The webcomics blog about webcomics

Creatures In My Cake?

Today brings word of a new convention of interest to webcomics afficionados, courtesy of Greg Carter:

Brought to you by the fine organizers of Dragon*Con, Atlanta Comics Expo is the south’s newest celebration of comics, illustration, gaming, costumes and Asian Pop Culture.

Come out February 8 — 10 and meet some of your favorite artists and writers including webcomic creators Gina Biggs (Red String) and Greg Carter (Abandon).

In other news:

  • Six years of diseased imaginings delightful comics were celebrated by Andrew Bell (aka The Worst Most Awesomest Person In The World) yesterday. Webcomics as a whole took the opportunity to pray that before year seven is done, the correct cocktail of antipsychotics will rid us all of this menace Bell will achieve the massive financial success that he is clearly due.
  • It’s been a long week, but in just a few hours, David Malki ! will release his latest (not quite) feature length film, Expendable. You know what I’m looking forward to, even more that the Justin Pierce DVD/poster artwork and the Straubulent soundtrack? The production company card.

    I mean, everybody of a certain age remembers this, right? Those few seconds meant that something seriously way cool was about to happen on your TV. Well, I want the credit that reads Wondermark Enterprises to wow the adult me in the same way that A CBS Special Presentation wowed the kid me in his footy pajamas.

    Oh, and for the movie to not suck. That’d be a bonus. But mostly the credits thing.

Webcomics In Review: 2007

Hey, did you know that there were some significant things to happen in the world of webcomics in 2007? Well, it turns out that there were, and here are some of them. Despite the fact that they’re numbered, these are in no particular order of importance.

0 — The number of entries in the past-strips archive of Skin Horse, which launched a few hours ago. Why am I calling a completely new strip that has no track record a significant event for the year? ‘Cause it’s from Shaenon Garrity, homes.

1 — Achewood‘s position on the list of Top Ten Graphic Novels of the year, according to Time blogger Lev Grossman. He’s done a lot to raise the visibility of webcomics to the wider world this past year.

3 — Number of apparently very smart people involved in the Modern Tales/ComicSpace merger. We hope to bring you an interview with principals Joey Manley, Josh Roberts, and Alan Gershenfeld once everybody’s back from the year-end travelganza.

4 — Number of days until the start of the 2008 convention season, with Randy Milholland putting in an appearance at Ohayocon. Likely winner of cons in 2008? Ironwoman Jennie Breeden, with 43 days already planned, and the back third of the year still open.

6 — Wowio came on the scene, offering free downloads of books (including [web]comics) in exchange for statistical information to consumers about readers, and the promise of payouts to the creators. Judging from the checks that were cut back in the Fall, the creators I’ve spoken to seem more than satisfied with their end of the arrangement, but the question remains as to how long Wowio can continue its burn rate.

As for me, I’m pretty philosophically opposed to the trafficking of information about me (whether I remain individually identifiable or no), so I’ve not taken advantage of Wowio’s offer. So why is this item #6? Because I am not a number, I am a free man.

10 — As in “ten bucks”. A brutally important number. Come back tomorrow to find out why.

15 — Days you still have to catch Infinite Canvas: The Art of Webcomics at the Museum of Comics and Cartoon Art in New York. What are you waiting for?

47 — The number of people creating webcomics that, off the top of my head, are making their livings (at least in significant part) from their webcomics. You can get into all kinds of trouble here, playing games like “Do I count the people on the Penny Arcade payroll that aren’t Jerry and Mike?” and “What about infrastructure providers like the aforementioned Manley and Roberts and Phillip Karlsson and the people packing t-shirts for Topatoco?”

In the end, I made it a judgement call and just started counting writers and artists on my fingers. I’m sure you could come up with a completely different list, but what’s important here is that there’s probably as many people on this list, as you could find on the list of top-tier syndicated strip cartoonists. And I’ll bet $20 right now that the number at least doubles over the next two years.

1200, 1300, 1400 — Aisle numbers at the San Diego Convention Center where the (to date) largest concentration of webcomickers in history gathered for Nerd Prom ’07. Variations on this theme have occurred in prior years, of course, but this year seemed to represent a turning point of sorts. There’s been a marked decrease in Teh Drama and a corresponding increase in the collegiality of those who create webcomics, which seemed to have really started around the time everybody promoted the hell out of each other.

2,000 — The amount of money that a Zudawinner needs to be paid every four years to keep the rights from reverting back to the creator. Significant mostly because Zuda (which has proven to have a clumsy, heavyweight interface, and not really be about webcomics at all) sparked a general discussion of rights and ownership among the webcomics set, which is always a good thing.

5,000 — The reported going price (in US dollars) for a piece of gallery art that bought Todd Goldman some very bad publicity. By the time the storm had settled, there was a particularly telling quote from Goldman’s art dealer:

Solomon said that several galleries stopped showing Goldman’s work. And the wholesalers who buy Goldman’s posters canceled their orders and asked for refunds for unsold stock.

“I lost the three biggest poster distributors in America,” Solomon said. He wouldn’t say how much money he and Goldman may have lost.

17,000 — Circulation of the Rutgers University student newspaper, The Daily Targum. A new webcomicker of my acquaintance started a strip over the summer and has been working on his skills at a steady rate. Taking a piece of advice from the Webcomics Weekly podcast, he started writing to college papers, offering his strip, and TDT was one that bit. In the coming year, he’ll jump immediately from dozens of readers to thousands, and be just a bit closer to that dream he’s had of doing a comic strip since he was six years old. I’ll introduce you to him in the coming year.

1,135,000 — Amount of money, again in US dollars, donated to Child’s Play so far this season. Or if you prefer, there’s the even more impressive $3,324,000 to date since the inception of Child’s Play a few years back.

2008 — The most important number on the list. It’s been a hell of a year for webcomics, and next year promises more of the same. Come on back tomorrow and we’ll talk some more.

Mailbag!

Quickly:

  • Regarding my estimate of the Child’s Play dinner event … I have never been so thrilled to be so wrong. Okay, once when I figured there was no way that I’d be lucky enough that she’d say say “yes” to being my wife. But this is a very close second.
  • Oh Crust Runner, we hardly knew ye.
  • Tired of Wha? nominations in the digital/webcomics category at the big comics awards? Submit what you believe to be better candidates.

Mail!

This is Marty Day, writer of Dead of Summer. You may remember us as one of the Webcomics Idol finalists this year. We’ve officially released our first collection thanks to the fine people at Unseen Productions (144 pages, b&w interiors, just $12). Book 2 should be coming in ’08.

And from Wes Molebash:

Word to your mother!

Editor’s note: I think this should be the new standard salutation for correspondence. It’s so much more heartfelt than “Dear Sir or Madam”. But would that be my adoptive mother or my biological mother?

I’ve been beating around the bush on this idea for a while now, and it’s time to just do it. I’m starting up a monthly YHT newsletter that will contain a lot of the info that we talk about on my blog, but will also contain some behind-the-scenes info, contests, and updates on future projects (2008 is the year I start working on some new stuff!).

So if you’d like to sign up for the newsletter, just shoot me an e-mail (wesmolebash at we hate spam but like gmail which is a dot-com) and let me know. No need to write me a long e-mail — just tell me you want to subscribe to the newsletter. It’s as easy as that.

The first newsletter will go out in January.

Been A While Since We Had A Roundup

Time to do some quick items:

  • There will be guest strips — Wapsi Square is promising six awesome updates next week, and A Girl And Her Fed is looking for guesty contributions. Otter asks that any submissions “cover up naughty bits”, which presumably includes eyes.
  • I think that Goats may be setting a record for single storyline duration — it’s been more than two and a half years since the universe-spanning Infinite Typewriters started, and it all comes to a climactic head tomorrow. Jon Rosenberg is running a poll to see where people think the body count will end up, which can’t possibly be a bad sign.
  • Geez, my EE professors taught me to just build the damn thing and then measure. That’s the problem with theorists — insufficient patience to build an infinite grid of ideal 1Ω resistors.
  • Pretend to be a Time Traveller From The Future Day has come (or has it?) and gone (or will it?), and Aaron Diaz has an account of his adventures up at Dresden Codak. Not sure if it’s going to have a permalink, so please enjoy a hopefully copyright-friendly copy here.
  • As of this writing, we’re still waiting on word as to how last night’s Child’s Play charity dinner went, but based on past years I’m going to guess that the night’s endeavours raised at least $80,000 for this year’s drive.

T Minus Three Days And … Wait, Maybe It’s Plus Eleventy-Six

Hey kids, it’s almost December 8th, and that means it’s time for this year’s Pretend To Be A Time Traveller Day, as dreamt up by Latin heartthrob Aaron Diaz.

Much like the zombie walks that pop up from time to time (although like all right-thinking individuals, I loathe the undead), the idea here is to engage in a bit of public theater, acting slightly anachronistic in your dress and choice of words. If you want the easy route, pretend to be from the past:

… dress in period clothing (preferably Victorian era) and stagger around amazed at everything. Since the culture’s set in place already, you have more of a template to work off of. Some pointers:

  • Airplanes are terrifying. Also, carry on conversations with televisions for a while.
  • Discover and become obsessed with one trivial aspect of technology, like automatic grocery doors. Stay there for hours playing with it.
  • Be generally terrified of people who are dressed immodestly compared to your era. Tattoos and shorts on women are especially scary.

More advanced types will want to pretend to be from the future (either u- or dys-topian variations are fine), but be sure to have a skewed idea of what typical modern dress is like. Having a compatriot around to take photos for posting is also good.

Finally, try not to get punched out. Diaz has managed to pull of PtbaTTD in Alabama, so you ought to do fine, just don’t go overboard, ‘kay?

In other news, it’s not on my regular trawl so I missed this one until alert reader Michael Kinyon pointed it out, but Home On The Strange is wrapping up imminently. Fleen congratulates creators Veronica Pare and Ferrett Steinmetz on 300-odd installments, and look forward to jumping in on the next project from the beginning.

Can’t Talk — Baking

Okay, Mid-Ohio-Con is this weekend; it’ll be a perfect chance for some of you to walk around, work off some of that pie you’re gonna be gorging on. Oh, don’t look at me that way, you are so. Wes Molebash of You’ll Have That fame will be there:

I’ll be selling copies of Volumes 1 and 2 of the strip, as well as the the one-shot comic book (including a small amount of the limited edition covers!). If you’d like to get your hands on some original artwork, I’ll have a few pieces of work that I’ll be selling for dirt cheap. And of course I’ll be signing, sketching, and high-fiving, so make sure to stop by my table located in the artist’s alley section of the convention.

High-fiving: official sport of webcomics. Also on tap for Mid-Ohio, David Willis, who may be surprised to find that one of the guests of the show will be a one Mister Tom Batiuk. Funky Winkerbean, meet Funky Cancercancer. Fleen will pay a bounty of five dollars American cash money to anybody that gets a photo of Willis and Batiuk together.

I Can’t Believe I Can’t Find A Single Picture Of The Actual Coloring Book

Editor’s note: We at Fleen are still getting some reports that comments are delayed or getting doubled up; if you’re having difficulty, please let us know on the contact page.

News leaking from the Wikiworld is that there’s an internal debate brewing about the Great Wikipedia Webcomics Purge(s) of Aught-Seven; reporters from Wikinews have been pursuing the story and there may be stern talkings-to in the future. We’ll let you know if we hear anything definitive.

Do you like Wes Molebash’s You’ll Have That? Of course you do! Are you able to set foot inside a church without catching fire? Got plans for Sunday evening?

This Sunday, October 28, I’ll be speaking at Trinity United Methodist Church during an evening event called Between the Lines. The event runs from 6 to 8 PM, and I’ll be speaking at some point in between those times.

Between the Lines is a monthly gathering hosted by Trinity Church that features local artists talking about their work and their faith. So if you’re in the area you should spin by and listen to me talk about YHT, how it’s created, and why I create it.

WARNING: I’m going to be talking about God and stuff. Sooooo . . . don’t say I didn’t warn ya. Also, I’m gonna talk about why I believe Christian creators should stop making Christian content. Should be exciting!

If any of you are interested in coming to the church on Sunday, feel free to drop me an e-mail and I’ll give you directions.

Per Wes’s website, that email would be the bold-faces portions of wesfillermolebashfiller@gmailfiller.comfiller. Be sure to ask which Trinity United Methodist Church, as there’s more than one.

Like All The Best Things In Life, This Post Has Squid

Editor’s note: We understand that some of you have been having difficulty posting comments — hopefully the new WordPress update will resolve the situation.

Timely mentions: A Girl and Her Fed are bustin’ out the bwow-chicka-wow soundtrack, and Paul Southworth’s Ugly Hill is still pining away for your wholesome love. Won’t you go take a look, please? Guy just had a kid, you owe him for doing his part to populate the planet with cool kids.

So, final notes from SPX — it’s not a webcomics specific show (really, what is?), but it’s got the same aesthetic as webcomics: lots of creative people, each one saying I made this, and other people responding with emotional and financial support. Witness, if you will, this entirely typical verbal exchange from Saturday afternoon:

Me: Hello, Raina Telgemeier (who coincidentally has a contribution in AWESOME: The Indy Spinner Rack Anthology coming out in comic shops everywhere October 19th), I must purchase from you the printed form of your wonderful webcomic Smile.
Raina Telgemeier: That will be one dollar.
Me: I cannot purchase this comic for a only dollar, I must give you more money (but cannot buy the Babysitter Club books without looking creepy).
Raina Telgemeier: Perhaps you would like a bundle of my Take Out minicomics?
Me: Yes, and please Dave Roman, I require a set of your Astronaut Elementary comics as well.
Dave Roman: Here you go, already signed to you Gary (because Dave Roman is fleet of pen and awesome-sauce).

This sort of thing was going on all weekend, and while not every exhibitor in the hall is as cool and talented as I hold Raina and Dave to be (not to mention lovely people — we’d been introduced previously, but this was the first time we’d had a chance to talk), every exhibitor in the hall was held in that regard by somebody. And chances are, that somebody came to buy.

What they tend to buy is on some form of wood — prints, art, books, Chris Yates’s incredible jigsaw puzzles — rather than t-shirts, which makes this an unusual audience for the webcomics creator. Although there were shirts to be had, and I did purchase one from Leah Riley (in the past my CBLDF boothmate, once one of the Lovely Ladies of Lulu, currently half of the husband-and-wife creative team behind Robohobo and Willrad, and always one of the sweetest people you’ll ever meet). Not because my wife needed another t-shirt mind you, but because the design of a squid forming a heart with its tentacles was just so damn good. Missed my chance for her fabric sculpture robots because they sold out too quickly, dammit. But my point being, if it’s fabric and it’s good enough, it’ll still sell.

I’ll also note that those are just starting out in webcomics would find SPX an attractive place to get the word out. Case in point, I met a couple of guys named Doc and Todd walking around and dropping the business card for their new collective, Killjoy Comics. Five years ago, they probably would have spent most of the year producing minis and hitting two or three shows with cheap tables, trying to get the word out. Today, you can still do those minis, but you don’t have to wait to pull your readers in, because you can continuously post your work to the web while accumulating enough material for print.

We’ve really reached that happy point where the distinction between indy/small press comics and webcomics is largely academic. So if you read this, if you love webcomics like I do, make your plans for Bethesda next year — there’s a mountain of talent and it’s all deserving of your support.

Photos below the cut.
(more…)

Schemes Inside Of Shemes

Hey, Ugly Hill is back. Why yes, we did mention this yesterday, but every one of you not reading Ugly Hill is taking food directly from the mouth of Paul Southworth’s infant son, you heartless jerks. Click over there now. Read the archives, too.

Speaking of guys with young sons, there’s BLC-mate Paul Taylor who has a new limited-run print up in his store. Buy it or heartless jerk, etc. And no infant sons, but check out the scene on my toy shelf now that Ananth & Hawk got the reorders in. It’s like that Zlik wants to watch Eve kick Diablo‘s ass as soon as he sets foot out of his little house.

Back to SPX — there are webcomickers with plans. Schemes, even. Shall we examine some?

  • Aaron Diaz tells us that his Hob storyline in Dresden Codak will be wrapping up around year’s end, and then he’s getting to work on a Dresden Codak book. But Gary, I hear you cry, with the large layouts and detailed visuals, how will he manage to reproduce all that sweet art in a book? Two words for you my friend:

    Coffee.
    Table.

    Diaz is planning on an oversize trim, and that immediately propels this book to the top of the Pre-emptive Must-Buy List for 2008 (tied for second: Kazu Kibuishi’s Amulet, Kean Soo’s Jellaby, and Scott McCloud’s ZOT! omnibus). Diaz said he hoped to have the book out in time for APE, but I see this morning that the Spurge has confirmed that APE will be shifting from its traditional April date to November. Hey Aaron I still want your book in the Spring okay thanks.

  • Singular-named mckenzee is going to be very, very busy. By this time next year, look for him to have no fewer than four separate projects going:
    1. Sinister Bedfellows will continue
    2. He’s recruiting artists for Bearcats of Mandu — an exploration of the recent travails of Nepal and the Nepalese royal family, depicted as furries
    3. He’s busy absorbing the lessons of How to Draw Comics the Marvel Way to produce The Adventures of Maintenance Man — in a city where all the capes live in the same apartment building, why shouldn’t the super to the supers be based on Warren Ellis?
    4. Plus a series of one-offs like the achingly beautiful C∂ulhuvi∂a, which he hopes to print into hand-made books. Depending on the cost, these could be printed on Japanese seaweed paper, with hand-sewn bindings. The Pre-emptive Must-Buy List for 2008 is about to get another addition.
  • Bernie Hou has plans, oh so many plans. Awesome plans ready to bust open the whole Web 2.0 deal and kick that number to to 3.0, maybe 3.2. But as some of them are still in development, we’ll have to tell you about them later, but here’s a hint — there exists a mathematical possibility of an Alien Loves Predator book.
  • He told me at the show, but I didn’t realize how close the time frame was. Jinxlets are nigh. And there’s this whole season coming up when stockings need to be stuffed.

More tomorrow, and photos maybe.

Some Things Of Note, Plus A Little SPX Roundup

Quickly now: an outstanding use of the Dinosaur Comics template (via Dirk Deppey), the welcome return of Ugly Hill, and the Octopus Pie book on pre-order.

Okay, Small Press Expo, 2007. Fleen was proud to meet with a wide variety of webcomickers exhibiting at the show, including (in no particular order) Colleen Venable, who I forgot earlier, sorry!, Chris Yates, Aaron Diaz, David Malki !, Bernie Hou, Box Brown, Joe Sayers, Raina Telgemeier and Dave Roman, Leah & Chris Riley, Kris Straub, Dave Kellett, Howard Tayler, David Willis, and Brad Guigar. Achewood won what I believe is its first major award, the Ignatz for Outstanding Online Comic (more on that later). Webcomics journalism was represented by Xaviar Xerexes and Mister T, and I had a nice conversation with Heidi MacDonald as well. Interesting tidbits & photos over the next couple of posts … for now, I want to talk about a session that took place on Saturday afternoon.

At the moderator’s mic was the able and amiable Josh Fruhlinger, who wrangled Bill Griffith, Nick Gurewitch, Keith Knight, and Ted Rall. The conversation ranged widely across the various experiences of the four creators in the world of print comic single panels/strips, but towards the end took a turn towards issues of the web. Asked about their use of the web as a medium for interacting with their audiences, Griffith replied,

If you have a website, the logical thing is to put your strip there for free … I have that little niche [online] and print, and at this point, I need both of them. My online sales account for half of my income.

Which sentiments ought to be familiar to all reading this. But following up the point later, Rall took a decidedly different tack:

If every cartoonist would agree to take their work offline forever, we would all make fifteen times as much money. We’ve done a really stupid thing [by putting content online].

Now let’s be clear about two things: one, Rall was not speaking in direct reply to Griffith’s point. And two, he’d just been talking about the history of specifically editorial cartoonists (of which he is one), and the rapid decline in their numbers (specifically cited: in 1960, there were more editorial cartoonists in New York City alone than there are now in the whole of the United States).

Still, this struck me as a monumentally absurd statement — from our researches here at the Fleenplex, it appears that only new cartoonists in this country that are able to make a living from their cartooning are the ones that do the exact opposite of what Rall proposes. Seeking reaction from webcomickers in attendence elicited a uniform disagreement with Rall, but I’d like to open the question more broadly. If you’re a webcomics creator that makes a significant portion of your living from your creation, can you see a set of circumstances where Rall’s assertion makes sense, or is it just crazy talk?

Memorable Quotes:

Tayler, in reaction to the Rall quote — We’re about to do a really stupid thing if we pay attention to Ted Rall.
Willis, ditto — I can’t hear him through my big wad of cash.