Hey, remember the offhand mention of work tech issues on Monday?
They’re back. They’re spreading. This is being typed in the first block of time to myself I’ve had all day, and then I have to get back to the shitshow. I’m very sorry about this, glob please let me get back to a regular post tomorrow.
Give those three books another read or rush through a review that’s not completely informed yet.
Actually, it’s a slightly more involved choice than that — give those three books another read and put together the next missive in my campaign of stringing along an art scammer that targeted a friend. I’ve sent him an image of an example of my work, The Tenderness Of Memory Is A Balm Always, after which he replied to ask for more samples. Give it a click and scroll allll the way down and to the right to get to the deep emotional core of the piece. Trust me.
And I’d feel terrible if I didn’t have some information to share with you, so how about the news that Gallery Nucleus is currently running an artist highlight on Fleen Fave Becky Dreistadt? All of her work is 15% off until 15 October with code BU87WOEU. There’s some gorgeous work there for the collector who likes awesome things.
Spam of the day:
My name is Sam, and I work with companies to help them add (or change) live chat software on their websites.
That is a horrifying idea. Yuck.
Stepping away from webcomics for a day; if you saw my tweet over the weekend, you know that I’m deep into multiple books and review are forthcoming. Also, work tech is failing today and robbing me of nearly all free time and also the will to live.
So I’ll just point out that it’s 21 September, and that means Demi Adejuyigbe has released his annual video celebrating this fact and it is a socially-distanced delight of impeccable timing.
It includes has an appeal at the end that I feel Fleen folks are amenable to¹ — to ensure there’s another video next year, Adejuyigbe is asking for US$50K to be raised for a collection of action groups serving BIPOC, trans, and the unhoused across the country. You can give at sept21st.com but maybe hold off a day or two, as the high response is, uh, throttling the funding site (as of this writing, 3 hours and five minutes after launch, he’s 95% of the way to goal).
And, as a bonus, he’ll do another video if funding hits US$69,420 because One Sexweed is a good amount.
Spam of the day:
I wanted to ask a question about your business and the credit card processing fees you pay every month. You shouldn’t be paying 1.5% to 2.5% in Credit Card Processing Fees anymore. New laws are on your side.
I pay negative a zillion percent on credit card processing fees and if you want my business, you’ll have to agree to rebates of 157% on every charge I put through. My business is valuable, and you’ll make up the costs in volume!
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¹ Also a good doggo.
Sometimes, you come across a comic and you’re convinced that this is what the creator(s) regard(s) as their defining work (at least to date). There’s previous stuff from them, and later stuff, but this is where they plant a flag and pour their heart and soul into it even if that wasn’t their original intent.
It can be fairly obvious where that labor of love is (case in point: The Abominable Charles Christopher, running in fits and starts but Karl Kerschl will always come back to it) and sometimes there’s so much work, so good, so invested, that you aren’t sure if you’ve seen it yet (case in point: I’m not sure if Box Brown would regard any of his projects that way, although I suspect either the André or Andy Kaufman bios could come closest).
But I think the key indicator is not only somebody making a great work, but finding ways to return to it, no matter what gets in the way. Which is a long way of saying that for Yuko Ota and Ananth Hirsh, I think Barbarous fills that role for them. They’ve done plenty of great work, together and individually, and it’s hard to get more personal than an autobio diary strip¹, but I think that the depth of character and sheer artistic skill on display in their story of a magic school dropout and her unconventional familiar pal just may be their defining work.
And lucky for you, it’s at the perfect point to get caught up — five story arcs² comprising Season 1 (with some canon side-stories drawn by pals starting next week), with infinite re-readability (every time I go back, there’s more layers that reveal themselves), and best of all — a beginning, middle, and end such that if we have to wait until never for Season 2 (because they are busy folks, and there’s paying jobs to get to), it’ll still feel complete while making us want more.
Hirsh and Ota have decades of comic-making experience between them³, all leading to this deceptively deep story; they’ll have more in the future, some that may be better known or more widely read, but I really do think this is where they will look back after a long and lauded career and say Yeah, that one could only have been told by us.
Spam of the day:
Dear Valued Candidate,
You were recently nominated as a biographical candidate for the next edition of Who’ s Who In America. We are pleased to inform you that the first phase of your candidacy was approved! Your prompt response is needed to ensure your complete professional information is considered.
I haven’t seen this particular scam since I was in high school. Respect for pulling out the deep cut.
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¹ One that, a dozen years on, makes you wonder if you want to keep sharing your life with strangers on the internet forever.
² Including one that was the NCS Division Award winner for Online Comic — Longform for 2018. The first two of which are collected into massive oversized print editions, and the third is in the fulfillment pipeline, and the fourth just completed its funding round. Me? I’m waiting for the inevitable Season 1 omnibus.
³ Also, they are cool people and have been to my house and pet my dog.
Stuff leftover from yesterday, that honestly? Better to put it today. Otherwise, the mass of information would mean something worthwhile would be lost.
And a bit into volume 4, it stopped. But now, in concert with the twelfth anniversary of launch, it’s back, with a story to tell below the update:
If you’re not in touch with my social media, you’re probably wondering what I’ve been doing all this time.
WELL, in 2017, three things happened to me:
- I turned 40 and had a small mid-life crisis.
- I finally admitted to myself that I’m transgender!
- Lost most of my stuff in Hurricane Harvey (my home was under water).
….
My name’s Daisy and my pronouns are she/her! Everyone’s been ridiculously supportive and I’m way happier now than I’ve ever been! ?Gastrophobia is getting a partial reboot.
The first 3 volumes are still canon. The 43 story pages I drew from 2015-2016 are retconned. They still exist and can be found here.
I’m different now and I’m taking the comic in a different direction.
If you read Gastrophobia in the beforetimes, you know that Daisy McGuire¹ has always been a terrific cartoonist. There’s no better time to hop on the (quoting the character bio here) Barbarian MILF funtimes train than now, complete with a new RSS feed.
As a side note, the number of folks I know who’ve undergone gender transition has increased a zillion percent over the past 15 years or so, and they’re all people I know through my association with comics. Maybe it’s just the passing of the times, or maybe there’s something about comics and storytelling, the creation of which demands your brain be open to possibilities and what-ifs, which allows one to imagine a different way of being that’s closer to what should be than what you’ve always been told. Good on you, comics, for letting people find themselves and be happy.
After literal decades of trying to get it off the ground and months of shipping delays, my dream project is finally out in the world. Student Ambassador: The Missing Dragon is now in bookstores everywhere!
I’m overjoyed to give kids a multicultural hero who represents his country and does good in the world. Whose superpowers are empathy and active listening.
And I’m proud he has an odd-couple partner who’s a selfish jerk so that doesn’t get annoying.
I’m proud to create a world where kids can learn that world leaders aren’t always right, even if they are kinder and gentler than in ours.
I made the US president in my story latinx as well. Because in fiction, you can do whatever you want and the cops can’t stop you.
I’m proud that the kid who made a hand-written, leatherbound book about his student ambassador travels in 1997, and dreamed of making a book about what he WISHED the trip had been like finally got his wish.
One of those nerds is me. Can you find me?
[photo of actual kid student ambassadors in Sydney, Australia, 1997]If this book is a success, I am super excited to jump right into making the next Joseph Bazan mystery, Student Ambassador: The Silver City where they explore the mysterious caves under Zacatecas, Mexico.
Student Ambassador: The Missing Dragon is written by Ryan Estrada, and illustrated by Axur Eneas. It’s the start of the Iron Circus kids line, and is available starting yesterday. I’ma say go get this one for the overly-enthusiastic and imaginative kid(s) in your life.
Spam of the day:
The CIA has been doing intensive research for the past fifty years researching on what we call so called life. That information has been collected and presented for you here [link] This has been the finding as of seventeen years ago as of today. Now governments and other large organizations have develop technology around these concepts for their own deceptive uses. Soon you will be contacted by other means for counter measures and the part that you play in all this.
I’ll tell you something — this is slightly more plausible than the guy with the broken English and Tagalog accent that called earlier claiming to be Social Security Agent Mike Hammer letting me know my number was being revoked for abuse and fraud. When I pressed one to talk to him, I was instead connected to Agent Katherine (same accent and command of English) who was entirely plussed when I told her my name was Harry Mourningwood.
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¹ In accordance with the Fleen Manual of Style, persons who transition will only be referred to by their current name/pronouns once that change is announced, but old posting referring to prior identity will not be altered.
Where necessary, context will be given without using deadnames, as in I had some memorable pub crawls with Daisy McGuire — who at the time used a different name — and other NYC cartoonists in the 2005-2008 timeframe. It was fun.
McGuire’s actually done something similar, comparing original author bios with current author bios from volumes 1, 2, and 3.
² At my suggestion, they’ve opened a merchant account with Ingram, the book distro giant. They may be nearly as much of a monopoly as Diamond is for the comics direct market, but damned if Ingram isn’t an efficient, competent monopoly that believes it can make money by giving stores what they friggin’ ask for instead of jerking them around with perpetual backorders (a lie) and shorted shipments (on a weekly basis). Right now Rick (who owns the store and is a nice guy) is going through all of the previous book orders placed through Diamond, re-requesting them from Ingram, and trying to figure out how to cancel them at Diamond so they don’t show up months or years from now with an invoice that says We finally decided to ship these to you, pay up.
Whee doggie, buncha news for you today (okay, some of it’s a couple days old but today’s when we got to it). Let’s dig in.
If this campaign reaches $25,000, I will draw a new season of my X-Files recap comic Monster of The Week.
I’ll be tackling Season Six, which includes a body swap two-parter, Mulder and Scully posing as a married couple in the suburbs, and the episode that got Bryan Cranston his job on Breaking Bad.
People. You want this. Go back to the start of the MOTW archives and start reading. Shaenon Garrity gets to the essential core of what is, at its heart, a fairly ridiculous show. Think of all the episodes you can recall: killer mites, Flukeman, Clyde Bruckman, killer cockroaches, Alec Trebek and Jesse Ventura as Men In Black, Skinner’s Big Day Out, killer bees, inbred cannibal hillbillies, Scully’s Big Day Out, Fake Mulder’s Big Day Out, the flashback that definitively tied The X-Files to Homicide: Life On The Streets and thence to the Tommy Westphallverse … all of them are reduced to the creamy center of ridiculousness that is the heart of every X-Files episode.
It’s been more than two years since we got Garrity’s take on Mulder, Scully, Skinner, and all their wacky pals, and it’s high time we got them back. There’s 15 days and less than US$1500 to go to make the magic happen.
Anyhoo, I’m mentioning this because LeCouillard is Kickstarting an omnibus of all the Much stories, including some that have never seen print or even online release. If you know LeCouillard from his barbarian mom story or his collaboration with Karla Pacheco, the filthy, filthy pirate tale Dreadful Sirens¹, you know that he puts together a great story with great visuals. Hop on over to the Kicker and help him to goal. Inexplicably, he’s 8 days out from the end of campaign and only 41% of the way to the exceedingly small CA$7000 (approx US$5300) goal. Don’t let this one fail.
Y’know, I had three other books to talk about today, but running things down on the Internet Archive is a time-consuming business, so we’ll come back to them tomorrow. See you back here then.
Spam of the day:
Amazing Invention Takes Over Control of Any Barking Dog
I have a greyhound. They are notoriously rare barkers.
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¹ That one is from the Wayback Machine because the original is offline which … it was full of NSFW stuff which would seem to make it a natural for appropriation by scammers, but it hasn’t been. Weird.
You know, what with two different sets of comics awards being given out, nominally from different coasts but practically speaking all from the confines of cyberspace.
Which might explain why The Reuben itself went to the oldest nominee, one with a career stretching back four decades. A’course, the oldest nominee is the deeply subversive living legend Lynda Barry, whose work is most definitely not what I’d have expected the older members to vote for. It’s hard argue with the choice, and easy to argue that there might not have been a Raina Telgemeier if not for Lynda Barry’s deeply personal, memoirlike work (which started in print when Raina was about 2 years old) blazing the way. So no complaints here — Raina’s mantlepiece is getting a bit crowded anyway — and I suspect every one of the other nominees up for the top prize agreed that Barry was the right choice.
As a side note, I see that Joe Wos — once a recurring name on this page during his years of directing Pittsburgh’s now-folded Toonseum — was given the division award for Variety Entertainment for his Mazetoons. Congrats, Joe.
But Valero-O’Connell was also on the jury. And while I stand second to no person in my love of and evangelical fervor for her work, and I recognize the accomplishment of being only the second person to win Outstanding Artist twice² and the only one to repeat in back-to-back years, I wish that it hadn’t happened. I do think that this situation has lessened the credibility of the Ignatz Awards, and I really, really hope that they write some ground rules to ensure that this appearance of a conflict of interest cannot happen again.
Looking at other winners, Ebony Flowers has had nearly as good a year on the awards circuit as Valero-O’Connell; last year she took the Promising New Talent brick for the short story Hot Comb and this year for the expanded print collection incorporating it (also titled Hot Comb), she’s recognized for Outstanding Graphic Novel. Ariel Ries received bricks for Outstanding Online Comic (for Witchy) and Outstanding Comic (for Cry Wolf Girl); if you weren’t following her work before, you really should be.
Outstanding Anthology went to Be Gay, Do Comics by the various contributors of The Nib. Look, you know that on a daily basis, it’s the most wide-ranging source of original editorial and nonfiction comics around, with a list of contributors that kicks every ass. Curating their best work on a theme is something that Matt Bors, Eleri Harris, and Matt Lubchansky were going to throw themselves into, and produce something terrific.
Speaking of The Nib, Whit Taylor’s contributions there have always impressed the hell out of me (as well as everyplace else her work runs), and today she must take some solace in the fact that after two years of utter bullshit being inflicted on her in the form of a baseless lawsuit³, her Fizzle took the Ignatz for Oustanding Series and nobody can remember that other guy’s name. Seriously, I had to look him up, whereas members of The Eleven keep getting recognized for their work. It was a long, expensive, pointless road, but I have to imagine that the heft of that brick is gonna feel really good in Taylor’s hands.
Spam of the day:
As of today there is a limited supply of LUMIGUARD Solar Motion Sensor Floodlights Click the Button below to find out if they are still available.
I got something like this for literally twelve bucks at the local hardware store two years ago. It picks up the neighborhood outdoor cats when they wander by after dark. Why exactly do I need your more complicated and expensive version?
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¹ Yes, yes, common parlance refers to all of these awards as Reubens, but the term proper applies only to the Cartoonist Of The Year, the one chosen by the entirety of the NCS membership rather than those of a particular area. It’s the COTY that gets the fancy Rube Goldbergian trophy, where the division winners get a (admittedly, handsome and heavy) plaque.
² The first being Jaime Hernandez in 2007 and 2012.
³ Which resolved after tens of thousands of dollars of legal fees and the plaintiff not getting his US$2.5 million, which is apparently the going rate for butthurt in the first degree.
So the Shuster Awards — pardon me, the Joe Shuster Canadian Comic Book Creator Awards — came out with their nominations ‘tother day, and as has been the case in past years, they are well-considered and not bogged down in a million categories or complex rules. The work has to be by Canadians, released in calendar year 2019, and presented to the nominating committee by 30 June 2020. We won’t be listing every nominee and every category, but instead will focus on folks from the webcomics and indie comics communities.
Over in Artist, you’ve got Faith Erin Hicks for Pumpkinheads (words by Rainbow Rowell) and Karl Kerschl for Isola; more on Kerschl shortly. Mariko Tamaki is recognized in the Writer category, for multiple works including Laura Dean Keeps Breaking Up With Me (which must surely be approaching the end of its eligibility period, not that I am complaining). Chip Zdarsky is also under consideration for various Marvel titles.
In the Cartoonist category (for writer/artist one-stop creators) I see the superlative Emily Carroll nominated for When I Arrive At The Castle which I must confess I hadn’t heard about until now. There’s so many great comics coming out from so many great creators that it’s natural to miss out on some, but I’ll have to remedy this oversight at the first opportunity.
Webcomics/Digital Comics is, as typical for the Shusters, packed with quality work. The nominees this year are:
… which prompts two thoughts:
1. A Canadian isn’t disqualified for working with a non-Canadian (in this case, Statesians), so that’s nice.
2. I’m not sure about Kershl’s nomination in this category. I stand second to no one in my love for The Abominable Charles Christopher, and I know that it’s the work that Kerschl is most proud of, and most invested in.
But it’s also been frequently on hiatus while he pursued paying work — this is not a criticism! — and thus more than a little sporadic since mid-2014. Kerschl did make a nice comeback with weekly updates and progress on the story from January-March of 2019, but then the frequency dropped to three updates in April, two in May, one in June and nothing since.
While a justly-loved and honored piece in the canon (such as it is) of webcomics, I would always prefer to see awards go to either a regularly-updating-through-the-year contender, or one that if it didn’t run the full year, came to a conclusion (or a complete story, that would be good, too).
Other categories for the Shusters include Cover Artist, the Gene Day Award for Self-Published Comics/Graphic Novels, the Gene Day Award For Anthology Collections, the Dragon Award (Comics For Younger Readers), and the Harry Kremer Retailer Recognition Award.
Two special awards recognize larger bodies of work — the Canadian Comic Creator Hall Of Fame will induct Seth and Bernie Mireault, and the TM Maple Award (for achievements outside the creative/retail categories for the benefit of the Canadian comics community) will honour the ongoing efforts of members of the Canadian comics community — the many creators, retailers, publishers, fans and other members of the community — who have stepped up to help others during the still ongoing COVID-19 Crisis with fundraising efforts.
The Shusters will be presented in a virtual ceremony near the end of October, date and time TBA. But that would put them around the same time as the Ringos; as of this writing, they apparently still think they’ll be presented in person at Batimore Comic Con, which apparently still thinks will happen at the Baltimore Convention Center.
Seriously, the calendar for the BCC shows COVID testing clinics, and every other event between now and BaltoCon listed as either virtual, canceled, or postponed (followed by a few more cancellations into November). You are not putting 15,000 people together in an enclosed space in a downtown metro area in six weeks, people. Just make the frigging call and go virtual, already.
Spam of the day:
Each citizen ONE TIME is entitled to financial assistance in the amount of 14,000 to 310,000 rubles
For the record, at today’s exchange rates, that’s between US$186 and US$4200, and you’re going to have to up your game. I’ve got Nigerian princes offering me millions.
Tie-ins, at the very least. Let’s see what’s up.
The game itself is made by Rain Games of Norway, who appear to have a track record making games of this sort, but not crowdfunding — this is their first Kickstarter campaign. Goal is set at a reasonable US$200K, but they’ve got stretch goals reaching improbably as high as one million dollars which … I don’t think I’ve ever seen stretch goals go as high as five times base funding and actually be met.
There’s a huge ask, so the FFF mk2 may not work so well — the trend held really steady for the first couple of days then dropped hard, giving a prediction of about US$135K-200K, which puts goal at the upper end of the range. The McDonald Ratio is predicting about US$150K total, which is worrisomely low.
Again, this isn’t the sort of project that the predictions were trained on, so we’ll have to see, but with 6 days down and 24 to go, the project sits at 31% of goal at present, and video games are both notoriously expensive, and have a tendency to run over both time and budget. We’ll have to see.
Skullkickers: Caster Bastards And The Great Grotesque¹ will feature a 30 page story and 60 page adventure campaign, featuring new spells, game mechanics, magic items, and monsters, adaptable to whatever game you’re currently playing.
As I may have mentioned previously, I haven’t played D&D since it was called Advanced D&D waaaay back in my college days — before 2nd edition was a thing — and I’m heartily tempted to get this because a) Skullkickers is hilarious, and b) the love that’s pouring out of the game portion of this book is apparent even through the distance of the internet.
Zub’s been writing official D&D comics for a couple a’ years now, and went so far as to shave his head to better get into character for a live game last year. He’s mentioned multiple times that his course in life was irretrievably set from discovering D&D at the age of 8, so when he tells me that he’s picked out some top-notch game designers to make the playable part of this as good as it can be? It’s gonna be good.
And, as an added incentive, the crowdfunding/fulfillment parts are being run by George, who mentioned casually he is approaching his 100th crowdfunding project managed, so I think he just might have a handle on how to keep everybody on track. Just a hunch. It’s a little early to apply the FFF mk2 math, but somewhere around a day in, they’re at 64% of the CA$22.3K (or US$16,843) goal with 23 days to go, so I think this one’s gonna fund. In case you were wondering, only one of the top tier reward (where, among other things, you appear as a wizard character in Caster Bastards) remains as of this writing.
Spam of the day:
Hello! I saw you the other day and I really liked you. I live in a neighboring yard, alone) let’s meet at my place?
This town’s ordinances don’t even allow dogs to live in yards, they have to have access to the house. Besides, I know my neighbors and none of them speak Russian like you do.
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¹ I’m sure the similarity of that title to Hamster Huey And The Gooey Kablooie is mere coincidence.
Just under ten years ago, David “Damn You” Willis launched his rebooted Walkyverse¹ comic, Dumbing Of Age. In the 9 years, 11 months, 3 weeks, and 5 days since then, the story has progressed from college move-in day through about … eight weeks of story. Up to midterms or so, a rate of about 5 days of story time per real-world year.
Since Sunday, the story has wordlessly jumped forward three whole months, saving us about 15 years of daily reading. Given that Thursday is the actual tenth anniversary, I expect we’ll get one more timeskip update tomorrow, and we’ll finally reach second semester on Thursday. Which means that in four strips, Willis has shifted the rate of story time:real time up to ten years per sememster, meaning we’ll see graduation sometime in 2090 instead of 2170 at the old rate.
Given that comic strips have a long history of being passed down to third and even fourth generation creative teams, I have no doubt that Dumbing Of Age will still be running when graduation comes in, whenever that may be. In any event, congratulations to Willis on ten years of DOA and 23 years of continuous webcomicking. That’s a damn big round number.
In other news:
For reference, given the poor situation that the Ignatzes have found themselves in, I voted Michael DeForge for Outstanding Artist rather than personal fave Rosemary Valero-O’Connell. In the Outstanding Onnline Comic category, I had a dilemma because the work is all very good. But what do you do when end up with a short editorial comic like I Exist (by Breena Nuñez) up against a words+pictures poem like Like The Tide (by Isabella Rotman), an Insta account of single-panel gags (by Gabby Schulz), and a long-stretches-silent, page-a-week updater like Superpose (by Seosamh & Anka). I tossed my vote to Witchy (by Ariel Ries) because I dig the story. Good luck to all of the nominees.
I wasn’t involved in the process this year, so I couldn’t tell you anything about the webcomic awards beyond what’s been publicly shared. The Online Comics — Long Form nominees are Steven Conley for The Middle Age, Maaria Laurinen for Phantomland, and Alec Longstreth for Isle Of Elsi. The most interesting thing there is that Phantomland is on Tapas, which is about three revolutions in comicking beyond what a large part of the NCS membership is aware of.
The nominees for Online Comics — Short Form are Jim Benton, Christopher Grady, and Emma Hunsinger. The short forms don’t have specific titles to go with the creators, but I’ll wager that Hunsinger is on the list because of How To Draw A Horse as much as anything else. That’s magnificent work, but so is Grady’s Lunarbaboon. Benton’s a one-man IP factory, but I think he’s outclassed by the other two.
But the Reubens news that has me most curious isn’t in the Online categories, it’s the Big Award Of The Night, the Cartoonist Of The Year, the one that’s gone to folks like Schulz, Johnston, Watterson, Larson, Trudeau, Amend, Thompson, Guisewite, and other legends of cartooning. The nominees are:
That’s three solid practitioners of the comic strip and one living legend in Lynda Barry. Also, four nominees where normally there are only three². Also, three women. And … wait, I’m being told that there’s a fifth nominee:
Okay, the NCS almost never nominates somebody whose work is outside the newsprint mode — comic strips, editorial comics, magazine work, all periodicals is my point — and the last one to win Cartoonist Of The Year from outside that world was Matt Groening back in 2002³. I don’t think they’ve ever recognized a graphic novelist, and certainly not anybody whose medium is middle grade autobio aimed at girls.
That sound you hear is the industry coming to grips with the fact that the literal Old Boys Club is fading from existence and getting replaced by those damn Millennials. Gonna have to figure out when that broadcast is and pay some damn attention to it.
Edit to add: The NCSFest schedule page now has start times for sessions, instead of just durations.
Spam of the day:
Currency printed is NOT wealth, real wealth is what we produce (in terms and goods and services) and exchanged for currency (a measure of your productivity).
Oh crap, this is a pitch for some new blockchain fantasy, which is even more of a fiction that actual money. Go peddle your shit to somebody that’s bad at math.
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¹ So named because a series of related comics — Roomies!, It’s Walky!, Joyce And Walky!, and Shortpacked! — had one David “Walky” Walkerton as a central character, to whom all of the others could trace relationships. The Walkyverse itself debuted 13 years to the day before DOA.
² I mean, since Pastis broke his Susan Lucci streak last year, may as well open it up. [shrugmoji]
³ Okay, Glen Keane, animator, won a couple of years ago, but being the son of Bil Keane of The Family Circus means he’s part of that world. The only others I can think of are Sergio Aragonés and Will Eisner, the latter of whom won in 1998 — well past his creative peak, and clearly as a lifetime achievement.
If you've got webcomics-related news, insight, rumors, gossip, or shameless press releases, let us know.
