The webcomics blog about webcomics

SDCC 2016 Programming, Part Two

Saturday, oh Saturday, the day where hopes go to die in San Diego. Sunday, the day where the light at the end of the tunnel is visible, except for those that have to wait to bring their cars around to the docks for load-out. Before we get to those, let’s make a quick visit to a pair of Fridays.

First, last Friday, C Spike Trotman¹ announced her latest forthcoming publication, this Sarah W Searle is bringing her Sparks from serialization at Filthy Figments {NSFW, depending on your W]. Second, this coming Friday, when Kel McDonald finds out if the second and final Sorcery 101 omnibus funds or not. I’m kind of astonished how many established creators are having trouble making funding on their Kickstarts, and McDonald’s sitting on a projected 97% final funding, so this is literally make or break time.

Okay, onward and conward, and as always, let us know what we overlooked.


Saturday Programming

Once Upon A Time: Teaching Fables, Fairy Tales, And Myths With Comics And Graphic Novels
10:00am — 11:00am, Shiley Special Events, San Diego Central Library

The aforementioned Ms McDonald will be talking about fantastical tales for a library-centric crowd, along with Chris Duffy, Alexis Fajardo, Ben Hatke, and Trina Robbins, with moderator Tracy Edmunds, MA Ed.

Spotlight On Kate Beaton
10:30am — 12:00pm, Room 5AB

This will be my first chance to tell Kate Beaton in person how much my niece loves The Princess And The Pony. Hint: a lot.

Comic Book Law School 303: New Revelations
10:30pm — 12:00pm, 30CDE

Part three, which bee-tee-dubs is qualified for continuing education credits for lawyers. This one’s on complex issues of copyright and trademark.

Spotlight On William Gibson
11:30pm — 12:30pm, Room 24ABC

Appropriate, since we seem to be living in one of his cyberpunk dystopias at the moment.

Spotlight On Jeff Smith
12:30pm — 1:30pm, Room 8

Jeff Smith is the opposite of a dystopia. Let’s all go and have some fun and ignore stupid, stupid [fill in horrible person type here]s.

The Kids Comics Revolution
1:00pm — 2:00pm, Room 29AB

Best panel ever? Emily Carroll, John Patrick Green, Noelle Stevenson, G. Willow Wilson, and Gene Luen Yang.

Spotlight On Noelle Stevenson
4:00pm — 5:00pm, Room 23ABC

Because she’s a shark, AAAAHHH.

Buckaroo Banzai: Getting The Band Back Together
5:30pm — 6:30pm, Room 8

Holy crap: Perfect Tommy, Pinky Caruthers, Scooter Lindley, and Rugsucker will be on stage together.


Sunday Programming

Historical Comics
1:00pm — 2:00pm, Room 28DE

Kate Beaton, Chester Brown, and Derf Backderf in conversation with Calvin Reid. Hopefully to contain Nemeses.

YA? Why Not? The Importance Of Teen And Young Adult Comics
1:00pm — 2:0pam, Room 24ABC

Going to be tough to decide where to be this hour — Kate down the hall, Hope Larson, Raina Telgemeier, Cecil Castellucci, and Brenden Fletcher over here at the same time.

Spotlight On Emily Carroll
2:00pm — 3:00pm, Room 4

It’ll be the spooktaculariest room all weekend for an hour.

Kickstarter Secrets Revealed
3:00pm — 4:00pm, Room 4

At last, they finally admitted that if you’re gonna do a how-to on Kickstarter, you got to get goddammned George Rohac there. Also the afivementioned Kel McDonald, Hope Nicholson, and Kickstarter’s comics outreach lead, Jamie Turner.

Markiplier Comics & More: Keenspot/Red Giant 2016
4:00pm — 5:00pm, Room 7AB

The annual Keenspot panel, pretty much closing out the programming for the year.


Spam of the day:

Make $7,682/month from home

a. That’s a supiciously specific number. b. Who’s to say that I don’t already?

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¹ C Spike Trotman. Trotman, Spike, Trotman!

No? Fine.

Attention, Dudes

And we’ll get to those things, but before we talk about the other items — before you’re allowed to scroll down, and no cheating because I’ll know — all dudes¹ are required to follow this link and read what’s there. No commenting on this topic is allowed, dudes; if you feel an overwhelming compulsion to say something, let it be some variation on Thank you, Julia Wertz, I think I understand better now. Because goddammit, there is way too much garbage person behavior going around and we all need to do better.
NB: Wertz’s site has been getting hammered, so if you can’t get through, try Tumblr.

  • It’s becoming an annual tradition with me that I see the inimitable Scott C at New York Comic Con and buy his latest book; this year will be no exception as the new Great Showdowns collection released today. Pick one up from Mr C in Artists Alley (table N5) if you’re going to be at NYCC, or from your nearest purveyor of quality amusements if not.
  • Speaking of comics in print (and also e-publishing), Jim Zub² is back with the latest of his self-evaluations of the world of the creator-owned comics bid’ness, this time with an analysis of the sales of Wayward (presently between story arcs) to date. I really like the discussion of how Wayward is doing in trade sales, as Zub gave me the short version when we spoke at TopatoCon:

    Image showed a lot of faith in Wayward and printed enough copies of trade paperback #1 for two years. We sold half of the inventory in the first five months.

    He also notes how the recent conclusion of Skullkickers brings a new dimension to future sales analyses — how an entirely finished series continues, or tails off, or becomes backlisted. Nobody works harder to put out amazingly good comics than Zub, and nobody thinks more about how to do all aspects of the business better. Keep an eye on future installments of his tutorials, they are beyond value and he’s giving them away for free.

  • Speaking of comics in e-publishing, Meredith Gran worked her tail off in the weeks leading up to her own wedding to put together a new mini comic, and now that she has the opportunity to breathe again, it’s up on Gumroad. Backstory! Hanna! Character development! Only five bucks! Go get it!
  • Still with the comics, Steve Troop decided to embrace the madness of 24 Hour Comics (which you can read now, or on the Melonpool site from Saturday), and Randy Milholland has decided to jump into the Patreon pool with both feet. You can find him on the Patreon site as choochoobear (naturally), and he has gathered a modest (but generous) following in the hours since.
  • Finally, one may note that today is the birthday of Ananth Hirsh — storyteller, fashion icon, gentleman about town — and known kingmaker George Rohac is already angling to make this a more Ananthariffic world:

    It is @ananthymous’s birthday, which means he is one year closer to his ultimate run for presidency.

    I, for one, welcome his inevitable cruel (but fair) tyranny.


Spam of the day:

Get Bigger Breasts without Surgery! $15 Off

Well done, spammers, determining that I was well and truly sick of offers to buy boner pills. However, I don’t really think I need bigger, firmer breasts, with or without surgery, so … yeah.

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¹ Sadly, there is no need for ladies to do so, as they already know everything there.

² Never play against this man in We Didn’t Playtest This At All, it’ll end in tears. For that matter, don’t play him at Skull either, as he will attempt to set up residence inside your brain and likely succeed.

SDCC 2015 Panel Preview

Okay! This is a bit late, seeing as how SDCC 2015 preview night¹ is a week from tomorrow and all, but the whole unable to sit upright thing yesterday put a crimp in our posting plans. Mea culpa, and let’s do this. As usual, this is a list of programs and panels in/around SDCC that I think will be of interest to the readers of this page.


Special Program For Those In Town Early

An Evening With Raina Telgemeier
TUESDAY 6:00pm — 7:00pm, San Diego Central Library

The appeal of this panel should be self-evident.


Each Day Starting Thursday

The Cartoon Art Museum will be holding its annual Sketch-a-Thon at booth #1930, with top-flight creative talent putting in one hour shifts and sketching for a suggested US$10 donation. See the booth for daily schedules.


Thursday Programming

Comic Book Law School 101: Woulda, Coulda, Shoulda
10:30am — 12:00pm, 30CDE

The first of three sessions on making creators sound less like they don’t know what the hell they’re talking about re: matters of law, copyright, and so forth. Go to all of them.

Breaking into Comics Right Now
12:00pm — 1:00pm, Room 28DE

Go for the very clever people on this panel — Charlie Chu of Oni, Gina Gagliano of :01 Books, Matt Gagnon of BOOM! Studios, Ed Brisson, Sam Humpries, and Jim Zub in the moderator’s chair.

Comics for Impact: STEM Education
12:00pm — 1:00pm, Shiley Special Events, San Diego Central Library

I’m of two minds about this one; on the one hand it’s got Jorge Cham (PhD) and others from the world of academia, but on the other it lacks Dante Shepherd/Lucas Landsherr, who is as we speak working off a grant to produce comics for STEM education. It’s also got Alan Gershenfeld of E-Line Media, who are the people that bought out all of Joey Manley’s sites/expertise and then never did anything with them in the webcomics sphere again. I suspect it will be about 85% really good and about 15% faintly infuriating.

First Second: What’s in a Page?
1:30pm — 2:30pm, Room 4

:01 honcho Mark Siegel talking with :01 authors Scott McCloud, Gene Luen Yang, Rafael Rosado, and Aron Steinke. Not optional.

Sergio & Mark Show
3:30pm — 4:30pm, Room 8

Year after year I recommend this, and year after year do you go? Why you gotta make me feel neglected here? Sergio and Mark are comics’ great storytellers (that is, telling stories about comics and those that make comics, occasionally in the form of comics).

Comic-Con How-To: Art Theft Law: Prevention, Protection Prosecution
4:30pm — 6:00pm, Room 2

Sad to say, this is an important one. Learn how to make art thieves cry.

Comics Journalism: It’s About Ethics in Comics Journalism
6:30pm — 7:30pm, Room 24ABC

Guh, I hate that title, but Heidi Mac’s on the panel and she’s always good.

Artists as Brand: Rise of the Artist Entrepreneur
7:30pm — 8:30pm, Room 8

Oddly, there are no webcomics types on this panel — Spike anybody? Brad Guigar (who teaches a class on this)? David Malki !? — but I’d be interested in hearing what they’ve got to say.

Webcomics Advocates and the Webcomics Gathering
8:30pm — 9:30pm, Room 4

Key point: the hosts will, quote, will give any webcomic creators in the audience 30 seconds to promote their comic to the crowd, end quote.


Friday Programming

Spotlight on Scott McCloud
10:00am — 11:00am, Room 9

I’m trusting that it’s only the earliness of the hour that put this panel in one of the modest-sized rooms. Last year McCloud interviewed Gene Luen Yang for his spotlight; this year Yang returns the favor.

Comic Book Law School 202: Selling the Sizzle
10:30am — 12:00pm, Room 30CDE

Marketing, licenses, transfers of rights, and everything you need to know so that somebody else doesn’t end up owning your house.

Cartoon Network: Adventure Time and Steven Universe
11:00am – 12:00pm, Indigo Ballroom, Hilton San Diego Bayfront

Start lining up now; the Indigo Ballroom is the new Hall H. Ian Jones-Quartey and Rebecca Sugar will be there (hi, guys!), along with Estelle (Garnet is the best), Zach Callison (Steven), Jeremy Shada (Finn), John DiMaggio (Jake), Olivia Olson (Marceline), and Adam Muto (co-executive producer for AT). Too short a time for so much awesome.

Scott C and The Great Showdowns: Super Happy Hollywood
2:00pm — 3:00pm, Room 29AB

I understand that Mr C will have a limited supply of the third Great Showdowns collection with him in San Diego.

Spotlight on Katie Cook
3:00pm — 4:00pm, Room 32AB

Gonna just quote from the description because it pretty much says everything you need to know: Katie will be doing a rapid-fire Q&A with the audience while taking audience suggestions for drawings that she’ll be doing live on stage. Be on hand for what promises to be a fun hour of discussion, drawing, cats, and Katie!

How to Crowdfund
3:00pm — 4:30pm, Room 2

Every year they have some variation on this panel, and every year they neglect to invite George Rohac, Spike, anybody from Breadpig, Make That Thing, or any of the post-crowdfunding info services like AFter The Crowd or BackerKit. Get smarter, panel committee!

Spotlight on Jillian Tamaki and Mariko Tamaki
4:00pm — 5:00pm, Room 29AB

It’s been a heck of a year for the Tamaki cousins, and it ain’t over yet.

In Your Own Time: Webcomics on Your Own Schedule
5:00pm — 6:00pm, Room 29AB

Longtime comics pro-gone-webcomicker Mark Waid, webcomickers turned dead-tree-bestsellers Allie Brosh, Matt Inman, and Lora Innes. I really wish I could see this one.

Orphan Black: BBC America Official Panel
5:45pm — 6:45pm, Room 6BCF

I am mentioning this so that Rich Stevens knows where to send a case of his cleverest t-shirt.


Saturday Programming

Comic Book Law School 303: And Another Thing
10:30am — 12:00pm, Room 30CDE

Advanced topics; if you want to argue fair use or parody without being completely wrong, you need this session. To make use of this session, you really should have attended the previous sessions.

Working Together: Writers and Artists
11:00am — 12:00pm, Room 28DE

Yeah, it’s still early on post-Eisners Saturday morning, but look at the panelists: the Tamakis, Kelly Sue Deconnick & Steve Lieber, Asaf Hauka & Boaz Lavie (of :01’s The Divine), moderated by Andrew Farago. Listen to everything they say and do things they way they say it.

Spotlight on Allie Brosh
1:30pm — 2:30pm, Room 24ABC

In conversation with Felicia Day, with a focus on Brosh’s next book (Solutions & Other Problems, coming in October and hopefully including her dogs).

Camp Out with Lumberjanes!
2015 3:30pm — 4:30pm, Room 8

Oh man, I love Lumberjanes, you guys.

HBO Presents the Comic-Con International Masquerade
8:30pm — 11:30pm, Ballroom 20 (ticketed) with overflow in Room 5AB, Room 6, and the Sails Pavilion

Hosted, as always, by Phil & Kaja Foglio.


Sunday Programming

Spotlight on Jeff Smith
11:00am — 12:00pm, Room 4

Jeff Smith is the best. Tell him I said hi.

Spotlight on Matthew Inman
12:00pm — 1:00pm, Room 28DE

Cats, dogs, a goddamned Tesla museum, and very likely Exploding Kittens, seeing as how the game should be shipping while SDCC is going on.

Spotlight on Raina Telgemeier
1:45pm — 2:45pm, Room 5AB

Raina Telgemeier is practically a publishing category of her own; she’ll be talking to Jenni Holm of Babymouse about career, her influence on building up an entire new generation of comics readers, and hopefully a sneak preview of her next book.

Chip Zdarsky: A Life
3:00pm — 4:00pm, Room 7AB

Dear glob I wish I could see this. Brimp on, Chip!

Markiplier and Red Giant Celebrate Keenspot’s 15th Anniversary
3:00pm — 4:00pm, Room 4

Keenspot will not have a panel at SDCC about the time that the sun goes cold.

Whew! That’s quite a lot! As always, please let me know if I missed anything.


Spam of the day:

H?ow d?o you d?o ass punisher

Gotta say, that’s the first time I’ve ever been called ass punisher. I’m a little disturbed by it.

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¹ Which I will not be attending, as they still haven’t told me if my press credentials were approved or not. Given the invites I keep getting for things like accredited-press-only interview pools, I’m guessing they were approved but that’s only a guess.

And not to throw shade or anything, but I applied online for press access to NYCC on Saturday and got approval yesterday, a full three weeks before the promised response date. Point: ReedPOP.

Squirrels, Man. Friggin’ Squirrels

Let’s find some things to talk about that don’t involve the little fluff-tailed bastards.

  • Apropos of it always being a good time to keep an eye on the current goings-on around George, this note from George Rohac:

    Huh, wasn’t even paying attention – Crowdfunding Projects I’ve advised or worked on cracked 10,000,000 cumulative total.

    That would be ten million dollars, in case it wasn’t clear … United States cash money dollars. Perhaps more impressively, George has shepherded (by my count) some 30 projects to successful completion, as he is a man who brooks no nonsense, a man before whom logistical roadblocks evaporate, a man who considers reward fulfillment at the promised to time to late, and reward fulfillment a month prior to promised time to be on time. I would very much like to see George and Spike combine their powers to produce a Kickstarter guide that incorporates wisdom from the both of them¹.

  • Apropos of the fact that art thieves suck, Gemma Correll reports that multiple retailers have nothing better to do than steal her designs. This is a repeating story, one I can’t even run every time it crops us because it crops up so damn frequently, but this is the first time I’ve noticed Correll getting hosed and I am more than willing to call out the likes of Yes Style [no link, they suck] and Light In The Box [ditto]. Actually, no, let me provide one link for each of them: Yes Style’s CEO can be reached here, and Light In The Box’s investor relations officer² can be reached here. Be polite, but make your irritation known.
  • Apropos of the fact that his Wonderful Wizard of Oz adaptation is on the verge of shipping³, news of the start of Evan Dahm’s next classic illustration project starting imminently:

    Moby-Dick illustrations start on April 1 http://mobydickillustrated.tumblr.com/

    I kind of want Dahm to become a one-man, latter-day Classics Illustrated shop. I want a shelf full of handsome hardcovers of the greats of literature, with the exception that if he decides to illustrate The Great Gatsby I will opt out because I hate, hate, hate that book.


Spam of the day:

A Newly Released NASA Study Details Exactly How to Kill from All Types of Diabetes

I suspect that you do not know what NASA does, or hope that I do not. Either way, screw you.

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¹ Then again, I don’t want George to lose his powers by sharing them too widely. There’s a fine balance to be followed here.

² Because I can’t find another way to contact them unless you have an order number, the cowards.

³ Not due until May 2015; cf: George, above.

I Knew There Was A Reason To Write Late Today

San Diego Comic Con programming started to drop today, with Thursday’s slate now available for your perusal. As usual, I’m listing out things that caught my eye; your mileage may vary.

Thursday Programming
Graphic Novel Programming at Your Library
10:00am — 11:00am, Room 23ABC

If you’ve been wanting to get your work into libraries, this is probably a good place to trawl for librarians.

Legends of TV Land
find it yourself

This is just to point out that Betty White now counts as valid topic for SDCC panel time. Look, I get it, she’s a treasure, but we’ve really jumped the sharknado on this one¹.

Under the Dome: Panel and Exclusive Sneak Preview
11:15am — 12:00pm, Ballroom 20

I am including this solely to make Jon Rosenberg’s head explode.

Welcome To Night Vale
12:00pm — 1:00pm, offsite

TopatoCo will be presenting a panel at the Geek and Sundry Lounge on 4th Ave in the Gaslamp, covering the secret history of one weird little town. As it’s offsite, no SDCC badge is needed.

Gene Luen Yang in Conversation with Scott McCloud
3:00pm — 4:00pm, Room 28DE

This is the first must-attend of the show for me. I’ve never met Yang, but I owe him many profuse thanks for his body of work.

NASA’s Next Giant Leap
3:00pm — 4:00pm, Room 6A

Okay, I’m not sure why Seth Green is moderating this one, but any panel with Buzz Frickn’ Aldrin and Bobak Frickin’ Ferdowsi² on it gets my attention. They may have undersized the room for this panel.

The Sergio & Mark Show
3:30pm — 4:30pm, Room 8

The two most consistently amusing people in comics.

How to Kickstart Your Dream Like a Pro
5:00pm — 6:00pm, Room 25ABC

Spike, Ryan North, David Malki !, Zach Weinersmith, Aaron Diaz, and George Rohac are, inexplicably, not on this panel (indeed, half of them won’t be at the show). However, I’ll give a dollar to each one of them that attends the panel to kibitz from the floor.

Understanding Stories: The Making of a Graphic Novel
5:00pm — 6:00pm, Room 7AB

McCloud again; hopefully includes previews of The Sculptor.

Cartoon Hangover: Bee and PuppyCat and Friends
5:30pm — 6:30pm, Room 6A

Natasha Allegri, Becky & Frank, Madeleine Flores, Allyn Rachel and Kent Osborne (voices of Bee and Deckard), and others. Second must-attend of the show for me.

Indie Comics Marketing & PR 101
6:30pm — 7:30pm, Room 8

Panelists from comiXology, BOOM!, and Fantagraphics. Could be some very worthwhile info at this one.


Spam of the day:

As explained NASA’s Glenn Research Center, the biggest market of gravity is “the average location with the weight from the object.

This spam may actually tie with this one:

how much is 100 grams in tablespoons

… in terms of fundamentally misunderstanding how basic concepts like mass, volume, and gravity work. Going to ask me how much time twelve parsecs is next?

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¹ Sharknado 2, naturally, has its own panel on Thursday because of course it does.

² Who, let’s be clear, oversaw the most audacious landing in space exploration history before his 33rd birthday. Respect, my brother engineer.

Today In Website Adventures

The spam filter is getting far less of a workout ever since I set topics more than 30 days old to be locked; if perchance you come across an old post that you really want to comment on, drop me a line¹ and I’ll see what I can do.

In one of those perfect storm confluences of independent forces², a bunch of projects launched today:

  • If you’re a Maki Naro Kickstarter backer, you now have access to Sufficiently Remarkable; everybody else will get to see the deal in four weeks.
  • If you’re a Brad Guigar Kickstarter backer, you now have access to the first of his Webcomics Movers And Shakers interview podcasts, this one with Webcomics Impressario At Large George Rohac; everybody else will get access to the recording at some point in the future.
  • No backer requirements this time; sometime today the long-awaited, Strip Search-wining Camp Weedonwantcha by the irrepressible Katie Rice will go live. Hooray!
  • Adding yet another a tip to the proverbial iceberg, Ryan Estrada announced that in addition to all the comics he does, all the comics done by others that he publishes, all the work in exposing the lie that is the promise of exposure in lieu of payment, the adventure videos, live stagings of Choose Your Own Hamlet, and just generally living in a foreign land (whose non-Roman script he’s taught a squajillion people how to read), he is now the non-union Korean equivalent of Ira Glass:

    Super exciting news! I’m now the host of People & Places, a short weekly radio show on Busan eFM!

    I knew all that podcasting experience would amount to something! I pitched and developed it myself, and the goal is to make it the Busan, South Korea equivalent of This American Life, filled with stories that make the audience laugh, cry, think or swear. My first episode airs wednesday morning, during drive time!

    You know, in his copious free time.

  • If I didn’t know better, I’d swear that Estrada had a time machine and had gone back in time after having thoroughly internalized John Allison’s just-released contribution at 10 Rules for Drawing Comics, especially #5:

    Allow yourself to be bored. There are a million ways to distract yourself today. Turn your phone off when you go out, give yourself time to let your mind wander. That’s when a lot of the best work gets done. Computer games aren’t productive. Checking Twitter/email/Tumblr every three minutes to see if anything has happened isn’t productive. It’s counter-productive. You’re wasting your limited lifespan.

    Not the “being bored” part (I don’t think Estrada is biologically capable of it), but the sense of doing lots of different things, so that creativity doesn’t get clogged up. While we’re on the topic, you should take a few minutes and read all the other entries at 10 Rules, especially considering there’s only ten entries so far.

  • Finally, not sure how I missed it last week, but the episode of Bullseye that features the very funny and fascinating Nick Offerman also has a really nice discussion with Brandon Bird about The Day He Became An Artist (Bird starts at about the 42 minute mark ).

    Bird’s out visiting Sears stores at the moment or I’m sure he’d have more to say about it; probably the least surprising aspect of this whole bit is that Bird and Bullseye host Jesse Thorn know each other from college. Creative, interesting people just seem to eventually overlap, circles of friends merging with ever-broader circles of friends, to the point that it would be weird if two people from completely different communities didn’t know each other.

    Anyway, it’s a really good listen, and you will likely enjoy it.

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¹ That would be at gary who maintains a point of contact at this here website, which exists in the dot-com TLD.

² And you do not need to remind me that a year ago, we were staring down the barrel of Superstorm Sandy, which took some time to return from. I got off far luckier than many (and everybody’s circumstances were unique), but I’m still taking a moment on the eve to send good thoughts to those that are still rebuilding their homes, businesses, and lives.

Bounty; Also, Stay The Hell Off My Lawn

Morning has come way too damn early at San Diego thanks mostly to the people that decided hosting an overpowered audio system in an unenclosed place and letting the sound rip until one in the damn morning was a nifty-neato way to promote whatever their brand is. I get it, Friday night is an acceptable party night and everybody at the event seemed to be enjoying the crap out of themselves; hell, I was enjoying the crap out of myself at the ShiftyLook party¹ until the old man sleepies caught up with me.

The difference being, a bit after eleven, the ShiftyLook party bosses and hotel staff conferred, some of the louder game cabinets were turned off, groups talking were discreetly asked to be mindful of the hotel’s guests, and the sound system was playing ambient electronic music at a considerate volume.

Meanwhile, between Island and J, 7th and 8th, an audio monitoring app on my phone tells me that sound levels with the windows closed were peaking at 70db and with the window open, 85db². For reference, 70db is defined as EPA-identified maximum to protect against hearing loss and other disruptive effects from noise, such as sleep disturbance, stress, learning detriment, etc. and 85 db as Hearing damage (over long-term exposure, need not be continuous). No kidding, a fire engine running full lights and sirens shortly after the speakers were turned off was not as audible as DJ ScrewYouPayingGuests, and of course was not sitting in one place cranking up the bass³.

So here is the deal: I want to know who sponsored this act of disregard for everybody not on the guest list, so I can be sure to never, ever give them money in the future, and I will pay an reward in the amount of one dollar American Cash Money to whoever can tell me whose party this was.

There were cars set up in a way that suggested they were on display, and what appeared to be pages from The Walking Dead were being projected onto the side of a nearby building. Oh, and at least two patrol cars from San Diego’s Finest (number 6-955 and 6-266) were on the scene, hopefully with industrial-grade ear protection (but certainly not doing anything to enforce local nuisance ordinance). Go forth, my minions, return with the information I seek, and help me in my quest for vengeance.

  • Speaking of the ShiftyLook party (which was excellent, by the by, allowing me the opportunity to talk with the likes of Sam Logan, Jim Zub, Stacy King, Kris Straub, Christopher Hastings, Evan Dahm, the aforementioned Chris Butcher, and others), I had the opportunity to talk briefly with George Rohac of What Pumpkin where we tried to figure out what the heck the session booking team was thinking.

    As mentioned earlier, the ShiftyLook panel will be kicking off later today (2:00pm to be precise) in a not-overly-large room (28DE), and will feature Zach Weinersmith, Scott Kurtz, Kris Straub (any one of whom could fill the room just with his own readers, much less those that are coming to hear the ShiftyLook plans) and Andrew Hussie in his only panel appearance. I want to go by 28DE, find the little plaque that indicates the maximum number of persons allowed in the room, and then take a picture of the Homestucks lined up outside the entrance and receding into the far distance.

    It’s not as if the SDCC staff don’t have some warning about the Trollstorm that’s about to hit them; last year I watched the Homestuck Parade that occurred when they relented and finally granted TopatoCo a section of the autograph area for Hussie’s signings (which they had requested and been told wouldn’t be necessary) after the first session turned into a seven-aisle backup that snarled traffic on the show floor for a ten-aisle radius.

    After TopatoCo Supreme Presidente Jeffrey Rowland brought the news to the lined up Homestucks that they would have to relocate to meet their Lord and God, he led a line of fans that took more than ten minutes to pass by in reasonably clear booth traffic. Every single one of those people will be wanting to see this panel. This is gonna be awesome.

  • Speaking of panels to see today, the Adventure Time panel will be at 3:30 in Room 8, and the STRIPPED panel at 7:00pm in 28DE.
  • Speaking of commerce being driven, Friday on the show floor was weird. Everybody I spoke to had a different impression of how the day went — it was busy from start to finish, or it was quiet, or it had bursts; the show floor was crowded at all times, or it was preternaturally empty; sales were strong, or they were okay, or they were terrible compared to last year. In my past experience, these are the sorts of things that usually evolve a consensus, but literally every booth I stopped by to talk to creators had a different view on how the commercial end of Friday went.

    My personal impression is that the number of sales events that I could see from my vantage point in Webcomics Central was less than on Thursday (which is consistent with the personal experience I had of Square through much of Friday — instead of being nigh-unusable from load as it was for most of Thursday, Friday was very hit-or-miss; a card swipe might result in a communications failure in ten seconds, and the customer might see approval after a minute and a half of waiting). Considering that Friday is traditionally neck-and-neck with Saturday for the top day, saleswise, here’s hoping that today is a monster in terms of merchant activity.

  • Hope Larson dropped by at the start of Friday and I was privileged to tell her how much I enjoyed her film short, Bitter Orange; she in turn was kind enough to pull out an iPad and share her next film project, a music video for Dan The Automator featuring Mary Elizabeth Winstead. I don’t want to give anything away, but let’s say the following:
    • It is beautifully shot in black and white and every moment had near-perfect visual composition
    • The storyline is hilarious
    • It required Larson to figure out where one could obtain prosethetic eyes, which is probably not a conversation you ever anticipate yourself having until it actually occurs

    The video’s in the hands of the label and they’ll hopefully be releasing it soon because dang, this needs to be seen by everybody.

  • Speaking of Larson, she was one of the winners at last night’s Eisner Awards, and we at Fleen are thrilled for her, even as we’re sad that Meredith Gran was one of those that Larson beat. The two actually agree that should either of them prevail, the other would start a fight, so if you heard any rumors of flipped and/or jumped tables, punched thrown, or security having to separate combatants, they are undoubtedly true.

    In addition to Larson’s win for Best Publication For Teens (A Wrinkle In Time), let’s also congratulate Ryan North, Shellie Paroline and Braden Lamb for Best Publication For Kids (Adventure Time), Paul Tobin and Colleen Coover for Best Digital Comic (Bandette), Tom Spurgeon for Best Comics-Related Periodical/Journalism (The Comics Reporter), all of the other winners, and the parents, who worked so hard to make the costumes.

Below the cut, the best cosplay photo of the day: Hench 4 Lyfe.
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Something A Bit Different This Year

The programming for San Diego Comic Con 2013 is starting to go up; Thursday’s schedule appeared yesterday afternoon, and I expect Friday’s later today. In past years, I’ve gone through searching specifically for content relating to, and featuring creators of, the webcomics that are the focus of this page. That was usually good for distilling down to a solid 12 — 15 items per year, put up all at once.

Not doin’ that this year, in part because I wouldn’t be able to put it up until Monday (I’m expecting Saturday and Sunday programming to drop over the weekend), and in part because “webcomics” as a topic isn’t very easy to separate out. Oh, there’s a tag for Web, but the term has expanded so broadly that anything that has a website gets the designation.

In a way, I think this means that “webcomics” won — they’re no longer off in their own designation, everything overlaps with the internet; so instead I’m looking for items of interest to the independent creators that retain ownership in their work and look for things that may be of interest. I’ve also pulled a few items that I felt were worthy of commentary. Onwards.

Thursday Programming
Bringing Digital Comics into Schools and Libraries
12:30pm – 1:30pm Room 24ABC

Not sure why the focus is on digital comics rather than comics in general; creators, this is someplace you should want to get your work and since digital is now an option, that reduces the barrier to entry of schools and libraries wanting heavy-duty binding which might not be in your budget.

Gender in Comic Books
1:00pm – 2:00pm Room 28DE

Interesting balance: longtime industry dudes (Mark Waid, George Pérez) mixed with ladies who’ve made careers very quickly (Kelly Sue Deconnick, Grace Randolph, Meredith Gran). I’m not sure if the choice of panelists is due to demographics, or if it’s a comment on something I’ve believed for a decade now: the future of comics is dependent on the women who will create and read them.

Insights for Independent Creators
1:00pm – 2:00pm Room 9

I’ll be at the gender panel; this one caught my eye because it’s part one of a two-part discussion that (if I’m reading the descriptions correctly) starts out talking about indy comic creation so that you can leverage it into movies. I’m getting kind of sick of the I want to do movies so I’ll use comics as a stepping stone trope.

Digital Development and Marketing Your Comic, Web Series, App or Game: Kickstarter
1:30pm – 2:30pm Room 8

Surprisingly, George Rohac is not on this panel.

Cartoon Hangover: Bravest Warriors, Bee and Puppycat, and Friends
2013 2:00pm – 3:00pm Room 28DE

Lots of webcomics creators intersect with the Cartoon Hangover projects. Please do not ask Ian Jones-Quartey when he’s bringing back RPG World.

Integrating Comics into the Common Core
3:30pm – 4:30pm Room 26AB

Remember what we said up above about digital comics vs comics in general in schools and libraries? Panel includes :01 Books manager Gina Gagliano, which automatically means this is worth your time.

Spotlight on Jeff Smith
4:00pm – 5:00pm Room 9

This is what a twenty-year independent comics career looks like.

Bizarre? Queer? Perfect: Taming the Wild Webcomics Frontier
5:00pm – 6:00pm Room 28DE

Looks like a good set of panelists but sadly, no Erika Moen.

Webcomics Advocates: The Webcomics Gathering
5:00pm – 6:00pm Room 32AB

Quoting here: [T]hey will give any webcomic creators in the audience 30 seconds to promote their comic to the crowd.

Making a Living in Manga: New Trends Worth Watching
5:30pm – 6:30pm Room 26AB

Quoting again: As a generation of North American comics fans who grew up with manga aspire to become comics creators, they’re bumping up against a glass ceiling: a lack of paying publishing options for their work. But a new wave of manga-inspired creators are finding new ways to get published and get paid.
Emphasis on those last two words added by me. Moderated by Brigid Alverson, so it’ll be smart and well-run.

Comic-Con How-To: Kickstartering the Heart
6:00pm – 7:00pm Room 2

Okay, I’m going to quote the entire description to this one and then come back with a question for everybody. Ready? Here we go:

Siike Donnelly and Matt Hawkins — along with guest panelists Olivia Peterson, Jon Schnepp, and Joshua Levy — give you a look into the process of running and promoting a Kickstarter campaign. Learn how to reach your audience directly and put your dream project into the hands of many. Discover the ups, downs, and rewards of believing in your work.

Now the question: Why should you listen to these people? The description doesn’t tell me who any of them are or why I should believe anything they have to say. Google searches are of slight help here, as I believe that Donnelly is an occasional contributor to Bleeding Cool, Schnepp a Hollywood producer, and I have no idea about Hawkins, Peterson, and Levy because the names aren’t distinct enough. I’m hoping that the panel members aren’t the ones that wrote the description, because whoever did can’t speak to effective promotions at all.

Indie Comics Marketing and PR 101
6:30pm – 7:30pm Room 8

Maybe whoever wrote the description for that last panel needs to sit in on this one. Yes, I’m still mad about it.

Family Feud: The Comics Blogging Panel
7:00pm – 8:00pm Room 23ABC

Featuring The Spurge, Heidi Mac, Tony Isabella, Alexa Dickman, and Rich Johnston. Contrary to a rumor that I just made up, the special surprises in the description do not include a cameo appearance by me.

Holliston: Inside the Laughs, Screams, Metal, and Geekery!
8:30pm – 9:30pm Room 24ABC

Two words, everybody: Oderus Urungus.

And, because it will always be mentioned here at Fleen:

The Sergio and Mark Show
2:30pm – 3:30pm Room 8

Sergio Aragonés, Mark Evanier, Stan Sakai, and Tom Luth. For when you need to feel good about life again.

Quote Of The Day

Sorry, if you didn't pledge, this is all you get to see.

It all comes back to comics:

Sometimes I stop and think about the fact that Homestuck is the 4th longest work in the English language and just kinda nod. — George Rohac

  • Know who’s been making himself damn near indispensable to comics as a whole, constructing what may well be the definitive filmic history of the art form? Freddave Kellett-Schroeder, the hive mind that’s been toiling for pert-near four years to bring STRIPPED to a big screen near you. Last night, Fred and Dave released the first five minutes of the film to backers of their Kickstarters, and my friends — it was glorious. Somewhat less than 5300 people have had the opportunity to see that tease, and with any luck the entire world will be able to see the entire thing soon. It’s gonna be great.
  • Know who’s been making himself damn near indispensable to an entire community of webcomickers? Brad Guigar, editor and everything-in-chief of Webcomics Dot Com. And in case five years back is fading from your recollection, Guigar was one of the authors of How To Make Webcomics, which tells you exactly what it says on the cover. The thing is, as good as HTMW is, it covers a medium that changes rapidly, and five years is a near-eternity in internet terms.

    There have been many requests for a sequel over the past half-decade, and Guigar has leveraged his writing for WDC to make that sequel, The Webcomics Handbook, now available for pre-order on Kickstarter. This one’s a no-brainer, folks, especially considering that all backer tiers come with — quoting here — Guigar’s “undying friendship”. Remember, the sooner you pledge, the sooner you can book a weekend for him to help you move.

  • Strip Search — let’s face it, season one of Strip Search — wrapped up its finale last night which means you’ve had 16 hours (as of this writing) to have seen it, and if you don’t want to be spoiled on it, look away. I was conflicted watching Katie Rice get named the winner: zero surprise, as she’d utterly dominated the back half of the game; elation because her work was so very, very good; crushed because Abby Howard and Maki Naro didn’t win¹.

    In the end, it came down to what comics almost always comes down to — personal preference. Jerry and Mike had to decide what they personally most wanted to see:

    • A longform, horror-based, immersive-world graphic novel² from Abby, and one where they liked her off-the-cuff work better than her planned work
    • An almost anthropological personality study from Maki, not so dependent on your traditional-type punchlines
    • A loose-continuity, every-strip-has-a-punchline story that was the most comic-strippy of the finalists from Katie, and one where as strong as her final competition entries were, her pitch material was even better, giving confidence about how strong a work with plenty of time could be

    From the beginning, they showed a clear preference for work in the vein of what Katie presented, and you know what? That’s okay. Their show, their judgment, and it’s not like giving the nod to Camp Weedonwantcha means that The Last Halloween or Sufficiently Remarkable are erased from our collective memories. I will be reading (and more importantly, buying) all three of those projects because they all hit different pleasure centers in my comics brain³.

    Everybody associated with Strip Search is bound up into a web of professional and personal connections that will last and pay off for decades (Maki had some really gracious thoughts along the same lines today). As was determined back in January:

    Khoo stressed the responsibility that PA had towards the winner. We will do them right. People put their necks out there and trusted us; we didn’t tell them shit. They didn’t know what the show would be like or how we would make them look. For taking that risk, Khoo is determined that the reward is as good as he can make it.

    It’s pretty clear that the doing-right is extending to all the Artists; consider that Alex, who we didn’t get a chance to know, Alex has moved to Seattle, as has Amy, and also Monica (I half expect to hear that Ty and Nick are scoping out the U-Hauls). Add in the proximity of Mac and Erika, and it’s clear that whatever benefits accrue to Katie being in-office will spread fairly immediately to the others in the PNW, and only slightly later to those still scattered across the country. Being part of Strip Search surely helped the crowdfunding that Monica and Lexxy undertook to success, and Erika’s new comic, and the soon-to-be-announced Kickstarts from Maki and Abby. Also, is it a coincidence that since he was on the show, Tavis and his wife had a kid? Okay, yeah, probably, but you never know.

    Whatever else Strip Search achieved (and from everything that Khoo, Jerry Holkins, and Mike Krahulik have said, it wasn’t intended to achieve much beyond being entertaining), they’ve created a resonance cascade of skilled creators who are going to make each other better. Somewhere out there are people that either didn’t make the cut or want to be on a future iteration and are stepping up their own comics games; almost none of them will make it onto the show (whenever a new season might occur), but a nonzero number of them will share their comics with the world.

    Penny Arcade Industries has given us all far more than US$15,000 of comics that we will get to enjoy. Oh, and it’s entirely possible that they’ve created a competitor that will eventually challenge them for their position on the top of the webcomics heap, so it’s a good thing that they’ve still got Khoo on their side … for now.

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¹ Unlike virtually every reality competition ever, I was fully invested in all the finalists; there was no villain or obvious weak link there, meaning that it was guaranteed I would be happy and sad when it was all over.

² AKA, “filthy continuity”.

³ Although to be completely candid, of the three I think Sufficiently Remarkable spoke to me the most and I’m not sure if I can articulate why. In my perfect world, Sufficiently Remarkable has both “daily” and “Sunday” type strips, with the latter having the same feel as the first strip in Maki’s submission packet with Riti and her father.

Today In Nightmare Fuel

Thanks very much Ryan North¹ I will never sleep again thanks to today’s Dinosaur Comics. As a quick hint, nobody wants to consider an afterlife full of parasites except for Kelly Weinersmith. Ick.

  • Something weird happened today: Cyanide and Happiness appeared in the comics section of more than 650 newspapers worldwide, an occurrence which all reasonable persons would have figured to be damn near impossible. Okay, it’s just one panel, and it’s a pastiche by Pearls Before Swine creator Stephan Pastis, and covered by censor bars, but still — just imagine all the people that read newspaper comic strips deciding to do a Google search on Cyanide & Happiness because they figure it can’t be as bad as all that. I can hear the heads exploding from here.
  • Well, that was fast — a few weeks back I mentioned that Digger² would be Kickstarting an omnibus edition, which went live after our update yesterday. Surprising absolutely nobody (except possibly Digger creator Ursula Vernon), it completely funded at approximately the thirteen hour mark, and is well on its way to (per the Fleen Rule of Kickstarter Projections) the US$100,000 — US$200,000 range. Yeah, got it, webcomics with built-in audiences overfund their Kickstarts all the time, what’s the big deal?

    The deal is that the Digger campaign may have the most unusual reward ever offered — hand-forged, wombat-sized pickaxes at the $US1000 (!) backer level. Yesterday I was wondering what could be cooler than Dante Shepherd’s mallets and I guess I have my answer, if only because the pickaxes will involve a forge and anvil and metalcrafting. However, somebody really should point John Scalzi toward’s Shepherd’s campaign, as I bet he’d love an even larger Mallet of Loving Correction.

  • It’s been a good two months since Saveur has run any recipe comics, which means I guess I should be prodding people more to produce some of them things. I can put you in touch with their digital editor, and it’s my understanding that the checks she cuts for accepted comics cash without problems. In any event, Christopher Bird of Mighty God King (and the writerly half of the stellar Al’Rashad, which improbably keeps getting better) teamed up with Shelli Hay to present a family recipe on his own damn site.

    We’ve never met, but Bird’s always struck me as a reasonable man as well as being chock-full of good comics ideas (although probably the most intriguing comic idea he ever presented was a collaboration), but I have no doubt in my mind that he means it when he says in panel number eight that he will cut you for making unauthorized substitutions. Let the home cook beware.

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¹ Your status as Toronto Man-Mountain and one of the Three Ineffable Avatars of Webcomics (along with Shaenon Garrity and George Rohac) remains unimpeachable, but dang bro you brought the creepy today.

² I loves me some Digger.