The webcomics blog about webcomics

On A Sunny Friday, Followups From Yesterday

  • Alison Wilgus, one of the new invitees to TopatoCon, was kind enough to drop a comment on yesterday’s post to let us know that there are still more new invitees to TopatoCon that we at Fleen missed.

    Aatmaja Pandya, Maki Naro, Matt Lubchansky, and Olivia Stephens are added to the list, the full version of which sits below the cut. Thanks for the info, Alison!

  • Also yesterday, TopatoCon invitee Dante Shepherd¹ let us know that his second great creative work, one that’s been under development for most of the past year, has launched:

    Holy hark. I’m a Dad. Again.

    Hey, world! Meet Torpedo! She’s 6lb 7oz and she’s utterly awesome.

    My ChemE dept just sent out an announcement that the baby arrived. They announced that her name truly is “Torpedo”. So that’s delightful.

    Torpedo, welcome to the world. It’s kind of loud and noisy and bright right now, but that’ll settle down soon enough. It’s also kind of stupid and cruel at times, but I think that if you follow your dad’s lead, it’ll become less so; if everybody followed your dad’s lead, it’d be cleared up before you’re old enough to read this. In any event, it’s the best world we have right now, and the only one we can offer you, so we’ll try not to mess it up too bad before we turn it over to you.

    Best of luck to you and your big sister Cannonball (senior henchman); she’ll help you learn your way around the important things in life, like your dad’s lab coat, his Red Sox cap, the junior faculty, and the chalkboard in the spooky basement. Remember not to eat the chalk, no matter how delicious it looks. Try to give your parents the occasional full night’s sleep and they’ll love you more than you ever thought possible.

    Oh, and maybe give your dad a break at feeding time? He’s not as tasty and nutritious as you might have hoped.

    Torpedo and mother The Swede are reportedly doing well; best wishes to everybody at STW Headquarters.

Spam of the day:

It is no secret that a boost in confidence and having a positive self-image can contribute to a woman’s over all well being but the majority of women do not have cosmetic surgery for anyone other than themselves.

Are … are you negging me?

¹ A pseudonym for mild-mannered professor of chemical engineering Bruce Wayne.


TopatoCon! And Also Less Good News Frowny Face

We’ll do good news first, okay?

Spam of the day:

If you are to lazy to write unique articles everyday you should search in google for:

Yes, that’s it — tell the guy that’s written maybe 2500 articles over nine and a half years that’s he’s lazy. I’m sure to buy your product and/or service!

¹ And may Glob have mercy on that place where a soul would be in a regular person.


  • Every year, I resolve to remember the cluster of webcomicker birthdays that occurs at the end of May; since I’m already well into the missed the start and try to remember next year, bozo phase, I’ll point out that today is the co-birthday of Raina Telgemeier and Dave Roman, as if they could be any more adorable together. Additionally, it is Becky Dreistadt’s birthday, yesterday was Holly Rowland’s, and about three-four days back was Jeffrey Rowland’s¹.

    So happy [recent, in some cases] births-day, Jeffrey, Holly, Raina, Dave, and Becky! You are all awesome people.

  • Speaking of birthdays, I think I’ve got the upcoming birthdays of my youngest niece and nephew covered; I received over the weekend my copies (one to keep, one to give away) of Evan Dahm’s² Wonderful Wizard of Oz adaptation, and with any luck the next couple of weeks will bring my copies (one to keep, one to give away) of Zach Weinersmith and Boulet’s³ Augie and the Green Knight.

    Here is my question: given those two books, which would you give to the younger sister, and which to the older brother? I’m leaning towards Oz for the older brother (as he’s just about old enough to read it for himself) and Augie for the younger sister (as she’d need either one read to her, and Augie’s such a kick-ass hero and it’s never too early to start that habit in nieces).

    I imagine that they’ll both end up reading (or having read to them) both books, I’m just wondering if anybody out there who’s maybe read the PDF backer copy of Augie or Oz has a definite idea of age ranges. Help me out, peoples, and make a couple of little kid birthdays happier.

Spam of the day:

Shed 25lbs of bellyfat for bikini season,

You really sent this to the wrong person; to get rid of 25 pounds from my abdomen, you’d have to remove at least four major organs.

¹ Not so weird that such a cluster occurred; at one point in the past, there were three separate people (me being one of them) on my EMS agency with the same birthday; it’s just a matter of time until you get these coincidences and duplications.

Heck, some day I’m going to start a business with another Gary Tyrrell just so we can confuse people that call up the main phone line. Can I speak to Gary Tyrrell? Which one? The one that went to nerd school. Which one? The one that likes beer. Which one? The one that pronounces his last name like “Ferrell”. Which one? The trombone guy? Please hold for Mr Tyrrell.

² Who, by the by, yesterday started rerunning his seminal series Rice Boy with commentary over at Tumblr. Read it again for the first time!

³ Who, by the by, will be having his French-language books released in English, starting next April and continuing for the next half-dozen years or so. Goo news for those of us who can’t get enough Boulet.

Congratulations All Around

Since we spoke last, good news has come in from opposite sides of the country, and on this holiday (for those of you in the US, at least), I figured some good news would be just the thing.

  • Firstly, late Friday afternoon brought word that the Cartoon Art Museum has received a reprieve on their loss of location due to the kindness of their landlord (who have been working with CAM to resolve their rent issues longer than was generally known):

    The Cartoon Art Museum is delighted to announce that their month-to-month tenancy at 655 Mission Street has been extended through September 2015. Their current landlord, Brad Bernheim of Coast Counties Property Management, and Matthew Cuevas of Cappa & Graham, Inc., a San Francisco event management company, made this extension possible.

    … CAM’s lease was up a few years ago, and it has been functioning on a month-to-month since then. “We knew that we could not sustain our location as the economy skyrocketed and have been looking for a more long term space for a while,” says Executive Director, Summerlea Kashar.

    “I was really touched when Cappa and Graham came to me with the offer to help extend our current term in our location, even just for a few months. For all of the businesses that feel like the economy and the landlords have been pricing us out, it was heartwarming to hear that Matt and Brad were willing to support us,” remarked Kashar.

    Good news indeed, and from the sounds of it the landlords have gone out of their way to support CAM; the press release noted that their lease actually elapsed several years ago, and they had been accommodated¹ on month-to-month basis since. Congratulations to CAM for getting three months more for keep their collections and programs in the public eye before being forced into what will hopefully be a brief hiatus.

  • Meanwhile, on Saturday night in Washington, DC, the National Cartoonists Society’s 69th Annual Reuben Awards were given out, and while I wasn’t able to be there, Brigid Alverson was on hand to let us know about the awards as they were given out. Most relevant to this page, I for once saw the two nominees I was rooting for take the division awards for Online Comics — Short Form and Online Comics — Long Form.

    In the Short Form category, Danielle Corsetto won for Girls With Slingshots, and was on hand to receive the plaque. In the Long Form category, Minna Sundberg won for Stand Still, Stay Silent, and was in Finland instead of DC but that’s okay.

    I’ve mentioned my involvement in the NCS online comics division awards in the past; I’m not going to go into either the comics that were presented by the advisory committee to the jury for selection of the final three nominees, or which comics I specifically nominated, I will say this: Sundberg and Corsetto didn’t just win, they were selected to move onto the voting round against the best webcomics we could find, and then they captivated the electorate².

    To put it another way: an organization with a significant percentage of its membership in the 80+ age range chose the short form webcomic based on a lesbian wedding storyline and a long form webcomic where a major plot point is the divergence of Scandinavian languages. I don’t know about you, but to me that says that generational distance aside, cartoonists recognize great cartoonists.

    Congratulations, Danielle Corsetto and Minna Sundberg — I can’t wait to see what you each come up with tomorrow.

hi!,I love your writing so a lot! proportion we keep up a correspondence more about ykur post on AOL? I

This is probably going to sound terribly elitist of me, but I try not to have any correspondence on AOL.

¹ So to speak.

² Each nominee’s work was represented by a selection of twelve strips — either sent along with their nomination paperwork, or compiled by a committee member that nominated them. I’ll share that of the comics I placed in nomination, I did my best to end on a cliffhanger, and I’m confident that I caused some archive binges.

Fourth Time’s The Charm

Briefly, as I promised: the original art from Planet of Hats episode #51, Patterns of Force, by David Morgan-Mar (PhD, LEGO®©™etc), shared with you now that the colo[u]red strip is up. Click to embiggen.

If my memory serves me right¹, this will be the fourth time that the Vancouver Comic Arts Festival has graced the jewel of the Pacific Northwest, and by all accounts it’s getting better with each year that goes by.

The venue in Yaletown is open and inviting (and this year, VanCAF expands into two of the spaces, up from prior years), the guest and exhibitor lists are deep and varied, and attendance is free. We may have TCAF to thank for pioneering this kind of comics show, but VanCAF has quickly grown into its own unique thing. Congrats to the showrunners, the exhibitors, and the attendees, all of whom have collaborated to build the show up.

Speaking of guests, those of webcomicky nature that you’ll find in Vancouver this weekend will include Matt Bors, Ed Brisson, Zac Gorman, Jeph Jacques, and David Malki !.

They’ll be joined by exhibitors including Lucy Bellwood, Kory Bing, Boum, Jennie Breeden, Tony Cliff, Joey Comeau & Emily Horne², Blue Delliquanti, Jeff Ellis, Cat Farris, Christianne Goudreau, Hazel & Bell, Abby Howard, Amanda Lafrenais, Steve LeCouilliard, Sam Logan, Kel McDonald, Dylan Meconis, Angela Melick, and Erika Moen, Sfé Monster.

That’s right, every exhibitor has a name that falls in the first half of that alphabet, nobody at all from the N-Z range.

Okay, fine — but if my fingers fall off after adding Maki Naro³, Gabrielle Ng, Karla Pacheco, Alina Pete, Doug Savage, Mackenzie Schubert, Katie & Steve Shanahan, Anise Shaw, Spencer Soares, Kat Verhoeven, and Alison Wilgus to the list, it’s on your head.

Also please note some twenty hours of programming and , starting with a book launch on Friday night, and including discussions on the art of editing comics, the realm of all-ages comics, the realm of some-ages comics (the ones with butts and boobs and weiners), the art of self-promotion, and the sheer laugh-chuckles of competitive quick-draw improvisation. Also, for some reason, this atrocity, filled with the work of multiple terrible people; this one should be a hoot.

Spam of the day:

The company main business is further process the petrochemical production, with 8 production lines of ten-thousand-ton capacity for C9 and C10 separators, thermal & cold polymerization petroleum resin, petroleum naphthalene, tar and thousand-ton capacit

True story: my credit card company once called me up to ask if I’d placed an order for US$7000 of industrial solvents, to be delivered to somewhere in the middle of nowhere, Kansas. No, I replied, on account of I’m not a meth cook. That was what they figured, and I had a new credit card three days later. Presumably, that chemical supplier is the one that passed my contact info onto this one; at least the petrochemical industry is marginally less sleazy than the meth trade, so I’m attracting a somewhat better class of environmentally-destructive supplier these days.

¹ Now I have the urge to bite into a pepper. Thanks for that, Chairman Kaga.

² Whose Kickstarter for the definitive collection of A Softer World is kicking loads of ass: nearly 500% of goal and twelve days yet to go.

³ Speaking of whom, Naro was one of two creators whose traffic growth data was shared by Hiveworks CEO Joseph Stillwell last night/today. I’m a sucker for this sort of information, and Stillwell is one of those people whose analysis you ignore at your peril.

The other creator, by the way, is Minna Sundberg, whose growth is hell of impressive. Sundberg, as a reminder, will be paying attention to the NCS Reubens gala in Washington DC this weekend, where she’s up for the NCS Division Award for Online — Long Form.

Back Into The Swing Of Things

Hey, everybody! ‘Dja miss me? It’s going to take a day or two to get fully back into the swing of things, so today is mostly about me getting caught up on things that happened while I was gone.

  • Going furthest back you may or may not have noticed that Jillian Tamaki did an interview with The AV Club about SuperMutant Magic Academy, This One Summer¹, her episodes of Adventure Time, and more. It’s a great conversation and I recommend it to you if you hadn’t seen it before.
  • Howard Tayler² has been running a fairly massive Kickstart for an RPG to be set in his Schlockiverse for the past month or so; the management of expectations and stretch goal announcements have done well to make the traditional last-week bump in backers and pledges into more of a last fortnight, as well as causing that rarest of things on the Long Tail: an uptick in funding predictions.

    As I write this line, the Planet Mercenary campaign will be wrapping up in about five minutes, somewhere in the vicinity of US$350,000 (or 777% of goal)³. For reference, the Fleen Funding Formula Mark 2 would have predicted a whopping US$206K — US$309K which he’s handily exceeded. Well done, Tayler and partners, and enjoy the massive pile of creative output that you’ll be engaging in for the next year or so.

  • Speaking of Kickstarts, Spike Trotman launched her latest on Friday; as mentioned in the before times, she continues to alternate anthology topics, with a Smut Peddler followed by a specific genre, followed by more porn, and then another genre. It’s Sci Fi’s turn, and New World (specifically dealing with the topic of cultures coming into contact/conflict) is off to a rousing start.

    From launch on Friday to nowish, it’s reached 102% of the US$20,000 goal, meaning we’re now into the Iron Circus Comics Overfunding Bonus Plan: every contributor (or contributor team) just earned a US$50 bonus on top of the page rate they’re already been paid with another US$50 for each additional US$5000 on the campaign. For references, the bonuses paid for Smut Peddler 2012, The Sleep of Reason, and Smut Peddler 2014 were US$650, US$300, and US$1700 (!), respectively.

    In any event, four weeks left to make Spike write as large a check as possible to her incredibly skilled list of contributors; given the FFFmk2 prediction of somewhere between US$55K and US$83K, would be on the order of US$400 to US$650 a pop (which would be in line with the bonuses pad for TSOR and further proving the point that porn is innately more popular than anything else). This is why people want to work on Spike’s books — she pays, then she pays more.

  • Finally, Zubday — that regularly-occurring holiday that happens every Wednesday when there’s a new Jim Zub comic (or two, or more) on the stands — comes early this week. That’s because today is Zubday Prime, aka Zub’s birthday. Early reports are that Zub is spending the day much like any other: planning to take over the world writing and editing and merchandising and designing and generally making comics. In other words, a good day. Happy Zubday, everybody.

Spam of the day:

send 10,000 blog comments Fee just $ 100
send 100,000 blog comments Fee just $ 800
send 200,000 blog comments Fee just $ 1200

Yes, please, let me give you money to make the percentage of my life spent on crap comment pruning even greater than it already is.

¹ Which — goodness! — is a year old now. Time sure does fly.

² My evil twin, etc.

³ Actual total: 5,312 backers for a total of US$348,641, or 775% of a US$45,000 goal.

A Wonderful, Awful Idea

I believe that I mentioned recently that David Morgan-Mar (PhD, LEGO®©™etc and semi-pro Mr Bean impersonator) very kindly offered me my choice of original strips from Planet of Hats and how I chose the ur-“Planet Of” episode of old-school Trek: Patterns Of Force, aka Planet Of The Nazis. Well, my friends, that strip successfully wended its way from distant ‘Straya to deepest New Jersey, and I have learned a few things:

  • Morgan-Mar works at a fairly standard size — the four-row, twelve-panel strip took up two sheets of drawing paper, approximately letter/A4 size.
  • Morgan-Mar does not screw around when it comes to protecting art — the two sheets of art paper were sandwiched in two sheets of plain paper, which in turn were sandwiched in what appears to be the carefully-excised cardstock-and-vinyl covers of a three-ring binder, which package was bound up by five strips of duct tape. The end times could come and that artwork would have survived all the vagaries of Armageddon.
  • I’ll share a visual once the original strip runs so as not to steal Morgan-Mar’s thunder; today’s update at Planet of Hats is Return to Tomorrow, which means Patterns of Force is next. However, Morgan-Mar also announced today that he’s skipping next week as he’ll be on vacation, so it’ll be another week.

All of which leads to one inevitable conclusion: Morgan-Mar will be away next week and I now know his home address. The opportunities for mischief boggle the mind!

I think the best would be if I broke into his house and photographed myself covered in all his LEGO bricks, American Beauty style. The fact that he also knows my home address doesn’t really bother me since the only thing here to photograph himself covered with is one very lazy greyhound.

While I’m making my way Down Under on my errand of chaos, here’s what everybody else in webcomics will be doing:

  • Approximately half of them will be going to TCAF, where the fun at the Toronto Reference Library starts on Saturday, but where comic-related events are already happening around town. The other half of webcomics will be there next year; they have to alternate because the TRL can only contain so many awesome folks at once.
  • Brad Guigar¹, it’s been previously established, will be spending the weekend at his home-town Megan Fox Tits Wolverine show, where he hope that people will not be confused by the proximity of his booth and that of Mr Burt Reynolds. Brad’s prepared a little guide to help you keep them straight.
  • Those few who won’t be at TCAF this year, planning on being at TCAF next year, or trying to tell the difference between one of the sexiest men in American history and Burt Reynolds will be checking out some numbers: there are Kickstarts for Oh Joy Sex Toy and A Softer World to consider², both of which are well on their way to meeting or exceeding the previous (successful) Kickstarts for each creator team, respectively.

    A final bit of math: what are the odds that Erika Moen & Matthew Nolan could get Emily Horne & Joey Comeau to do one last ASW next year as an OJST guest comic? That would be the very, very best, but I put it at maybe one in seven. Or, for the ultimate guest strip, make sure there’s some LEGO models in the photos, and whatever kind of sexy business is happening in the main field of vision? Over to the side is laughing Brad Guigar, approving of the hijinks all you wacky kids are getting up to. I’ll put that at one in several million, but I can dream, can’t I?

Spam of the day:

Personalised Hollywood Walk Of Fame Star comes already framed.

Unless it comes with an original horned Grinch on the back side, I ain’t interested.

¹ Rebel, loner, heartbreaker.

² They each funded out in less than a day and meet the criteria for Fleen Funding Formula predictions (>= 200 backers in that first 24 hours), so let’s call it US$84K to US$126K for OJST and US$136K to US$204K for ASW.

One Door Closes, Another Opens

  • So applications for TopatoCon have closed, but they just opened for MICE, which is a show I keep hearing more and more good about. If you think you could arrange to be in Cambridge, MA¹ — across the river from the somewhat better-known Boston² — in the middle of October, this may be something you want to look into.
  • Yeah, I know — you’re waiting until the overeager crowds have quieted down before seeing the new Avengers³, you already binged on Daredevil, and have no idea what to watch that’s comics-themed this weekend. Might I recommend STRIPPED, which has joined Netflix and is now available for convenient in-home streaming?
  • So I got my copy of Cuttings in the mail yesterday, and it is expectedly gorgeous inside, but in and among the anticipated delights are some things that surprised me. One thing, however, surprised me more than anything else — more than the variety of styles and genres that Yuko Ota and Ananth Hirsh can work in, more than the amount of money I want to give them to see some of their as-yet-unrealized stories, more than the fact that when a wrist injury sidelined Ota’s right hand, she started drawing her comics with her left and quickly achieved mastery with it.

    And that thing is that Ota can not only draw better with her non-dominant hand than most people will ever draw period, but that there is a page included where she does gesture drawing with her right and left hands simultaneously. What the hell. You should buy all their stuff because anybody that can do that deserves your money.

Spam of the day:

Have you ever thought about creating an ebook or guest authoring on other sites? I have a blog based upon on the same topics you discuss and would love to have you share some stories/information.

You’ve linked to eyelash enhancers, and as I am widely reputed to have the best eyelashes in all of webcomics pseudojournalism, I don’t see why I should lend you any of my hard-won credibility on the eyelash front.

¹ Our Fair City; requiscat in pace, Tommy.

² Don’t worry about the show not being in Boston — it’s not a big college town.

³ Alternately: you couldn’t get a sitter.

It’s Always Thursdays When A Bunch Of Unconnected Things Pop Up

Might as well not fight it.

  • The top thing in webcomics, naturally, would be the unexpected reappearance of A Lesson Is Learned But The Damage Is Irreversible’s David Hellmand and Dale Beran, this time at The Nib. A Slime To Remember is the first that we’ve seen from Beran & Hellmann (working together, that is) in 18 months or so, their third comic this decade, and the 44th overall collaborative exploration of the odder corners of their respective imaginations. It’s a good ‘un, and according to The Nib editor Matt Bors, It’s probably safe to say we’ll work together again, which hopefully means a shorter wait for the next installment.
  • How about a pair of reminders of looming deadlines? Today is the final day to apply to TopatoCon, so if you want to have the most fun it is mathematically possible to have¹ this September, now’s the time to get in while you can.

    In a similar vein (albeit on the far side of the North American continent), we’re also down to the last day for artists to apply to be part of the Alaska Robotics 2015-2016 gallery exhibition season in beautiful and scenic (I mean that sincerely, it’s breathtaking) Juneau, Alaska. Quit procrastinating and get your applications in!

  • I just realized that both of those application deadlines have pretty much been open for a month. Know what else has been going on for a month that probably none of you noticed?

    And that marks one month of not having any men in my comics on my site. I guess one or two might come back.

    The last time we saw an actual dude in Diesel Sweeties (not counting Roger and John Stamos, who are above petty concepts like human gender) was 27 March, with Indie Rock Pete being … well, being himself. And as we all know, one appearance by Peter Gaylord Weiner is enough to suck all respect and liking for dudes out of the room, even after two consecutive days of the best dude.

    Thanks to best dude R Stevens for showing us that entertainment that features men as often as most entertainments feature women isn’t strange and off-putting (or at least, no more so than normal).

  • Future happenings 1: Brad Guigar (cartooning force of nature and real-life sexy dad²) will be doing four panels at the upcoming Wizard World Philadelphia — one each day, Thursday through Sunday of next week — on webcomics and podcasting (the latter with his two sons, falling on Sunday, which is traditionally the family-friendly at most comics shows).
  • Future happenings 2: Jorge Cham is into the tail end of production of his second PhD feature film with the release of the trailer. The last movie screened in more than 500 locations, on all seven continents³, so keep your eye on the film’s page for announcements as to where Cham will be bringing the sequel.

Spam of the day:

Coming out of your box can be frightening.

This piece of life advice came from a site purporting to sell Michael Kors, the most orange man this side of John Boehner. Tell you what — I’ll come out of my box when you get Kors to lay off the self-tanner.

¹ And, I suspect, several times that it is legal to have.

² [Mostly] Ladies [and a certain percentage of gentlemen], control yourselves. He’s taken.

³ Is this a good enough reason to wrangle yourself a year-long appointment on the staff of an Antarctic research facility to increase the odds that you’ll be near a screening?

Yes. Yes, it is.

Things To Keep Your Eyes On

  • I find the best stuff via the twitterfeed of Katie Lane — lawyer extraordinaire to the creative community and explainer of legal doctrines — and even when she’s not the originator, the stuff she retweets is gold. Case in point, yesterday she was the proximate cause of seeing a tweet by K Matthew Dames that led me to what may be an invaluable resource for the everyday creator: a guide to Fair Use from the Copyright Office of the federal government.

    Specifically, it’s an index of case law and precedent, which may help you to determine if what you’re doing (or what’s being done to you) falls under the purview of Fair Use (yay!) or plain ol’ thieving (boo!). While not offering legal advice, the index:

    is designed to be user-friendly. For each decision, we have provided a brief summary of the facts, the relevant question(s) presented, and the court’s determination as to whether the contested use was fair. You may browse all of the cases, search for cases involving specific subject matter or categories of work, or review cases from specific courts. The Index ordinarily will reflect only the highest court decision issued in a case. It does not include the court opinions themselves. We have provided the full legal citation, however, allowing those who wish to read the actual decisions to access them through free online resources (such as Google Scholar and Justia), commercial databases (such as Westlaw and LEXIS), or the federal courts’ PACER electronic filing system, available at

    In other words, it’s not for settling shit-fights where people are tossing around Wikipedia links as proof of the rightness of their claim; it may help provide a rationale to decide to fight/not fight a particular situation, or to help a lawyer (you have a lawyer, right) that doesn’t specialize in IP issues to get up to speed quickly. In any event, it’s got the potential to be broadly useful and I thought you should see it.

  • Naturally, protecting your rights in your creations against infringement is made much easier when you have rights in the first place. Today’s example of a big IP factory being a complete dick and making me pig-biting mad¹ comes to us from Gerry Conway, longtime vet of the superhero mines, and how DC Comics gets to define characters as spontaneously existing without any creators who might need to get a small residual check. I particularly like the part where if DC decided that:

    … if [Conway] wanted to receive an equity participation contract for a character I created, I had to request one, in writing, for each character, before that character appeared in another media, because DC would refuse to make equity payments retroactively.

    By a rough guesstimate, I probably created over five hundred characters for DC between 1969 and 1985…. Unless I’m willing to commit a large chunk of my life to tracking down each character and filing a separate equity request in anticipation that somehow, some day, one of these characters might end up on a TV show, I risk being cut off from any share in the fruits DC enjoys from the product of my labor.

    Which serves as notice to DC that they have to go to the trouble of writing Conway a letter to declare that he didn’t in fact create the character; they don’t even crank up the bullshit excuse generator unless they’re notified to do so, in writing, in advance. That’s not just evil as hell, it’s lazy, and over amounts that to a behemoth like Warner Bros are trivial:

    Yes, money is involved, but thanks to the way DC and Warners structure their in-house deals, the actual payout for the use of a character on an episode of The Flash or Arrow is ridiculously small. (I receive an average of $47 for each appearance of Felicity Smoak, for example; nothing to sneeze at, of course, but I’m not gonna be buying any mansions with my comic book character profits anytime soon.)

    Did I say trivial? I meant lost in the roundoff errors that result when a WB executive decides to fund his hookers-and-coke expenses under “Craft Services”.

  • Let us end on a happier note. Despite getting priced out of their location by San Francisco’s super-expensive real estate market, the Cartoon Art Museum isn’t spending their last few weeks on Mission Street moping around; they’re out there creating new traditions when less committed people might be starting to pack up the gift shop and send the art off to storage.

    Specifically, they’re launching the inaugural San Francisco Comics Fest, running from this Sunday (3 May, the day after Free Comic Book Day) to the following Saturday (10 May). Events will be taking place throughout the city, including workshops, meetups, talks by prominent comics creators, figure drawing, and a dance party; many of these will be free, and all of them can be found on the calendar page.

    I actually love the timing of all of this — if CAM is about to lose its home, the very best thing it can do is go big and show its hometown how indispensable it is. As a reminder, you can help shorten the downtown that hits at the end of June by donating to the CAM capital campaign and helping to fund their new home.

Spam of the day:

Download Bucky Larson: Born to Be a Star Movie.

Jeez man, why would you even send me such a thing? Do I come to your house and take a dump on the middle of the floor?

¹ One of many colorful intensifiers I recall from faithfully reading columnist Ed Anger (“American”) in the Weekly World News back when it was a printed paper. I miss ol’ Ed.