the presentation staff at this year’s MaxFunCon

One of my favorite creators in any medium is Richard Thompson¹ and I’ve just heard a really great interview with him on New York’s public radio station, WNYC, with the always-entertaining Leonard Lopate. Lenny (as those who listen to him invariably refer to him) asked Thompson early in the interview about the nature of creativity.

When asked if he could describe the creative process, Thompson wryly noted that he’d … never heard anybody do that successfully. I just write stories. and when that prompted a question if he particularly approached songwriting by doing lyrics first, he said he will … do it both ways, start with music, start with lyrics, the hard thing is starting the process.

Then came the question that made me go back and transcribe a lengthy answer, and the reason I wanted to point out the interview to you in the first place. Noting Thompson’s prolific and lengthy career², Lenny asked if he ever gets writer’s block. The answer:

Today? Yesterday? The day before yesterday? Yes, I do. What I do to try to overcome it is to have something half-finished that I can be working on so there’s always 30 or 40 songs that are just one-verses and I can go in and think “I can just touch that up” … I just try to keep ticking over.

Want to create something? Keep moving, don’t pause, don’t wait for divine inspiration to strike. While it’s tempting to think that 1952 Vincent Black Lightning sprung from Thompson’s forehead fully formed, it sat around half-finished and embryonic same as everything else that is now complete and whole and wonderfully executed. And if you aren’t familiar with Richard Thompson’s work, for glob’s sake go listen to some (may I suggest you start with the Song-o-matic?), because he might be 63 years old and look like your grandfather, but he’s still got the nimblest fingers that ever saw a fretboard.

• Chris “Super” Yates³ has some more webcomicker Baffler!s up for your consideration, this time by KC Green. They’re tasty.
• Reminder! You still have two days to get in on the comment-enters-you contest for a free! copy of the not-yet-available-for-purchase Johnny Wander volume 3.

________________
¹ This time I’m not talking about Richard Thompson the cartoonist, but Richard Thompson the musician, although it occurs to me they have some similarities. Both of them excel at bringing unusually clear personal vision and POV to their work, and fly under the radar in popular consciousness. But if you ask a cartoonist who their favorite cartoonist is or a guitarist who their favorite guitarist is, all of a sudden the name Richard Thompson becomes a lot more prominent.

² His newest disk, Electric, was released yesterday, and was recorded in its entirety in four days, giving it a raw immediacy and energy that artists half his age can scarcely manage (cf: his cover of Oops I Did It Again). It might be his best since Rumour and Sigh

³ Not to be confused with “super yachts” unless, of course, you can’t spell.

Strip Search appears to be on the verge of going live, having graduated from a parking page to a test pattern. I’m not a betting man¹, but I’d wager that we’ll see the site live in the next day or two. Then it’s just a matter of how long Robert Khoo feels like teasing us before the first episodes start streaming.

• Webcomic? Check. Crossovers? Check. Print collection? Check. Original print series? Check. Card game? Check. TV show? Check. What’s left of Malachai and Ethan Nicolle to conquer? Judging from the photos tweeted by MTV² Geek, the answer would be toys. Weirdly, searching for “Axe Cop” at the website of Mezco Toys brings up a couple of Thundercats figures, so I guess they’re really early in the preview cycle for now. There’s a reference to Axe Cop in Mezco’s exhibitor profile for next week’s New York Toy Fair so I’d say wait for the summer’s big shows to see these generally available.
• To paraphrase James³ and Marque, Being broke sucks, and now Jerzy Drozd is the latest creative type to try to make it suck less. Tomorrow will see the Comics Are Great! show will do an on-air Google+ hangout, with special guests Laurianne Uy and Poorcraft scribe C Spike Trotman on the topic of smart frugality. If you can’t make the Hangout, tomorrow at 12:30pm EST (GMT-5), it’ll be up at the Comics Are Great! YouTube channel sooner rather than later. It’s a live event, so warm up your questions on how to make do with less for fun and profit.
• Surprisingly, nobody is in the running for a free copy of Johnny Wander volume 3, as per the contest announced last Friday. It’s not even in the store yet, people! You can only get this is you were in the Kickstarter! Free book, people!

_______________
¹ It’s that whole “pretty good at math” thing.

² Who’re still on my list for the shameful way they treated Rick Marshall Willenholly, so you best watch yourself, Viacom!

³ History’s greatest villain.

We at Fleen have, in the past, mentioned the need for creators to keep backups of their work so that years of effort can’t be lost. We’ve mentioned creators who’ve had the bad fortune to run afoul of those who would use their sites for nefarious purposes. But last week took the proverbial cake as the main Blind Ferret hosting servers got taken down by nefarious types, seemingly not to host their own content, but for the sheer vandalistic joy of breaking stuff. I come to this conclusion because they didn’t just break the websites — they also wiped the local backups.

Have we ever mentioned how many webcomics are hosted by Blind Ferret? It was a week of creators scrambling to redirect URLs to secondary sites, wondering how much content might be lost, and sleepless night after sleepless night for the BF crew to try to restore as much as could be. It is my sincere hope that if the miscreants behind this attack are ever identified, they get to learn first hand exactly how many swords and crossbows Ryan Sohmer keeps around the office.

There were some bright spots — Danielle Corsetto got her site back, minus a big chunk of blogposts, comments, and alt-text for her comics. By coincidence, Bernie Hou was able to surprise her with the news that as part of his work for the imminent Comic Chameleon beta launch, he actually had all her alt-text and was able to return it to her — everybody send some good wishes towards Hou, on account of he did Corsetto a solid. But even more than Bernie Hou is a stand-up dude, the lesson here is Backups don’t exist unless they exist in multiple places.

There will never be a way to completely defeat those with server-murder on their minds, but you can make things more difficult for them and reduce their impact to you from A week of frantic workarounds with all the attendant loss of traffic, advertising, and audience to An inconvenience mixed with a bit of righteous rage.

Find out from your server folks not only how backups are being taken, but how they’re being kept. If the answer isn’t On removable media in another room, and preferably another postal code, politely inquire what would be necessary to get a bit more of an air gap in the mix. Oh, and if your favorite webcomic is a bit clunky around the edges, archive not loading, things not absolutely perfect? Give ’em a break while they’re rebuilding.

Let’s finish up on something cheerier! Much like he did almost two years ago, mad scrollsaw maestro Chris Yates is going to spend a couple of weeks doing one-off Baffler! puzzles with designs by fellow webcomickers, then put the whole tranche up on eBay. The first entry of Webcomics Baffler Fortnight 2¹ is courtesy of Angela Melick² and features some seriously joyful bees. Engineers man, we get bees.

Anyways, the next two weeks will reveal who the other creators are/what their designs look like, and they’ll go up for auction on Monday, 18 February, so keep an eye on Yates’s Flickr set or the Baffler! store page, figure out what your budget and favorite puzzles might be, and best of luck to all in the bidding. Unless you’re bidding against me in which case I hope I bury you and salt the earth where you fall. Nothing personal.

________________
¹ Electric Baffaloo.

² Right-hand rule. Respect.

Hoo boy, where to start? Since we spoke last on Friday, the following things have occurred:

• In their continuing march to dominate independent artist merchandising, TopatoCo now has its own building, which is being leased from Sheriff Pony LLC¹. As a measure of the growth of TopatoCo, consider this brief history from TopatoCo Vice President of Kicking Ass and Taking Names Holly Rowland:
  

  It may not look like much, but it is a huge deal to us. Ten years ago, TopatoCo was a shelving unit in Jeffrey’s bedroom in Oklahoma. Seven years ago, it was a third of an office space. Five years ago, it was one full office space. As of now it is four consecutive spaces, five employees, fifty three clients, a 44” giclee’ fine art printer, and a publishing imprint.

  We have big plans for 2013. Stay tuned.

• In her continuing march to dominate independent artist themed anthology collections, Spike announced the contributors to The Sleep of Reason, a list which includes the likes of Aaron Diaz², Evan Dahm, and Carla Speed McNeil, three creators whose world-building will lend itself towards the creeptacular.

  Not convinced? How about KC Green, and Sophie Goldstein, whose work often tends towards the cutely humorous with an underscore of sorrow verging on menace? Not convinced yet? How about the no-brainer of the year, the woman whose work is the definition of atmospheric, existential fear-inducing dread, Emily Carroll? Oh, and 22 other creators/creator teams, including Spike herself. This one is going to rock any sock left tragically unrocked by Smut Peddler.

• Ryan Estrada, last mentioned as stretching outside webcomics via the medium of an online gameshow, has announced a launch date for Asking For Trouble: Thursday, 10 January (that would be this week) at 9:00pm EST. I know that the event invite says Japan Standard Time (GMT+9) instead of Eastern Standard Time (GMT-5), but I’ve confirmed with Estrada that it’s EST.
• Danielle Corsetto, last mentioned as stretching outside webcomics via two graphic novels she’s writing, has announced the first of them as an Adventure Time original graphic novel, to be illustrated by Zack Sterling, entitled Playing With Fire. It’ll be the story of Flame Princess’s romance with Finn, clock in at 160 pages, and show up in April. Sharp eyed readers may note that Corsetto is working on two graphic novels, but I’ve confirmed with her that the second is not another AT book; it will be an original story for another publisher.
• Returning from hiatus: Jim Zub and Shun Hong Chan’s Makeshift Miracle, moving on to what will form the second volume of the rewritten series. Less a return and more a new-material launch: Dave Roman’s Astronaut Academy will shortly have a second volume, and it’s serializing courtesy of publisher :01 Books. And because Roman loves you, Astronaut Academy: Re-Entry already has 25 pages of story ready for your enjoyment.
• The definitive numbers for Child’s Play 2012 came out on Friday, and the result is staggering: more than five million dollars were raised last year, eclipsing the prior year’s record by nearly 50%. For reference, the Child’s Play history looks like this (all figures in US dollars):
  

  2003: $250,000
  2004: $310,000
  2005: $605,000
  2006: $1,024,000
  2007: $1,300,000
  2008: $1,434,377
  2009: $1,780,870
  2010: $2,294,317
  2011: $3,512,345
  2012: $5,085,761
  To date: $17,596,670

  Not a bad first decade all at all.

• Finally, sneaking in just before press time, Bernie Hou announced on Twitter that Comic Chameleon (last mentioned three weeks back) is opening its submission process so that more creators can get in on the webcomics reading app that doesn’t screw them over. Looks like launch on CC is getting close.

_______________
¹ Sheriff Pony LLC exists as a distinct entity from The Topato Corporation for reasons of Business.

² The Tolkien Scholar Par Excellence.

Speaking as a 40-something without kids, this isn’t what Christmas looks like, Matthew Inman from The Oatmeal! It’s actually what we at The Fleenplex call “Wednesdays”.

• Ryan Estrada is the latest [web]cartooner to shake up the viral internets (as he is wont to do from time to time) with a posting on Art and Creativity and How To Get Better At Them Both, which comes down to a simple premise:

  You need to screw up.

  Make mistakes, lots of them, because every one is an opportunity to learn. Challenge every bit of conventional wisdom that says something won’t work, and find a way to make it work — audiences, craft, money, everything needs to be torn down and reinvented¹. It’s a terrific read, a terrific screed (in the best sense of the word), but it strikes me that a certain subset of readers may be paying too much attention to the part that says Don’t pay attention to how they tell you to do things and not enough to the immediate followups that say … because everything they say you can’t do is a chance for you to be the first to discover a new way of doing things.

  Too many people (and I’m not even talking about creative types here; it’s a common situation in my day job, which is in IT) approach things that they find challenging with the assumption There’s a magic bullet, a formula, a secret handshake that will magically make things better; spending all this time working out the fundamentals is for suckers, I just need to get somebody that knows the secret handshake to share it with me, then all my troubles will go away and life will be awesome.

  If you’ve ever thought that way, understand that Estrada is not saying that ignoring the walls in front of you is a complete strategy; he’s saying that those fundamentals that get derided are the starting point, and the skills they engender are what will permit you to find your way around the conventional wisdom. Pay particular attention to his last paragraph:

  There’s no money in ANYTHING until someone puts something great on it. When someone tells you you’re doing it wrong, that’s your clue that you’re doing something that could change all of the rules, and a few decades from now, your style will be the one someone’s drilling into a beginner’s head, and that beginner will be coming to you for advice. Feel free to tell them what you did right, but be sure to also tell them: Do it wrong. [boldface original]

  The important words in that conclusion are “no money”, and “a few decades from now”. You can’t break the rules and expect the world to reward you tomorrow, and if (if!) you should succeed after the long, hard work, there will always be somebody breaking your new model. The fundamental lesson here is not to be a special snowflake that doesn’t have to do things the OLD WAY, OLD MAN … it’s that change is constant, and you can either ride and promote that change, or not.

  Ironically, you may find yourself in a pretty comfortable career by resisting the change than by embracing it². Until, that is, that the change becomes inescapable and you’re so invested in the old ways that you can’t adapt³. The protection against that is to do things wrong until your way becomes right, then keep doing them wronger until you create even more right ways; your revolution starts by looking in the mirror.

• Some of you may have noticed a comment that showed in Tuesday’s post for a few hours that isn’t there anymore. The poster was reporting a link in our blogroll was leading to a porn site, which is naturally something that readers of this page shouldn’t expect to encounter (unless the link is for Oglaf, and Oglaf is less about porn and more about good old fashioned smut). However, a series of tests was unable to duplicate the poster’s situation — neither our link, nor the webcomic in question showed any signs of re- or mis-direction.

  It’s possible the problem was in the poster’s own browser (I hate BHO exploits), or even a case of DNS serving up the wrong site. As a result, I felt it best to moderate the post because I didn’t want the webcomic in question to ever come up in a search in proximity to “porn site”, but since this page has a pretty strict “no deletions without a damn good reason” policy, I figured an explanation to the original poster was in order. That being done, the comment will be restored, with the name of the (as near as I can tell) innocent site redacted, in the interests of fairness to everyone.

• Wondermark calendrical marvels are back! True fact: this is the only calendar I buy for my own use each year.

_______________
¹ Or, as we used to say back in Nerd School, If it ain’t broke, break that sumbitch and build it again different.

² See also: every pedestrian, boring form of popular, safe entertainment ever.

³ See also: every print vs web comics debate ever, and the accelerating fade out of the newspaper comic strip.

Look what Chris Yates went and lasered¹ up for me!

In all, Aperture #26 is three layers deep, and I haven’t had the courage to spill it out and try to assemble it. Also, it’s just too pretty to disturb yet. Also also, Chris and Assistant Emily threw in a bunch of art extras because they are awesome dudes.

Quick note: there are some photographic artifacts due to the transparent nature of the material and our old friend, compound interest refraction: the outside vertical edges really do line up, and the signature is not really smeary like it appears in the image.

In conclusion, the Pilgrims ate well at the first Thanksgiving because of Squanto and they survived the boredom of that first winter with clear Baffler!s from Chris Yates Studios. The End.
_______________
¹ It is too a verb, shut up.

Rich Burlew continues to heal his sliced-up thumb as fast as willpower allows¹, but both new comics and progress on the many, many projects related to his Kickstarter² remain fairly well stalled at the moment. But a simmering secret project (that didn’t require direct involvement to the same degree as other items) has come to fruition that ought to satisfy the most die-hard Order of the Stick fans: the first in-scale tabletop game miniature, eventually to become a full line. Roy Greenhilt comes unpainted, with multiple eyebrow options, and is as near a perfect projection into three dimensions of Burlew’s stick-figure style as could ever be expected. No word yet on who the second figure will be, but personally I’m hoping for a sexy, shoeless god of war.

• Missed in the superstorm: the recently-announced, Spike-led horror anthology did indeed open up for submissions as scheduled and is accepting story proposals for another sixteen days. Note that you don’t have to have a comic done by then, just get your story pitch in — the actual submission isn’t due until May. In case you’re wondering if The Sleep of Reason is a cool enough project for you to get involved in, check out the murderers row of already-confirmed participants and wonder how it could possibly get any better³.
• How about something a bit more hopeful, but still with enough darkness to keep it from being all weak tea? The New York International Children’s Film Festival announced the return of their annual Studio Ghibli retrospective for five full weeks starting 16 November and running until 20 December. Week one’s schedule is already posted, featuring screenings (in new 35mm prints, both dubbed and subbed) of Nausicaä, Laputa, Totoro, Princess Mononoke, and Spirited Away. If you’ve never seen these films on the big screen, you’re missing out; if you’ve never seen these films, period, what the hell is wrong with you?
• If we move further away from the darkness to where there is only sunny optimism and gentle humo[u]r, I’m pleased to note that I received my copies (one to keep, one to give to the next first-time parent I know) of The Bear in yesterday’s mail, and dang if it isn’t beautiful. I’m not sure how much direction Ryan Sohmer gave to Becky Dreistadt in the choice of animals and staging each of the little vignettes he wrote but if he’s smart (and Sohmer is very smart) he got out of her way and let her imagination run wild. Because dang, have I mentioned what you get when Becky’s imagination runs wild?

  In any event, it’s a gorgeous book, and I am encouraged by rumo[u]rs I hear that there will be a The Bear 2, as that means more animal paintings from Dreistadt, and if there’s one thing that a nation (and world) badly divided by petty dislikes and prejudices needs, it’s more of her animal paintings. You literally cannot maintain a bad mood looking at these. The only downside to a second volume? Sohmer and Dreistadt had to sign nearly 4000 copies of The Bear; I’m figuring a second book could easily double that, leading one or both to possibly have an arm fall off and nobody wants that. Just in case, the magic word is Xam! Really.

________________
¹ Which is roughly the same speed if willpower is taken out of the equation. Honestly, thinking at a sliced tendon doesn’t do much at all.

² Of which, to be fair, several were clearly labeled at the time of the Kickstart as This will get done some considerable time in the future after the easier things to fulfill to the most people are done.

³ Answer: if Terry Moore decided to get involved somehow; seriously, Rachel Rising disturbs me on a deep, existential level every damn month.

Strong Female Characters.

Power and internet still holding, yay. Hopefully you (yes, you personally, not the vast, impersonal, generic “you”) are safe and dry and well. What happened over the weekend before Sandy decided to draw a bead on the Mid-Atlantic coast?

• Several neat bits from Meredith Gran, as she took a look back on her process of writing and how she relates to her characters that should be mandatory reading for anybody that does a story-type strip. She’s also started sharing the webcomics made by her students at SVA, with the first two showing loads of potential. Look for more from her along those lines in the near future. In the meantime, give a good look to Post Hoc by Wyeth Yates and The Bell Blues by Aatmaja Pandya.
• Speaking of “Yates”, Chris Yates (no relation) has just released the first-ever transparent Baffler!s for sale and oh man they are tasty. Only 50 total will be for sale right now (the remaining 50 next year), 25 each of the completely transparent and “First Frost” (with random transparent and opaque paint splatters). Actually, 25 of the completely clear and 24 of the First Frost on account of I just bought one¹. Clear Baffler!s are so awesome, they get their own store page.
• Know who this page hasn’t mentioned in far too long? Rebecca Clements; she’s been on an extended sabbatical from comics, but now she’s back and cranking up the pretty pictures to near-dangerous levels. First up: an enormous summation of what she’s been up for for the past year (living and working in Japan), offering up prints of her best comics, as well as a few originals. If you appreciate the most whimsical art this side of the late Theodore Geisel would do well to welcome Clements back and hope that they can keep up with her renewed burst of creativity.

_______________
¹ Booyah.