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Cue Theme Music

Friend o’ Fleen Rick Marshall did a set of live, on-camera interviews at Long Beach Comic and Horror Con earlier this month the first of which is now available for your viewing pleasure. Be sure to turn your speakers UP, as the little percussion sting at start takes on a Lalo Schifrinesque character when given sufficient volume. Don’t wuss out with little speakers on your laptop, either — give that sucker some bass.

  • We’re a little more than two weeks into this year’s Child’s Play holiday campaign which makes it a good time to note that the current take is north of half a million dollars, which if the current giving rate can be maintained will produce a total normally only seen attached to things like Homestuck Kickstarters.

    Though unlike Kickstarters, which see a huge front-loaded effort that then drops off (maybe regaining momentum at the end of the campaign), Child’s Play tends to see week-on-week increases through at least the first half of the campaign, typically peaking around the phenomenally well-funded charity dinner/auction (which this year will be on Thursday, 6 December in Bellevue, WA). Recall that Child’s Play has an unbroken streak (even through the economic meltdown) of increasing totals year-to-year, which means another US$3million need to be raised to keep the tradition alive.

  • Speaking of Child’s Play, there’s an entire calendar of events covering the next few weeks, meaning that nearly everybody has a chance to do something that’s simultaneously fund and beneficial and maybe even local. Case in point: my favorite recurring event is Ümloud!, because you really can’t have too many umlauts in your life.

    Having long since grown beyond its conception as some people playing Rock Band in a bar, this year’s Ümloud! will stream the Rock Band fun over the internet, so everybody can enjoy it. Everybody that’s not at the charity auction in Bellevue, that is, as it’s also on 6 December. If you’re catching the fun from home, maybe check out the participating hospital map¹ and find a local beneficiary that you could toss a few bucks? Just sayin’.

  • Interesting: a Top 100 Most Important People List (such as you would find this time of year), this time referring to movers and/or shakers in the comics industry. Unsurprisingly, it’s reportedly overwhelmingly male² with the first woman not showing up until slot #29 (Diane Nelson, head of DC Entertainment).

    In fact, all but one of the women are outside the creative end of comics, the one outlier, the single woman deemed important from a creative standpoint being Kate Beaton. While I have to object that no other female creators are worthy of recognition, it’s hard to argue with the influence Beaton’s had, particularly given the very wide swath of attention that she’s earned both inside and outside comics for the past year and a half or so.

    But seriously, no Amanda Conner? Fiona Staples is redefining how beautiful comic art can be with her work on Saga, Carla Speed McNeil is breaking the boundaries of SF work with Finder, Colleen Doran’s Gone to Amerikay has been received with universal acclaim, and Spike Trotman released Poorcraft to fill a niche that nobody else even recognized. Raina Telgemeier continues a multi-year domination of the YA market, and Hope Larson and Meredith Gran are hauling new/young/female readers into comics hand over fist.

    Granted, the list is reportedly focused on who has power within the industry, but if you don’t have comics that people want to read, you don’t have an industry. If you can’t see how these women (and I could name plenty more) are influential on comics today, and especially to keeping comics alive as a vital industry for the coming decades, you’ve got some research to do.

¹ Which initially centers on North America, yes, but which is scrollable for reasons. Drag ‘er around to other hemispheres, see what you can find!

² On account of the whole thing won’t be revealed until tomorrow, in the inaugural issue of a print companion to the Bleeding Cool website.

“If you can’t see how these women (and I could name plenty more) are influential on comics today, and especially to keeping comics alive as a vital industry for the coming decades, you’ve got some research to do.”


Why do I have a feeling if you were able to wait until you had the actual list in your hands before being exposed to opinions and leaks, the lack of women would take second fiddle to the second-class status of creators in your assessment of it?

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