The webcomics blog about webcomics

Never Felt So Prescient

UK younger people, Jon Rosenberg predicted what your older citizens have done to you two and a half years ago. Let’s find happier things to consider now that the entire world’s economy has been thrown into uncertainty by people who admit they didn’t really want this to happen.

  • Happy Thing! It appears that Faith Erin Hicks has taken a bit of time from her Nameless City series of graphic novels (first one: so good; second one: due out in April) to do a Squirrel Girl/Ms Marvel crossover in an annual due in August. Reserve this one now.
  • Happy Thing! Speaking of Squirrel Girl, her book has done a nice job of featuring drop-in art from a variety of webcomickers, normally in the form of the collector’s cards that SG uses to learn about her foes. Issue #9 (due next Wednesday, 29 June) will one-up that with a full page from Wondermark scribe David Malki !, in his trademark style.

    Ever wonder what it looked like when Kraven the Hunter punched Giagantos at the bottom of the ocean? Wonder no more! (It looked a lot like Victorian woodcut illustrations smushed up together.) This is so beautiful I want to laugh and cry simultaneously.

  • Happy Thing! Spike Trotman over at Iron Circus Comics continues her Friday Upcoming Book Announcement trend, giving us the dope on next boo she’s signed for publication. This time it’s Crossplay by Niki Smith, a graphic novel-length expansion of a shorter story that was serialized at porny subscription site Filthy Figments [NSFW, duh], where many of webcomics finest go to vend their adult creations while waiting for the next Smut Peddler anthology to come about.

    And if ICC’s new offerings are heavily tilted to the Smut Peddleresque, I think it’s going to be filling a market niche (well-produced smut that’s not juvenile or misogynist) that’s pretty wide open¹ for whoever’s smart enough to exploit. And Spike is very, very smart.

Spam of the day:

A Shocking Energy Boost For Men 50+

Gods dammit, spammers, how many times do I have to tell you I’m not over 50, I’m not interested in walk-in tubs, chair lifts for the stairs, retirement living, or Medicare plans. You are bad at math, spammers.

¹ So to speak.

Quietly Impressed

I may have vented in the somewhat recent past about how NYCC has decided I no longer serve their purposes; a year ago I was venting about how SDCC couldn’t get their act together to either grant or deny me press access. This is a cyclical process, as there have been years that each show has been really smooth and painless to interact with, and years when it’s nigh-impossible to tell what the hell is going on. Typically, they stand in opposition to each other, so I really should have expected rejection from NYCC because SDCC has been pretty painless this year.

Case in point: I got the customary receipt for my registration from SDCC via email back in April; as in prior years, I expected to print it out, line up with a lot of people early on Preview Day, get the barcode scanned, and then get my badge. It usually takes 10-20 minutes. This year, I found an email on Monday morning that said to expect my badge in the mail (no more lining up!) in 3-5 days.

Later on Monday, it was in my mailbox. I can line up for a lanyard, a program book, tote bag, and the rest at my leisure. The rest is done, and I appreciate the time that will not be spent in line.

Interestingly, this is a more complex badge than in past years — SDCC has taken a cue from NYCC and gone to an RFID-enabled hard badge that needs to be tapped on entry and exit. But that’s only good for building access — to provide at-a-glance determination of when/where you’re allowed, there’s a printed paper frame with category coding (PRESS), validity coding (P1234 = Preview Night, Days 1, 2, 3, and 4), and what I assume is color-coding (light blue for me, presumably other for paid, pros, exhibitors, VIPs, etc)¹.

The frame sits behind the RFID badge in the plastic holder with its text peeking around the perimeter, and contains some additional barcodes/QR codes on the back. If this doesn’t prevent counterfeiting, they’ll have to escalate to DNA testing and even then I bet some enterprising crook would find a novel use of CRISPR.

Since it appears nothing barring travel fiasco can keep me from the show, we’ll get to our traditional markup of the floor map in the next couple of days, and discuss programming when the event schedule is released in about two weeks.

Spam of the day:

Be in the biggest truck on the road.

Dude, I’m already qualified to drive a multiton ambulance with lights and sirens. Appealing to my sense of insecurity ain’t going to work.

¹ Now I just have to remember to bring the damn thing with me and hope that the airport scanner doesn’t fry the RFID tag.

From San Francisco And The Immediate Environs

News and things! Things and news! Let’s see what there is to see out there.

  • I believe I’ve mentioned the excitement that we at Fleen have for the imminent release of Hope Larson & Rebecca Mock’s Compass South (that would be in just under a week). I don’t know if I mentioned that a chunk of the story involves twins Cleo and Alex trying to make their way to San Francisco (by steamer and train, in the mid-1800s, when such successes were not guaranteed and plagued by greater dangers than a lack in in-flight WiFi), thus tying into today’s theme.

    What I know that I haven’t mentioned is that Larson and Mock will be taking a virtual book tour in support of Compass South, visiting on-line and in the [virtual] cafés talk about how Compass South was created. The blogtour kicks off Monday (the day before release) at Supernatural Snark, and in subsequent days will make daily port calls at Love is not a Triangle, Forever YA, YA Bibliophile, Sharpread, and finishing up at Watch. Connect. Read. on Saturday.

  • And while Cleo and Alex might have to wait a century or so before the Cartoon Art Museum gets organized in San Francisco, we need not engage in any such temporal chicanery, and CAM has plenty of events in the coming weeks, just in case you missed their just-closed exhibitions with the Queer Cultural Center at SOMArts Cultural Center and were wondering what’s up next.

    The highlight, at least in my opinion, will be A Salute to Chuck Jones¹ at the Castro Theater. Jones, naturally, is best defined by his cartoons and so the salute will be a screening of over a dozen shorts, including One Froggy Evening, Feed the Kitty, Duck Amuck, Rabbit of Seville, and motherscratching What’s Opera, Doc?.

    You have probably never seen these on the big screen. You need to see these on the big screen, with a big, booming sound system². If you are anywhere near San Francisco on Sunday, 10 July from noon to 3:00pm, you must see these cartoons on the big screen. Packages run from US$17 to US$150 (with various goodies and perks on top of admission, naturally) and may be purchased in advance through Guestlist. Presenters from the Chuck Jones Center for Creativity — conservators of Chuck’s³ legacy — will be on hand to talk about the films and memories of their creator.

  • Should you find CAM’s efforts to continue to bring you the finest in cartoon art laudable (and really, you damn well better), there’s a new channel by which you can indicated your support. Check out their new Patreon, where you can help unlock curator blogs, online exhibitions, member pricing for events, and the general running of the museum.

    Granted, they only just launched it, but at the moment the Patreon has a shamefully insufficient eleven (11) backers pledging US$33 (thirty-damn-three dollars) per month. The people who love cartoons and comics (and who do you know that doesn’t?) can do better, and CAM deserves better. Support, and spread the word.

Spam of the day:

Re:Scelerisque Dui Suspendisse Corp. Please find attached the bill

I’m supposed to believe that your company is actually named after a section of lorem ipsum text? Nnnnope.

¹ Very possibly the greatest animator America’s produced yet, and definitely a dominant influence on every comicker, animator, filmmaker, and teller of stories and jokes for the past 60 -70 years.

² Not that I ever have, at least not by actual modern theater standards, but even a poor imitation was life-changing. Below the cut, a small story how how life-changing, adapted from a letter I wrote in 2001 to be included in a collection of letters from Chuck’s fans as a birthday present for the master.

³ It is Fleen’s editorial policy to refer to people by given and family name on first reference, and family name thereafter. There are two exceptions to this rule, namely Chuck (because he is always Chuck) and George (because he is always George).

Can’t Blame Morgan-Mar For Today

Again with the weeds, and tonight’s EMS duty night, so no chance of getting ahead. It’s almost like work takes up the whole day!

Items of note:

  • Benign Kingdom does the most beautiful art books in webcomics, and they are inexplicably at 70% funded with 7 days to go on the latest iteration of their art. Compare to earlier efforts, ranging from 121% to 937% of goal and ask yourself if you want this to be the project that fails. There’s loads of unproven creators biting off more than they can chew (or have the IP right for) to make up the approximately 50% of projects that fail. Let’s not see people who can actually fulfill wither on the vine.
  • Speaking of B9, one of the contributors this time around is Meredith Gran, and this is your periodic reminder that she continues to kill it on Octopus Pie, particularly with the quiet moments of self-revelation. This is one is so good, says so much in so few words (and fills in loads of characterization between the cracks of the last half-decade of story without ever resorting to exposition) that killing it seems too mild. Gran is laying waste to entire civilizations and salting the earth for all times lest enemies rise up to challenge her eternal rule.
  • Dante Shepherd¹ continues to spend that grant money in productive ways to teach large, complicated engineering ideas. See, I was an electrical engineer² in college, so what I know about chemists is that their building always had beakers that smelled funny, and what I know about the chemical engineers (such as Shepherd) is their building always had 500 liter tanks that smelled funny.

    So basically I am ignorant of what went on in those enormous arrays of pipes in the high-bay lab and now I know a bit more, thanks to him and Matt Lubchansky. Also cookies are involved somehow?

  • Speaking of [web]comics making their way through the development cycle of Hollywood, I see that Kazu Kibuishi’s Amulet has taken one more step towards realization with the news that the executive producer of the current Star Trek TV efforts is taking over the scripting. Also I see that the reports are that Amulet was to star Will Smith’s kids, but now it’s not … did we know that? I’m not sure we knew that.
  • Let us finish, as is often the case, in the northern reaches of Webcomickia, which is to say, Canada. Ryan North has shared the news that his and Erica Henderson’s Squirrel Girl has new merch in the wild, and also the less-happy news Howard The Duck (written by fellow Torontonian Chip Zdarsky, drawn by Joe Quinones) will be coming to an end soon. It’s a shame, and I hope it doesn’t presage more cancellations of comics that are actually, you know, fun.

    At least we have some more good news from Canada, as it seems Blind Ferret is hiring. Supremo Ryan Sohmer is vocal about the often-dismal pay scales in comics, so you can bet the salary on this one doesn’t fall in the category of crap job you take to build up experience while eating ramen.

Spam of the day:

A sure-fire way to get richer …

Make regular deposits into an index fund that you leave the hell alone for 20-30 years? Oh, sorry, I see — fake gold futures from a crazy person that believes the Federal Reserve is illegal and that random punctuation in your name means you don’t have to pay taxes. Silly me.

¹ Professor, bon vivant, man about town.

² AKA the best kind of engineer. Shepherd would probably dispute that, but I think we can agree that at least we aren’t civil engineers, ew.

Explain To Me How This Works

Irregular Webcomic creator David Morgan-Mar (PhD, LEGO®©™etc) had lunch with me on Saturday (a leisurely Belgian meal with some rather nice beer, and a long discussion of sport, American vs Australian politics¹, and radio astronomy), then immediately he headed to the airport and:

Straight off 24 hours of economy class flying, across 10 time zones, and do I go to sleep?
No, I draw comics!

Meanwhile I went home on a local train and decided it was too hot to mow the lawn. That, in turn, put me so far behind on things that needed doing over the weekend that just a tiny amount of friction in work today has put me solidly in the weeds, timewise. Lesson here: do not compare yourself to Australians, productivity-wise or any other wise; they are hardened in the crucible of a continent that wants to kill them and will beat you every time.

So if I’m to get anything written for you today, it needs must be brief:

Kris Straub’s Candle Cove — perhaps the ur-creepypasta — is, as we know, heading to TV as the first season of the Channel Zero anthology series. We also know that stories of this webcomic or that getting developed, or optioned, or whatever, frequently come to naught but a check (hopefully substantial) to the creator for the right to try to make something.

And sometimes they actually happen:

.@SyFy has cast Paul Schneider and Fiona Shaw in new horror anthology series #ChannelZero @nickantosca @Uptomyknees

Casting means that contracts exist, means that money is actually being spent, that it is almost certainly less risky to move forward and make a thing than to cut and run. Per the attached story at Variety, we can expect to see Candle Cove this fall — call it four to six months from now, hopefully in a suitably scarifying fashion. And that’s some pretty good news for a Monday, even one where I’m behind.

Spam of the day:

Finally! Natural Way to Destroy Sinus, Mucus, Throat, and Cough Problems

While I have some of those problems, they are well controlled by this spray medicine I received from an actual doctor. Kindly keep your Roto-Rooterish body horror-inducing devices that they don’t want you to have.

¹ I was aware that Australia is in election mode right now, and being a parliamentary country, will have the entire thing wrapped up quickly. I was not aware that the present government are such dicks that after the election they may provoke another legislative crisis which could cause them to have a second entire national election before we are done with our current campaign and hopefully see the back of what Charlie Pierce so aptly refers to as a vulgar talking yam.


But first, thanks to Fleen Senior French Correspondent Pierre Lebeaupin for entertaining us all with lessons in effective French cursing during yesterday’s self-inflicted charlie-foxtrot.

Let’s do this.

  • Item! Ryan North has discovered that he is now a New York Times Best Selling Author in the category of Advice, How-to, and Miscellaneous¹. By the principle of transitive closure, this means that all of the artists who appear in the book are also now New York Times Best Sellers. Congrats, um, almost everybody Ryan knows! And in case that not enough major media domination for one day, please enjoy the audio of an interview that North did with NPR’s Scott Simon last weekend. It’s a hoot.
  • Item! Spike Trotman has shared with us the latest Iron Circus Book Pre-Announcement; we can expect these weekly for the next forever, and this week we find out about As The Crow Flies by Melanie Gillman, due in 2017. It’s a story of faith and skepticism, serialized online in gorgeous pencils.
  • Item! They don’t all work out. Dante Shepherd/Lucas Landherr put up a Kickstart last month to make the second iteration of calendars for his chalkboard-centered webcomic, Surviving The World. It failed to fund yesterday, reaching only about 53% of goal. Oddly, there are some numbers in the successful first calendar campaign and second that are virtually mirror images. See, calendar 1 had a goal (US$12K) that’s about the same as the amount raised for calendar 2 (US$13,891), whereas calendar 2 had a goal (US$26,000) that was about the same as the amount raised for calendar 1 (US$24,686). Increased costs necessitated a rough doubling of funding to make the project viable, but if he could raise more than US$24K three years, why could he only manage about half that today?

    Honestly, I think it’s a case of success breeding success. He crossed the goal line about a third of the way through the campaign in 2013, meaning that everybody knew it was going to happen, and there’s no sense of wasted effort to click a couple of times to back the project. Yes, I know, clicking a couple of times is hardly an effort, but we’re talking about perception here. By contrast, this campaign had a much higher goal and although the funding was a bit slower at the start of calendar 2 than it was for calendar 1, it wasn’t that far off. But having to make up twice as much money? I think it drove some people away because it looked tougher to reach.

    People like sure things, and had that dropoff not happened, I think that calendar 2 could have made it. It’s been a while since an established webcomic (particularly one with Make That Thing behind it) failed to fund, but realistically not every project is going to succeed. Nor should we take this as the start of a trend; right now it’s just one data point. Then again, there’s other projects out there which I would have thought would easily succeed (and in which I have pledges) that are still working towards funding, so maybe let’s try to reset our expectations towards the positive. They won’t succeed if they don’t fund, they won’t fund if people don’t think they’ll succeed, but the risk of trying is low so fund ’em if it’s in your budget. If you don’t, well it’s on you if the world economy collapses is all I’m saying.

Spam of the day:

Want a New T-Shirt?

I know literally every vendor of webcomics t-shirts. I think I’m good.

¹ What? I mean seriously, what? Just put it in Paperback Trade Fiction where it belongs, New York Times. Although it’s probably pretty satisfying to be on the same list as The Food Lab, What To Expect When You’re Expecting, and that cleaning up for crazy people book.

Caution: Genius At Work

So, guess who came to work and left his laptop in the hotel room?

To be exceedingly fair to myself — more than I deserve, honestly — the latest security patches pushed by IT make it a very slow process to shut down. I started the shutdown, did some other things waiting for it to complete (can’t put a running laptop in the laptop bag, it’ll melt) and spaced on competing that key task. I’m not going to be able to post properly today — two fingered typing on a phone sucks for long texts — or at least not until far later. Mea culpable, I’ll try not to be so incredibly stupid tomorrow.


It was a slow day in webcomickry (and honestly, appears to still be), but that’s not to say that there’s nothing of import going on. I’m not one to follow YouTube stars, but there’s no denying that they can be an enormous force for good and ill¹, creativity and crazy.

And it looks like they’re unionizing.

Hank Green — who I gather is huge on the Tubes (as teh kidz might say), but I really only know him as the brother of YA author John Green — made an announcement on Twitter about a … I’m going to call it a manifesto-cum-call to action over on Medium:

There is no system for protecting creators, many of whom have no experience in any industry, let along the notoriously cut-throat entertainment industry. I’m ten years into this and I kinda can’t believe that there’s still no centralized organization representing creators.
So I’m creating one.

The Internet Creators Guild is positioning itself as part PR shop, part lobbying force, part informational clearinghouse, part mediation service, part I’m not sure what, since the stated goals are hard to argue with, but also kind of nebulous:

Here are some things we want the ICG to do

  1. Help the press talk intelligently about online video.
  2. Share stories and strategies from professional creators that will be available only to members.
  3. Increase transparency about what creators do and don’t receive from MCNs, advertisers, agencies, and managers.
  4. Act as a bridge between creators and platforms and advise platforms on how to best serve creators.
  5. Help to clarify the role of new products and developments in the world of internet creation.
  6. Share useful information on everything from dealing with stalkers to understanding your audience.
  7. Advise conferences and events (including VidCon) on how to create great conversations about internet creation.
  8. Foster diversity in online video content, including but not limited to language, age, race, gender, and economic opportunity.
  9. Provide case studies of successful strategies for community building and monetization.
  10. Provide and explain sample contracts for sponsors, managers, MCNs, merchandise, and agencies.
  11. Unify the voice of online creators to create change.

Here are some things the ICG WILL NOT DO

  1. The ICG can’t get into the game of picking and choosing what kind of content is or is not good for the world. That must be left up to individuals to decide because otherwise the ICG will become the internet morality police, which sounds like an awful job.
  2. Riling up angry mobs. The ICG is committed to working with all stakeholders. The ICG will amplify voices and it will take positions, but it will always strive to understand the complexity of these issues, explain them to members, and work with other stakeholders to move forward.
  3. Tech support. Not sure what’s wrong with Premiere? Your upload is taking forever? YouTube is down? That’s not our thing.

It’s not on the list, but I bet there’s a newsletter.

Green’s up front about the ICG being focused on video creators since that’s where he and his advisory board have experience (there’s people listed as board members, but apart from Green I couldn’t tell you who any of them are), but leaves the door open other people who make their living on the internet to join. It sounds like the sort of conversation that webcomics had about a decade ago, where the consensus was there really wasn’t anything for a bigger organization to do. Then again, I don’t recall any webcomickers willing to pony up US$50,000 in seed capital and hire an executive director. That part aside, it seems like a bigger-scope version of Webcomics Dot Com, down to the US$5/month membership fee.

And I can’t help making the parallel between ICG and WDC, because I’m not sure what an organization of this type will actually be able to accomplish, beyond the we’re a resource for people trying this and also there’s some discounts from vendors approach that Brad Guigar² has taken with WDC. I have a feeling it’s very similar to ideals that, say, the National Cartoonists Society started with, but which these days is best known for giving out some pretty spiffy awards at a pretty nifty drink-up. Given the video-creator-heavy nature of the governing body, I hope that the ICG does better making members from outside the founding cadre (webcomickers? bloggers? Esty crafters? indy authors? you can call almost anybody an internet creator³) feel welcome than some NCS oldtimers have done with dames and coloreds and those webcomics kids.

Since I don’t know anything about the vlogger community, I don’t know how the announcement is being greeted (but given that it’s YouTube, I’ll wager there’s at least ten angry videos posted about how it’s a conspiracy/plot to steal viewers/way to keep me from the success I deserve goddammit), and heck, I don’t know if there are conditions in that community that would make this endeavour especially necessary, but I can’t help but feel that Green’s looking at a vast pool of creators, a small percentage of whom can be said to be financially secure, and trying to bring them all to the same level — an aspiration that’s probably at odds with both Sturgeon’s Law and basic economics.

I’m giving the ICG a 50-50 chance of making it to the end of year three, just because any new entrepreneurial project faces those odds. But if the likes of Ryan Sohmer or whatever Robert Khoo’s next thing join up? Then the sky’s the limit.

Spam of the day:

Join the Hustle, Build Some Muscle

If that’s not a Crossfit pitch, it should be.

¹ Don’t forget the three most terrifying words in English: YouTube comments section.

² Obligatory disclaimer: he’s dreamy.

³ If the majority of your business is creating content, you can be a member. is how it’s worded in the launch announcement.

Oh My

For the three of you that hadn’t heard, Robert Khoo¹ resigned from the presidency of Penny Arcade yesterday; from other reports, it appears to be effective 15 July. I seem to recall that he’s part of the trustee structure for Child’s Play, and that he holds at 10% ownership stake in Penny Arcade Industries; no word yet on whether those have changed. Fleen contacted Khoo for and interview which he politely declined.

It has been some time since I sat in a Vegas buffet after the Reuben Awards and asked Robert what he was going to do when all the challenges of Penny Arcade were solved and he was just grinding in repetition — tropical beach with fruity drinks? High speed motorsports? A line of vanity soups?

I don’t know, he said. Probably catch up with all the games I don’t have time to play now. My suspicion is that we will learn what he’s up to next exactly when he feels like letting us know; that guy always knows how to play three moves ahead of the rest of us. If I had to make a guess, I’d say he’s got plans to run a venture capital-style business serving the games industry as a whole … either that, or secret volcano lair and demands made of the Security Council.

In other news:

  • We at Fleen are big fans of Vera Brosgol, since the old Return To Sender days [NB: only access that site via Wayback Machine, not directly], through Anya’s Ghost, one of our favorite books ever. She’s just had her next three books announced (scroll down, and it is me or does Publishers Weekly use subheads that sound eerily like Hollywood press?) through :01 Books and their sister imprint, Roaring Brook Press.

    Roaring Brook will be up first, with Leave Me Alone!, a picture book about a grandmother’s search for a little quiet, due out on 13 September; a second picture book will follow (presently untitled and no release date). :01 gets their shot with Be Prepared, a middle-grade graphic novel about summer camp, based on Brosgol’s own experiences; again, no release date as yet. I’m going to go out on a limb and pre-announce that these will be terrific.

  • Speaking of :01 sister imprints: Farrar, Strauss, and Giroux will be publishing Compass South, the eagerly-awaited next graphic novel from Hope Larson (words) and Rebecca Mock (pictures) in about, oh, two weeks. The invaluable Oliver Sava at The AV Club has a six-page preview and brief overview today. Go look at it, it’s very pretty and I’m already hooked on the story.

Spam of the day:

Asian Women Online — Am I Your Dream Love?

That’s refreshingly straightforward for spam, but still ain’t clicking.

¹ Robert is.

For Your Edification

Well, this is where I was going to quote from the initial announcement from Spike Trotman about how Iron Circus Comics has started a series of announcements regarding its releases through 2018 or so. Was, because the filter here at work has decided that (which in turn redirects to is blocked:

due to potential malicious activity or other security reasons.
Phishing, malicious, spyware sites are compromised or unsafe websites that may trick you into revealing personal or financial information (e.g. username, passwords, credit card information, PIN numbers, etc.).
These unsafe websites may install software to your computer often without consent to damage your system or use your computer to attack others.
The website may also contain other malicious threats (e.g. viruses, trojans, worms, spyware) as part of the malware ecosystem.
Additional information about website blocking at [redacted] can be found here (Authentication required).

Your request was categorized by Blue Coat Web Filter as ‘Pornography’.

Which, okay, I could see that if I’d linked to Iron Circus itself (which is not blocked), where you get the Smut Peddler books for sale and even samples. Or heck, I could see it if the link stayed on Tumblr, which is itself a cesspit at times. But no, Poorcraft, which is one of the most useful things ever, is blocked by Blue Coat, who I noticed over the weekend is being bought by Symantec¹. So anyway, check that announcement out, Spike’ll be making them weekly, just don’t ask me to report on the specifics during the day.

In other news:

  • What may be the very last A Softer World ever dropped earlier today; as co-creator Joey Comeau pointed out, there have been a few ASW strips up in recent weeks as side effect of the successful Kickstart to print the strip-spanning best of collection, Anatomy of Melancholy, and these have now concluded. As co-creator Emily Horne pointed out, if you missed the Kickstart, you can now order a copy from Breadpig.
  • My Evil Twin passed a Big Damn Strippiversary yesterday; when Schlock Mercenary launched on 12 June 2000 it was a far simpler strip (in scope and visuals), Tayler was still slaving for The Man, and two of his kids didn’t exist yet (nor did Facebook, MySpace, Twitter, Tumblr, or the George W Bush administration). A kid born on that day would today be eligible for a driver’s license in most states², and Tayler himself can now claim to have updated 5846 days in a row without fail.

    Today he’s got a thriving business, a dozen books (with more on the way) and a damn Hugo award.; not bad for a kid of twelve birthdays from the wide open space of the west, armed with nothing but imagination, a drawing tablet, and gumption.

Spam of the day:

Finally, Give Your Woman What She Wants
Is it time to grow your confidence even more?

Curiously, only one of those two spams was for a questionably-sourced “male enhancement supplement”; the second is actually for discount breast enhancement surgery, which is not a series of words I ever wanted to see placed together.

¹ Weirdly, the internet filter is no longer blocking He Is A Good Boy which it has in the past. I mean, that was annoying when it did, but I could at least see the logic in blocking material like Crange Is Horny. Still not going to try to check out Oh Joy, Sex Toy, though; just the ads on that site could get me hauled down to HR.

² My own home state of New Jersey wisely makes the little menaces wait until 17 when they’re hopefully one year less stupid.