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Media, Oh My!

  • As hinted at yesterday, word came down that the Faith Erin Hicks-penned Nameless City trilogy of graphic novels (the second of which, The Stone Heart, released yesterday) from :01 Books, is going to be an animated miniseries. From io9:

    [E]ach book in the fantastical trilogy — which focuses on the adventures of Rat and Kai in the titular city, nameless for the fact it keeps getting invaded and renamed by different warring nations all the time —- split into four-episode adaptations. While there are no other details about the series just yet (like, where it’ll eventually air), Frederator Studios plans to release the first four episodes in the fall of 2018.

    For reference, Frederator are the folks behind Adventure Time, Bee and Puppycat, Bravest Warriors, and other cool things. While it’s true that their existing shows have had a somewhat simplistic design aesthetic, and The Nameless City is visually rich and complex (think Legend of Korra complex), they’ve built up enough animation talent and goodwill that I think they’ll do right by it.

    The animation part is great news, as it will allow for complexity to be rendered economially;it would probably be near-impossible to create a multiple-Asian-inspired-cultures visual palette (the background architecture, clothing styles, and visual details in TNC are full of competing artistic traditions stretching back generations) in the real world.

    It also gets away from what would be an enormous potential for whitewashing in casting. Congratulations to Hicks, colorist Jordie Bellaire, and everybody at :01 Books. I’ll be waiting the next 18 months with bated breath.

  • Not that live-action is always the wrong choice. Care to comment on the uses of live action to convey kick-butt young heroic women, noted comic writer Ryan North?

    SQUIRREL GIRL TV SHOWWWWWWWWWW

    Okay, to be clear, we aren’t going to open TV Guide and find a listing for Squirrel Girl; the show will actually concern itself with Marvel second-stringers New Warriors, who are younger heroes that mostly you haven’t heard of. Needing some star power to anchor the show, Marvel’s naturally turned to Doreen Green and Tippy-Toe (and please include Nancy, Mew, Chipmunk Hunk, and Koi Boi), despite her not being a member of the New Warriors in comics.

    Doesn’t matter! We’re gonna get Squirrel Girl defeating bad guys with empathy, cleverness, and awesome punching when empathy and plans fail to work. It looks like the show will feature a comedic take (and please include Squirrel Girl’s theme song), will debut sometime in 2018 (and please include little asides to represent North’s alt-text from the comics pages), will run on Freeform (the basic cable channel formerly known as ABC Family, and please find a way to include the Kra-Van, and the Deadpool cards, and Squirrel Girl’s Twitter habit, and Gigantos, and beating up Galactus on the friggin’ moon), so now’s the time to call your cable company and make sure you get it.

  • But Gary, I hear you cry, what if I don’t want to wait until 2018 for cool comics stuff in media? Well then, Bunky, you’re gonna want to fire up your podcatcher of choice and check out the latest from NPR’s Code Switch, titled Changing Colors in Comics [no direct link to the show; it’s dated 5 April 2017].

    The culture podcast takes the societal conversation about race as its ongoing topic, and this week they’re talking to Ron Wimberly (I’ll remember his visual essay on skin tones in Marvel characters forever), the Amalgam Comics & Coffeehouse in Philadelphia (the first comic shop on the east coast owned by a black woman, it mixes comics and cultural conversation), and some crazy dreamer turned ass-kicker/name-taker out of Chicago named Spike who’s building a comics-publishing empire.

    It’s a hell of a good show and while I know not enough about Wimberly’s work, and have never been to Amalgam, I am pretty familiar with Spike’s career path over the last decade or so.

    She’s broken down the resistance and denigration she got for her attempts at making a business more than once in various public fora, and make no mistake: some of the contempt was because she’s young, some because she’s working in webcomics instead of real comics, and a great big ol’ heaping helping because she’s a woman, black, and a black woman who just doesn’t know her place.

    Listen. Learn. If you ever said to yourself she’d never succeed, and especially if you ever thought she didn’t deserve to succeed, it’s still not to late to smarten up and approach the future with less fear.

    Welllll, not too late for some of her critics. Bunch of ’em were old white dudes back when, are even older now, and are going to die knowing the world left ’em behind. The rest of us can decide that the world changing for the better doesn’t mean we’re suddenly put upon.


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