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From The Saint-Malo Comics Festival, Part The Second Subpart The First

What’s better than transatlantic comics coverage? Nothing! Fleen Senior French Correspondent Pierre Lebeaupin continues his reportage from Saint-Malo, with the first part of Day Two coverage, with more to come.

Saint-Malo is not a big city; if you’ve never heard of it before, one of its claim to fame is that it was the home harbor for famed corsairs such as Robert Surcouf. And it is because the Falklands were often visited by sailors from there that in France we call them: les îles malouines (which is why the Argentinians call them the Malvinas).

But Quai des Bulles is big. They claim to be the second biggest French-Belgian comics festival, and I have no trouble believing them: just look at that program, list of expected creators, and exhibitors floor plan. And let me tell you, after a while the sheer number of people meant the ambiance under the tent was quite warm, even though it was cold outside.

There were not many webcartoonists present; for instance, this year Lapin had no booth. But this was more than compensated for by excellent programming which will be covered in the highlights.

  • Catching a glimpse of Maester, who came to sign for one hour even though he is still recovering from a stroke that left his left side paralyzed. Kudos, master.
  • A fairy tale (East Of The Sun And West Of The Moon, if my references are correct) performance with professional conductor and musician, with scenes drawn live by Obion.
  • A “conference” by “Prof” Bernstein and James on the art of the joke … which was itself silly, or at least ostensibly so: it is true that context and timing matter a lot for joke delivery for instance. It took place in the same auditorium (the amphitéatre Maupertuis in the Palais du Grand Large) as the Montaigne event from the previous day, and I must thank the designers of that auditorium for including a power outlet and a folding tablet for each seat, greatly facilitating this hack pseudojournalism activity. [Editor’s note: I didn’t make him say that, but it makes me very, very happy.]
  • A meetup with Marie Spénale set up by N. Masztaler on the matter of new publishing means [Editor’s note: transcription coming soon; the translation on this one is tricky]; in attendance was only a small cohort of about a dozen people where everyone could ask questions, and many did (your correspondent included). It ended up going over the planned hour for it by half an hour, though no one (least of all your correspondent) seemed to mind.
  • A memorial exhibition for Michel Plessix, local creator who created the poster image for this year’s festival before his untimely death in August of this year. While he had a varied career (as recounted by that exhibition), he was best know for his comics adaptation of Kenneth Grahame’s The Wind In The Willows (that is his representation of Toad that can be seen in the poster). The exhibition included, as customary, a number of tribute pieces (written or drawn) from many fellow comics creators and professionals.
  • Finally, a drawn concert with Volo (musical instruments) and Grégory Panaccione (drawing instruments).

We’ll continue with Day Two coverage tomorrow, as FSFCPL brings us the details on panel on new methods of publishing. Small audience discussions yield the best questions, but boy are they a pain to transcribe, much less translate. As always, we at Fleen are grateful for FSFCPL’s extensive efforts.

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