The webcomics blog about webcomics

Ah, Wednesday, You Kill Me Sometimes

Eight years? Yep. Little Gamers isn’t so little anymore.

  • Will somebody please give Brian Warmoth, Friend of Webcomics, a break?

    CBR News has confirmed that Devil’s Due Publishing, the home of Tim Seeley’s “Hack/Slash” and Milo Ventimiglia’s “Rest,” among other titles, laid off two employees today: editor Cody DeMatteis and Marketing Manager Brian Warmoth.

    Warmoth, you will recall, fled Wizard online (no link because they piss me off) scarce 11 months ago, and like fellow FoW Rick Marshall, has been both searching for and deserving of a permanent, long-term position in comics. If you know of any such, drop us a line and we’ll see that he gets it.

  • Is it just me, or is Project Wonderful (even in these dread economic times) expanding its pool of advertisers? From the beginning, the users of PW (both those placing ads and those providing space) have been almost exclusively associated with [web]comics. As a result, there is a certain amount of monetary recycling within our semi-dysfunctional humble li’l community but relatively little cash brought in from “outside”.

    But of late, we seem to have been more broadly discovered by those wishing to vend to the sort that would frequent comicdom — for example, Sore Thumbs presently is seen as a good venue to advertise naughty ladies that want to meet you. Hey, as long as webcomics is getting paid, I have no problem with this.

  • Finally: horrotacular photowork from Paul Taylor — a model, a camera, and bingo! His demon characters spring to creepifying life. Yikes.

Three Kinds Of Heat

Kind The First: KC Green has been fired from his webcomic. That’ll teach him engage in vaguely autobiographical journal-style ventures! In the meantime, other creators are now chronicling Green’s life for him.

Kind The Second: The catgirl bloodbath continues at Something*Positive, with desperate survivors crying out for a savior. And lo, into this hour of despair stepped a man burning with the righteous power and fury of a thousand suns to save them in their hour of need. Ladies and gentlemen, TV’s Wil Wheaton continues his unbroken string of [web]comics badassery.

Kind The Third: I’ve mentioned my buddy Brett previously; our obsessive tendencies run in parallel directions, but there are some places where we’re never going to agree. Case in point — molecular gastronomy. He’s in favor of it, I find it offends me on an almost lizard-brain, instinctual basis.

I think it’s partly because the mad scientists that engage in dehydrating, rehydrating, inflating, foaming, and other-ing what used to be be perfectly respectable food remind me of the 1950s-era industrial boffins that gave us the vast pile of excessively-processed “food product” that we’re only now beginning to crawl out from under.

Partly it’s because while I am by no means a chef (or even qualified as a line cook), it remains a fact that had I the time to practice my craft and access to the correct ingredients, a dish of surpassing deliciousness would be within my powers. Indeed, I bake more than 50 iterations of italian flatbreads, french breads, sourdoughs, and other various rustica each year, and I’m as a result slowly getting better; by the time I die, people may say, Sure gonna miss Gary’s bread. I do not require a laboratory and millions of dollars of chemical apparatus to ply that craft.

But mostly, I think it’s because the incredible precision required to topologically alter something like (say) an acorn squash into something like (say) a balloon containing vaporized essence of burdock is to my way of thinking, the antithesis of cooking. Cooking is not precise — every squash is a little different, every day the humidity is a little higer or lower, every burdock root a little more or less burdocky. Even baking — which is much closer to science than cooking — is fundamentally imprecise … exactly what are those little bastard yeasts going to do this time that they didn’t last time?

Only by getting your hands on the ingredients and by use of all your skills and senses can things be made consistent, but MolGas depends on tolerances so tight, in conditions that resemble a Class 1 clean room more than a kitchen, the results might be called identical from day to day. You lose out on the natural variations that are the very hallmark of food, and you do so with tools like constant temperature control equipment (click on the picture for PolyScience). In my world, you don’t prepare food with “constant temperature control equipment” … you start by learning to control fire.

This is the gulf that mere friendship cannot bridge.

None of which is to say that the comic in Lucy Knisley‘s LJ that Brett pointed me towards, which recounts her visit to Alinea, one of the defining outposts of molecular gastronomy, doesn’t make the meal sound amazingly delicious. The flavor combinations have my imagination singing, and I wish I could sample them myself (even though the meal would be produced by insane cyborgs).

Heck, I’ll even break out my red robot socks for that meal.

Extra Update Because I Love You People

Although to be fair, I love Dylan Meconis and Erika Moen more. I mean, they do awesome comics like Family Man, Bite Me, and DAR, while you’re the sort that hangs around reading my stuff which quite frankly brings your taste into question.

Anyways. Dylan and Erika are doing a live broadcast later today, and will be answering questions from readers. I’m on EMT duty tonight and can’t participate, so y’all need to step up and make sure it’s the best livecast ever (what I said about your taste above? That was totally about the guy three IPs down from you).

The fun kicks off at 7:30pm Pacific Standard Time (GMT-8), at The Erika Moen Show (brought to you by Ustream), and will run for an hour or so.

On Hosting, With Your Host, Kris Straub

You may have heard about hosting difficulties that beset webcomics and and around Thanksgiving. Meredith Gran found herself cut off at the knees and having to shift sites on pretty much zero notice (not the first time this has happened to her, if memory serves — curse her ever-increasing readership!).

Then the PvP forums (hosted by Kris Straub under the umbrella of the Halfpixel hosting) found themselves on the chopping block for the crime of consuming too many CPU cycles (and secondarily, containing too exemplars of John Gabriel’s Greater Internet Fuckwad Theory), with some discussions migrating to other fora, and others finding their own home.

It’s never pretty when these kinds of crises require a site owner/creator to scramble to find alternate solutions, so Straub has a handy primer on getting ahead of the CPU curve over at Webcomics.com. Go check out his mailsack for all the dirt. Short form — you may not be consuming excess resources now, but you will someday. Best get yourself optimized while you have the time to do so all leisurely-like.

In other news:

  • A little late on my part, but the webcomicker cameo meme continued at Weregeek for the strip’s second anniversary.
  • Now here’s how you promote a book: Ray Friesen has a mess o’ cartoons up at Don’t Eat Any Bugs. He also has a book, Cupcakes of DOOM! (which, I’m reliably told, features sword fights aplenty, parrots, penguins, sea serpents, a treasure hunt or two, and all sorts of other piratey shenanigans), coming Real Soon Now:

    I’m running a special promotion where the first 50 preorders get a free page of original art from the book, suitable for framing or accidentally dropping behind the couch.

    I’m hoping that Friesen isn’t under-valuing his originals, but if you take a look at his work and decide you like it, it’s hard to beat that opportunity right there. I’m wondering how I can convince some of my favorite creators to replicate this tactic. In any event, check out CoD!‘s first chapter and decide if $12.95 + S&H is too much to ask for original art pages (answer: “No.”).

  • Reminder: The Guest Strip Project has simultaneously:
    1. Hit 100 strips
    2. Started the December Donationathon — 31 strips in 31 days
    3. Put the Kid’s Book Project on special for only £4, with all money going straight towards the Make-A-Wish Foundation

    As always, the call for guest strips is open, and coordinator Mike Rouse-Deane would be happy to slot you in for one of the remaining days in the year-long project.