The webcomics blog about webcomics

Reset Day

Hey. Work’s a little weird, and my dog’s a little needy, and Diamond’s not shipping books I was hoping to have for review, and I’m recognizing I need to take a day away from writing today. Nothing bad, just need a skip to reset and also it’s really pretty out right now. I’ll make it up to you, promise.

You Find Joy Where You Can

It’s a dreary day here today, and I’m behind on nearly everything I could be behind on, but I’m in a good mood because sometimes, others go out of their way to give you something awesome. I’d like to pass those somethings along, if you don’t mind.

  • Firstly, you should be able to still get in on the pre-order for Meredith Gran’s limited-run, full-color printing of the recent Octopus Pie coda. I say should be because in the literal, single minute after Gran announced they were for sale, the Bigcartel store was insisting they were sold out. Too many of us trying to buy at once, I guess!

    As of this writing, it’s still available, but I wouldn’t sit on this until tomorrow if I were you. Valerie Halla’s colors are always great, and the cover colors by Sloane Leong look amazing. Finally, Gran will be signing every copy.

  • Secondly, you don’t have to spend anything to get a perking-up today, if you wander over to Oh Joy, Sex Toy for a completely safe for work meditation on embracing the ridiculous in life from Erika Moen’s Patreon. It’s about kohlrabi, and the twists and turns her life has taken by embracing the weirder option at certain key times.

    It’s affirming, uplifting, joy-bringing, and exactly what so many of us need to hear as we slowly wake up to a world where things are necessarily worse than they were yesterday. Plague Years will wear you the fuck down¹, but there’s always room in them (and before, and in the days yet to come) for some Ridiculous in your life. Go read it and feel better about everything for a little while.

Spam of the day:

He decided to go public and his video went viral in record time … People testified this method cured toenail fungus forever after just of couple of days …

Is this the bit where you pee on your feet because ew.

¹ Moen’s strip may be entirely safe for work, so I have to make up for that here just to create logic.

Fleen Book Corner: The Legend Of Auntie Po

As we get started, a disclaimer. Shing Yin Khor is a personal friend of mine, and I’ve had at least the outline of this story rattling around my brain for years now, ever since we talked about it as a work in progress over some surprisingly delicious Tex-Mex in Juneau, Alaska. So when I picked up my copy of The Legend Of Auntie Po from my local comic shop last week, I had high hopes and even higher expectations.

Because one should never count out Shing Yin Khor when it comes to a) lumberjack culture; b) foodway stories; c) immigrant tales; and d) delicate, gorgeous watercolors. Combine all of those into nearly 300 pages of story, and throw a little adolescent queer longing in on top, and you’ve got an absolute winner. For those that don’t want the spoilers ahead, get a copy or three, read it until it falls apart and then read it some more.

Actually, the spoilers are going to be kind of light — it’s the 1880s, a logging camp in the Sierra Nevadas, at a time when Chinese workers were both valued for skills in large undertakings (building entire logging infrastructure, or running railroads through the tallest mountain range in the hemisphere) and simultaneously regarded as a plague upon the land, despoiling a nation out of its natural white purity.

Don’t look too closely at everybody that isn’t white, particularly those that the land in question was stolen from, or those whose parents and grandparents were stolen from overseas to work the land. The country has a myth of manifest destiny to construct here.

And that’s really the core of Auntie Po — that myth belongs to anybody that’s trying to make sense of their circumstances, whether it’s in the service of oppressing everybody that doesn’t look like you, or in trying to find a little hope at the end of the day that somebody powerful might be in your corner. Nearly everybody in the story is trying to find that bit of footing, and even the white folks haven’t been around long enough for some to count them as real Americans¹.

So they make up stories — Paul Bunyan was revered by the northwoods loggers? Hao Mei, 13 and full of imagination and stories, knows that Po Pan Yin and her blue water buffalo Pei Pei were even bigger and better. Auntie Po doesn’t just stay with Mei; when need strikes, the other children in the camp — none of the Chinese — call on her and see her, really see her. And if this newer Auntie Po is Black rather than Chinese? Well, myths take on their own lives, adapted by the people that need them and make them their own. And that carries on past the children; by the end of the book the loggers in the bunkhouse argue whose crew cut more lumber — Paul Bunyan or Auntie Po.

Mei’s father, Hao Ah, doesn’t need Auntie Po because he knows who he is — the only cook that can keep the loggers satisfied², and twice the man of the white guy that tries to replace him. Mei learns who she is eventually, too — a girl with dreams of university and learning, and also the best pie maker for miles around — and so she lets Auntie Po go, but others take her up and make her their own. Hels Andersen insisted that the Haos were family to him, and over time he changes that from empty platitude to reality, and so a little of the myth of white supremacy crumbles, at least within one logging camp in one corner of the Sierra Nevada.

It takes a long time for myths to completely die, though — and those that don’t have anything else to rely on (whether that’s true or just what they tell themselves) can fan a myth back to life if even a spark of it remains. There’s not so many loggers out there that might call on Auntie Po, but there are echoes of her, in every burned paper memorial to a Chinese logger that fell at his work, every sealed bottle with a name and birthday inside to give proper identity to an unmarked grave.

She still lives on in whispered stories that Mei let out into the world, and instead of stories of Auntie Po, Mei gets to tell her own story, which is another form of myth. Folk heroes and gods, they say, exist as long as they have believers, and even if nobody believes in Mei but Mei, that’s a big, bright blaze of belief and she will bestride her world like Po Pan Yin towers over the tallest pines. Giant blue water buffalo optional.

The Legend Of Auntie Po by Shing Yin Khor is a deeply researched³, beautifully illustrated story of a difficult time and place. Any reader that’s willing to learn about/acknowledge the origins and legacy of white supremacy at a tween-age-appropriate level will find a lot to love and a lot to think about here. Find your copy at your local bookstore or comic shop.

Spam of the day:

We are interested in your products. If your company can handle a bulk supply of your products to Cameroon, please contact us.

I can bulk supply opinions on webcomics wherever you like, sport.

¹ Logging boss Hels Andersen isn’t more than a generation and a half from Scandinavia, and undoubtedly looked down on my the moneyed class that funds his operations. Hell, I guarantee you that Laura Ingalls Wilder’s saintly Ma looked down on the Andersens and other recent arrivals; if you don’t remember her snotty opinions of recent immigrants, maybe don’t give the Little House books to the kids in your life because yeesh, Laura, her Ma, and her daughter Rose were serious nativists and Pa Ingalls was the definition of a failson locust, gaming the system and displacing humans from their land and lauded for it.

² His schnitzel is legendary.

³ If admittedly incomplete; in the afterword, Khor acknowledges the lack of indigenous characters and recognizes that the story of their presence in the logging camps is a story that needs to be told, but not theirs to tell.

This Seems Like A Big Deal

Cutting straight to the press release, which is not something I’d normally do, but … well, you’ll see:

Los Angeles, CA (June 16, 2021) – Celebrated creator and Eisner-winning editor Jamie S. Rich is set to join the leading digital publisher of webcomics and novels, Tapas Media, Inc. as Editor in Chief beginning Monday, June 21. The former DC Comics editor will lead a diverse and talented team from both traditional comics and webcomics while overseeing content creation as Tapas continues to grow and focus on IP development. Rich brings a wealth of experience and knowledge of the sequential storytelling community and creator development to the fast-growing media company.

Cut out the PR-speak fluff and you’ve got something very important there: Jamie S Rich has been an editor for about forever, with stints at Dark Horse and Oni — I first became aware of him from Chynna Clugston’s¹ affectionate swipes at him adjacent to her Blue Monday pieces back in Oni Double Feature — and most recently at DC.

He edited at Vertigo when Vertigo was a thing, and had stints as the group editor of the Batman titles and later the Justice League titles. In terms of American comic books, those are about as big a set of properties to be shepherding as you can get.

Now, if you’ve followed the comics news, you may recall two things:

  1. Warners Media has been increasingly making noises that it doesn’t care about comics, and has been kicking DC back and forth between corporate divisions and masters. If you think there will be any more care about comics now that they are merging with Discovery, you’re wildly optimistic and also wrong. The DC line of comics are an IP source for what they consider bigger, more legitimate media.
  2. Tapas has recently been acquired for a cool half a billion-with-a-b dollars by an entertainment conglomerate/IP farm. They’ve got money to spare, and the difference between Kakao Entertainment Group’s relationship with Tapas and Warner Bros Discovery’s relationship with DC is that Kakao is run out of a country that values comics more than this one does.

So, still IP farm, but one that’s willing to find (and pay for) storied talent on the editorial side, in the form of a guy with deep roots in indie comics. My guess is instead of relying on nostalgia for a handful of aging properties in maintenance mode with almost nothing new², Tapas is going to be aggressively courting a lot of new ideas from small creators. Or, as Rich is quoted in the press release:

I look at all the fresh talent at Tapas and I see the comics that will mean something to today’s readers and inspire the next generation of talent. I’m looking forward to collaborating with the amazing team of editors we already have working here and building out a library of truly incredible material.

Will Kakao/Tapas drop the kind of money on a movie that after being a muddled mess get another US$70 million to recut it into a much longer, albeit different muddled mess? Nope. I don’t see that kind of concentrated effort in a single, big project.

But I do see them spending a fraction of that amount of money (which is still in the range of tens of millions of dollars) on dozens or hundreds of outstanding new comics, which could make a huge difference in the lives of dozens or hundreds of as-yet unknown creators, and good for those creators who may have entire careers as a result.

I wish them all the best, and remind them to read their entire contracts because enormous IP farms, whether they’re here or in South Korea, whether they’re spending money on your grandfather’s cape characters or something that could only be done today, are spending in the anticipation that what they pay will be much smaller than what they receive in return. Here’s hoping all those creators get better rewarded than Siegel, Shuster, Kirby, and entire generations of previous creators did.

And congrats to Rich, who saw an opportunity and took in, instead of waiting to see what the latest round of post-merger corporate bloodletting looks like.

Spam of the day:

Hey, I have a client in the cannabis space who is interested in doing a sponsored post on your website.

How many times do I have to tell these weed folks? You want Box Brown, but anybody with budget in the cannabis space is probably on his shit list for pushing corporate weed and undermining both giving control of the legalized industry to those formerly incarcerated, and homegrow. Good luck with that.

¹ She presently goes by Chynna Clugston Flores, but at the time her work was credited as Chyna Clugston-Major.

² What was the last really big new thing from DC? I’m going to suggest it’s likely Harley Quinn, and she debuted damn near thirty years ago.

Whee Doggies, That Was A Project

Sometimes this page posts about things that are slightly related to webcomics, or on occasion barely tangential to webcomics, and a handful of times completely unrelated to webcomics except by the barest thread. Guess which one we’re doing today?

This is the story of a chair. Specifically, the chair my butt is currently in as I type these words. After years of trying and failing to find a decent office chair for my home office, I eventually went out around 2008 or so and got a middle-tier gamer chair on account of you know who gets some pretty damn good chairs? Gamers.

Fast forward to nowish, and the foam on one of the armrests is disintegrating because it’s been used daily for a dozen years. I called up the company to see about replacements and the model of chair is long since discontinued, but the told me that they looked it up and a particular set of current armrests will fit. It’s US$70, but better that than getting a whole new chair that I don’t really need.

The new armrests don’t in fact fit. The mounting plate that joins the arm to the bottom of the chair has a screw hole in the wrong place, and my choices were return them and let the old rest fall apart, find a machine shop to drill a new hole in 3mm steel plate, or get to experimenting. I was able to detach both old and new arms from their respective mounting plate and the holes for swapping the plates were good so I could put the old plates (which will attach to the chair) on the new rests.

But the old plates won’t fit in a connecting slot on the new rests because there’s an entirely decorative raised section of steel on the plate.

Three hours, every tool I own, a run to the hardware store to get a tool I didn’t yet own¹ and about eight Dremel cut-off wheels later, I’d reshaped the old plate to the point it could slide in and attach to the new rest, got everything tightened and viola² it’s all working again and I can sit here and type to you about webcomics again. Because if you set a problem in front of an engineer that gives them a solution path involving a Dremel, you’d better believe they’re going to get to experimentin’.

Okay, fine, you get two tidbits of webcomics today:

Spam of the day:

CAREDOGBEST™ – Personalized Dog Harness. All sizes from XS to XXL. Easy ON/OFF in just 2 seconds. LIFETIME WARRANTY.

I have a harness for my dog, in fact. It’s got high-vis reflective tape sewn in, so she’s super visible from the porch when she’s taking her pre-bedtime dump in the yard.

¹ An Ikea-style hex wrench with a suitably large diameter. They only sell them in sets of ten but it’s only about six bucks and now I have another set of useful tools in the toolbox so that’s all right.

² The least favored instrument in the orchestra. Violists are the classical music equivalents of the garage band bass player, demoted from the instrument that actually gets groupies.

³ Not a euphemism.

A Couple Of Things You May Be Interested In

One of my favorite things to do is to match up readers with folks whose work might otherwise go unnoticed. I mean, sure, I loves me some Charles Christopher out of all proportion, but not all comics worth my attention (and yours!) come from Karl Kerschl¹. Let’s take a look at a couple of them.

  • Payton Francis does comics out of the Twin Cities; a big part of her work is fantasy, and the other big part of it is featuring as many adorable LGBT+ characters as possible. Help Wanted is a modern story, and Wola (Francis does art; words by EC Ibes) has plenty of modern signifiers (industrial shipping, folding aluminum chairs) but simultaneously a mythic set of trappings; they’ve both got a bunch of heart.

    Oh, and Wola is presently Kickstarting its first print collection, which has already surpassed goal and thus is a sure thing at this point. Come for the enticing art, stay for the friendshipping, as the first five chapters — more than 200 pages — get printed in full color for only US$25². And, once you read the book, you can pick up with Chapter Six, which started at the beginning of June. As of this writing the campaign runs for another 69 hours (nice), so hop on over and give it a look while you’ve got the chance.

  • I’m pretty sure that’s the first time we’ve mentioned Francis on this page — an oversight, surely, especially given her very assured and very varied character designs — but we’ve mentioned Eben Burgoon a buncha times. Although the wrapping up of Eben07 forever ago robbed this page of one of its favorite running gags, Burgoon has done bunches of stuff since then. Most recently, Tiny Wizards — 10cm tall magic dudes working in a remote truck stop’s food service. It’s been around for a couple of years and Kickstarted a collection, which is now available for all.

    Tiny Wizards #1 — Lord Of The Onion Rings is going to run you US$14, consists of 64 pages of full-page painting, and is very likely the first book ever to be mentioned on this page with a suggested age rating of — quoting here — 10 and under. Indulge your inner child and give it a look.

Spam of the day:


You think your DHL tracking number click here bullshit should featuring a bunch of my non-existent Disney+ subscription is suspended click here bullshit graphics? I think y’all might be a bit confused.

¹ To whom I profusely apologize, as I just realized that I have missed — by more than six months — the 10th anniversary of the greatest single comic strip in history: Squirrel-Chew.

² The amount of comics and the print quality you get for an extremely reasonably price is one of my favorite things about the current Golden Age of comics we’re living in.

A Good Start And A Narrow Escape

It’s a good news, bad news — or more precisely, bad but narrowly escaped much worse news — kind of day. Let’s start with the good news first.

  • The Abominable Charles Christopher Book 3 Kickstart is up, funded in less than an hour, and at the six hour mark is running more than 250%. It’s beautiful, it’s happening, and if there’s not a hardcover at the moment, if things go very well on the campaign¹, Karl Kerschl just might be able to swing it.

    Speaking for myself, I’d upgrade my sketch edition support tier (featuring three softcovers, original art in the latest) to a hardcover sketch edition to match my vol 1 and vol 2 in a heartbeat². We’ll look at predicted funding finish levels in the next day or so, but in the meantime, congratulations to Kerschl, it’s well-deserved; and congratulations to all of us who get to have such beautiful work on our shelves.

  • Okay, bad but coulda been much worse news: mere hours after taking an Eisner nomination for Banned Book Club, Ryan Estrada mentioned he was losing his day job and try to make a go of this cartooning thing as his sole form of income. Today, he gave us the details and it is not pretty.

    I’m going to quote this pretty much in its entirety because there is a lesson for everybody in the story:

    I have to leave my library gig because they asked everyone to sign a new contract that says
    -they can demand we stay after work to make new teaching materials for them
    -we have to use the images they demand (and I know they have little regard for copyright)

    Okay, that first point is bad, because fuck you, pay me, that’s why. The second point is worse, as it opens up Estrada and his colleagues to liability. It gets worse:

    -They’d have eternal, exclusive ownership of anything we make and can use it in any way we want
    -We’d accept unlimited and eternal legal and financial responsibility for damages caused by any copyright infringement in the things they demand we make them to use however they please

    I believe that third item should read any way they want, not we want, but the real horrorshow is the fourth. Under no circumstances should anybody, ever, accept legal responsibility for work that you are directed to produce by your employer. But maybe they just don’t realize what a bad ask this is?

    As it turns out, nope:

    I obviously could not sign that, so my employment will end.

    It was two little lines in an otherwise boring and ordinary contract, and after asking questions I learned it was not hypothetical and they intended to make use of it.

    Read your contracts carefully, kids.

    So like, they could say “stay until 9 and make us a powerpoint about Frozen” and then use it in the curriculum at dozens of for-profit schools across the country for years, then when Disney sues make me pay all the damages and legal fees.

    I had to explain to them today that we can’t even make materials using the images in our textbooks, by reverse image searching and finding out how their subsidiary paid for them on shutterstock.

    Too many fellow teachers signed without realizing how ruinous it could be. [emphasis mine]

    So yeah, being without a job is bad, but not reading the contract, not realizing the importance of those two lines, signing and ending up on the hook down the line? Disaster. And anybody what asks you to sign that contract and doesn’t take out those lines when you point out how you can be held responsible for illegal acts ordered by your superiors?

    Run as far and as fast as you can.

    Normally, this is where I’d put links to the store of the creator in question, but if you look up and down Estrada’s site, almost everything is marked Read It Free!, which is not going to help him come October. So here are books that Estrada has sufficient financial interest in³ that buying a copy of them might actually benefit him directly: Banned Book Club; Student Ambassador; Poorcraft: Wish You Were Here.

    He doesn’t have a way to directly send him money, so maybe just post a lot on social media about how much you like his work (pictures of purchases would be helpful), give his agents something to work with.

    And whatever else you do, read your contracts carefully, kids, and also thank Estrada for sharing this object lesson that you might not end up in the coulda been much worse category yourself.

Spam of the day:

Many have the misconception of Buddhism being a religion. Buddhism is really more of a way of life whch can wired our brains positively and see changes in a different light.

Not according to Zach Weinersmith, it’s not.

¹ Which they appear to be doing at the moment.

² My hardcovers of book 1 and book 2 featuring drawings of a panicky chipmunk and Moon Bear, respectively. Book 3? LUGA. Book 4? So many choices — deranged great horned owl and grandowlet? Andy the bumblebee? The domestic drama with the songbirds, the roleplaying critters, some of Sissi Skunk’s minions hawking Squirrel Chew? So. many. choices.

³ That is, he’s not one of many contributors in an anthology.

That’s A Lot Of Folks

It’s comics awards season again, and as yet unanswered questions regarding their security and disclosure obligations aside, there’s quite a lot to be excited about with respect to the Eisner nominations this year. The list is simply rife with current, former, and adjacent-to webcomics folks. Let’s dig in:

  • Best Single Issue is, to my mind, one of the big ones; it reflects a distillation of all the various crafts of comics into a relatively compact, standalone unit, and says that this is one of the best of the year. Ben Passmore, whose work is on the norms-challenging end of the spectrum, is nominated for Sports Is Hell
  • Best Continuing Series has two different Chip Zdarsky titles up for consideration: Daredevil, and Stillwater, the latter of which is a co-creation with Ramón Pérez. Yes, I do believe Kukuburi will return one day. I should also note that Stan Sakai is nominated for Usagi Yojimbo, which remains the epitome of a single creator’s vision across the decades and epitomizes the spirit of webcomics if not the distribution medium. It’s also one of those titles — like Octopus Pie, Giant Days, or The Unbeatable Squirrel Girl to name three — that just gets better every single issue (or story arc) and if you don’t read it you damn well should.
  • Best Publication For Early Readers (Up To Age 8) I wanted to note that RH Graphic, who launched under the worst possible circumstances last year, have garnered their first nomination for Donut Feed the Squirrels by Mika Song. They’ve got another a bit further down, and to see that level of quality right out of the gate? Honestly, I think it’s entirely in character for the team that Gina Gagliano put together. Welcome to the critical recognition tier, RH Graphic!
  • Best Publication For Kids (Ages 9-12) I really enjoyed Go With The Flow (Lily Williams and Karen Schneemann) and Snapdragon (Kat Leyh) — both from :01 Books, who are a perennial powerhouse in this category — but must also note how very, very much I loved Gene Luen Yang and Gurihiru’s Superman Smashes The Klan and damn if I wouldn’t be delighted if a book about an immigrant punching literal klansmen and Nazis in their stupid klansmen and Nazi faces didn’t take this one.

    Particularly in this time of Asian Americans being attacked to satisfy the petty hatreds of the small and vindictive. Put this book in the hands of every kid and adult that loves comics because gods damn Yang just gets Superman, and Gurihiru draws Lois Lane better than she’s ever been drawn before.

  • Best Publication For Teens (Ages 13-17) I thought that the second Check, Please! collection (the invaluable Ngozi Ukazu) maybe didn’t have to be set in an age-specific category and probably should be in one of the best book categories, but you know what? They’re kind of chaotic in their requirements, and designating this a teens title means more people will put a story of acceptance in the hands of young folk, so that’s all right.

    It’s going to be a tough decision for the voters, though, because Gene Yang is nominated again for Dragon Hoops, and it’s a spectacularly good book. Plus you have Displacement by Kiku Hughes and A Map To The Sun by Sloane Leong … all of which are from :01 Books. When you have four of the six nominees in a category, you’re doing something right.

  • Best Reality Based Work features Dragon Hoops again, and as the jury noted that there were a large number of memoirs in publication last year, they added a new category to contain them. Dragon Hoops could have gone there, but it was a genre-stretching work that played with the nature of comics and (auto-)biography, so probably just as well that they didn’t.

    But you know who did get nominated in the inaugural year of Best Graphic Memoir? Kim Hyun Sook, Ryan Estrada, and Ko Hyung-Ju for Banned Book Club, which I believe is the first nomination of completely original work for Iron Circus. It’s almost like Spike Trotman’s got a good eye for great stories.

  • Best Adaptation From Another Medium Yang takes his second nomination for Superman Smashes The Klan, as the story was originally told as a radio serial back in the 1940s. He’s joined by Ryan North and Albert Monteys for their adaptation of Kurt Vonnegut’s Slaughterhouse-Five which I still haven’t read because Diamond is still not filling new orders, even as it gets foreign language releases around the globe. Get it together, Diamond!
  • Best Writer includes another nod for Zdarsky for his work on Stillwater, as well as Matt Fraction for both the conclusion of Sex Criminals and Superman’s Pal Jimmy Olsen (which was wonderfully weird and funny).
  • Best Writer/Artist Remember that I said RH Graphic had another nomination this year? Trung Le Nguyen is here (for The Magic Fish ) alongside such prominent names as Junji Ito, Pascal Jousselin, Craig Thompson, Adrian Tomine, and Gene Luen Yang for Dragon Hoops. That’s five nominations for two books if I’ve got my sums right, which seems as dominant a performance as I can ever recall for one person at the Eisners in one year.
  • Best Cover Artist has a second nod for Ramón Pérez for Stillwater, which is nice.
  • Best Academic/Scholarly Work threw me a surprise, as it would be hard to find a book more in tune with the sensibilities of this page than Webcomics by Sean Kleefeld. Sean’s a really smart guy, and if I can ever get my hands on a copy — the academic titles don’t get anywhere near as wide a print run as the entertainment titles — I suspect I’m going to love it. We’ve been way overdue for a good scholarly look at webcomics, particularly since the first one was a) too early, and b) less scholarly and more anecdotal.
  • Best Digital Comic and Best Webcomic remain, as always, mysterious to me. It is worth noting that half of the nominations in the former are from Europe Comics and list translators in the credits; looking beyond North America is an encouraging trend and I hope it continues. In the latter, I’ll note that four of the six nominations are at aggregator sites (Webtoon Factory, Tapas, Webtoon) or Instagram.

    So I wanted to call out Alec Longstreth’s Isle Of Elsi and Steve Conley’s The Middle Age for maintaining the webcomics tradition of having your own damn website, if it’s just a domain that redirects elsewhere, because … well, lots of reasons. Mostly so that the work stands on its own rather than because an eyeballs-maximizing site chooses to elevate it, but also so that if things go wrong you can get your work the hell away from a bad partner and keep it running in a way you control. To me, that’s the central ethos of webomics.

Now then, after last year’s (still insufficiently explained) voting fiasco, there’s a new, two-step process: prospective voters¹ apply for ballot access at; those approved will receive an invitation to fill out their ballot by 30 June. Results will be announced online in conjunction with Comic-Con@Home 2021.

I do not have at this time reason to either trust or distrust the process, so my recommendation last year that voting was not secure does not hold for this year, but I suppose we’ll all find out together if they manage to screw the pooch again.

Spam of the day:

In fact, this oil is the reason Croatian women look 20 years younger than they actually are: And today, you can discover how to remove 18 years of wrinkles without spending a fortune.

That is … oddly specific. Are Croatian women generally so reputed?

¹ Defined as comics professionals: creators, publishers, retailers, and educator/academics or librarians focusing on comics.

What Are You Doing This Weekend?

In conjunction with this page’s longstanding contention that almost anything can be a webcomic¹ today we are not talking about words + pictures in the traditional sense, but about stories that lead to amusement and joy in this month of both Pride and re-emergence, in the multimedia sense. Which is to say, The Doubleclicks are throwing a concert.

Pride time, baby, and this time we’re prouder than ever!

Hi would you like to see a bunch of amazing LGBTQ+ people sing songs and have fun in one big show?

Great news, we are producing such a show on June 12. ROARING RAINBOW is a dream come true, a joyful day of queer pride, and a benefit show for excellent organizations who do valuable work for trans youth, all produced and hosted by the Doubleclicks. Please help us support trans kids at this big powerful giant show!

We have gathered the Internet’s favorite queer icons in one place for this banefit concert of epic proportions. Join the Doubleclicks, Rebecca Sugar (creator of Steven Universe), Sydnee McElroy, Rileigh and Teylor Smirl (Still Buffering), Crys Matthews, and SO MANY MORE for a joyful online concert to benefit trans youth.

Check out tickets, extremely cute hats, and so many fun things right now! [emphases original]

That via an email from Laser Malena-Webber, the non-cello half of the sibling duo that wears feelings and nerdery on their sleeves and reminds us that it is okay to be/have those things. Laser and (Doubleclicks cello half) Aubrey Turner are together in the same place at the same time for the first time since the Before Times, and godsdammit, if they’re gonna be this happy they’re gonna make sure you have the opportunity as well.

So starting at 5:00pm EDT this Saturday, 12 June, at your computer or other internet-enabled device, you’ll get to join in with a bunch of rad folks in support of Trans Families and the National Center For Transgender Equality. All are welcome². My guess is that if you’re reading this page, you’re already a fan of at least a couple of the folks on the bill.

Tickets start at US$5.00 for the concert, US$20 for the concert + aftershow + prize package raffle, and go up to US$100 for sponsorship credit, swag, better chances in the raffle, and the satisfaction of making good things happen for other people. Good things like upping the contributions to the beneficiaries, and also subsidizing some zero-cost tickets (by request) to folks that unfortunately find even five bucks a burden. For those unable to attend, there’s some pretty sweet merch on the RR page as well, just scroll down past the tickets.

Okay, thunderstorm’s about to roll in and the power is flickering a little, so let’s wrap it up here. Whether you make it to the show or not, try to spend Saturday afternoon/evening/morning/whenever it might be wherever you might be being a little extra joyful on behalf of those who surely could use some joy in their lives. And in the words of Laser, Rarrr.

Spam of the day: is King but social proof is Queen, and the lady rules the house!


That’s too nonsensical, spammers. What else you got for me today?

Padre, a real life Angel Whisperer, has been communicating with Angels since he was just a child.

Unless Padre has been communicating with Old Testament Final Fantasy Boss Monster-type angels, not interested. And if he has been, my condolences to Angel for being a gibbering wreck.

¹ To quote me, Homestar*Runner is a webcomic.

² I don’t want to speak for Aubrey, Laser, et. al., but I’m gonna take a guess that if any terves want to pony up the ticket price and mind their manners and not be complete dickbags about other people being trans in the world, you’ll get to enjoy the show as well.

I also am gonna take a guess that people inclined to tervishness find fun and joy experienced by and in supoprt of trans and gender non-conforming folks to be like kryptonite³ and so they won’t be around.

³ Or possibly like Oz witches find buckets of water. Choose your preferred metaphor, they’re all equivalent.

Well, Crapola

I apparently forgot to hit “Publish” on yesterday’s post. It was a brief item, and mildly time-sensitive so you know what? We’re just binning it and moving on. Proper post up later today.